Showing posts with label studio ghibli. Show all posts
Showing posts with label studio ghibli. Show all posts
Thursday, May 17, 2012
Video: Upcoming Canadian Releases - May 22, 2012
I've recently been given the task of reviewing upcoming Canadian releases over at Movie Jury, who I have been writing for over the past two or three years. I'm still getting used to the video format, but here's my latest attempt if you enjoy seeing old men struggle with their words:
Thursday, March 22, 2012
100 Movies - No. 83: Spirited Away
Animation, Adventure, Family, 125 minutes
Directed by Hayao Miyazaki
Starring the voices of Daveigh Chase, Jason Marsden, Suzanne Pleshette and David Ogden Stiers (US dub)
My Neighbor Totoro is my favorite Hayao Miyazaki film most days, but Spirited Away is on the same level. It's the best animated film ever to win an Oscar.
So what elevates it from other great animation such as Pixar? It's a combination of many things.
Miyazaki's animation feels different to anything else that I've experienced. It's detailed and complex, with well-developed characters, and it has heart. He creates lovable characters, but some have human flaws and they are more real than characters found in most animated fare.
Spirited Away tells the story of a 10-year-old girl named Chihiro (Chase). Her parents are driving her to their new home and she's upset about leaving her friends behind. In fact, she's bratty and whines a lot. Her father drives down the wrong road and they end up in an abandoned amusement park. Although it's deserted, they can smell food. Chihiro's parents decide to take advantage of a free meal, but Chihiro doesn't. She's horrified to see them transform into pigs.
While she is deciding what to do, a boy named Haku (Marsden) shows up and urges her to leave before it gets dark. She refuses to leave her parents so he decides to help her. Darkness brings a few changes and spirits appear. An area which appeared to be deserted is suddenly alive with light and chatter. Haku explains to Chihiro that she will never be allowed to leave unless she earns her place in the town. To do so, she must seek employment at the bath house.
The bath house is run by Yubaba (Pleshette) and she's a formidable witch. But, with the help of Kamaji (Stiers), who takes care of the boiler, Chihiro is given a chance to find a job. She's assigned to Lin, who shows her what to do. Lin also tries to toughen Chihiro up and teach her to improve her sullen attitude and learn some manners. Spirited Away is a coming-of-age story in which Chihiro eventually becomes a happy, confident girl, capable of facing anything.
The story is vast and quite complex for an animated film. Miyazaki doesn't rush things and takes a little over two hours to show Chihiro's story. It's aimed at an older audience than films such as Ponyo and My Neighbor Totoro, but it contains some of the beauty and innocence that's present in all Studio Ghibli films.
Miyazaki's imagination is almost limitless. You'll meet witches, soot sprites, dragons, spirits, weird animals and a giant baby. I've sometimes heard people complain that they don't understand the story. If you just accept it as a fantasy where magic exists, it's really pretty easy to follow.
The style of animation may be different from anything that you are used to. The image is two-dimensional and each frame looks like a watercolor painting. But take note of the amount of detail present in each frame. Some of it doesn't need to be there for the story to work, but it's a richer experience because it is present. When Chihiro nervously edges down a steep flight of stairs, look at the detail in the individual steps. When she puts her shoes on, there's a very human gesture that most animators wouldn't bother with. Spirited Away is clearly a labor of love and a work of art.
If you give the film a try, you might find yourself hooked after about two minutes as I was. The look of the film and Joe Hisaishi's score set a mood immediately and draw you in. It's a slightly darker and more dangerous world than many Studio Ghibli settings, but you'll be reluctant to leave.
If you like Spirited Away:
I would confidently recommend all of Hayao Miyazaki's films, but Spirited Away is aimed at an older audience than some. I would suggest Princess Mononoke, Nausicaa of the Valley of the Wind, Castle in the Sky and Kiki's Delivery Service for fans of Spirited Away. If you like those, why not check out all of Studio Ghibli's offerings? The weakest films are still better than all but the very best animated titles.
Return to index of 100 movies to see before you die.
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Tuesday, February 7, 2012
The Secret World of Arrietty
The Secret World of Arrietty (2011, UK version)
Animation. Adventure, Family, 94 minutes
Directed by Hiromasa Yonebayashi
Starring the voices of Saoirse Ronan, Mark Strong and Tom Holland
For the benefit of those who have never read any of my reviews, I consider Studio Ghibli's films to be the most beautiful and moving stories that the genre has to offer.
The studio was founded by Directors Hayao Miyazaki and Isao Takahata as well as Producer Toshio Suzuki, but is entering a transitional phase with that trio now in their 60s and 70s. So how does this debut effort from Yonebayashi hold up?
After two viewings, I would say extremely well.
Fans of Miyazaki need not despair. He had a hand in the screenplay, adapted from Mary Norton's book, and his imprint is all over this film. Like all Studio Ghibli efforts, Arrietty has so much heart that it's almost impossible to avoid being emotionally moved by the story. The animation style is exactly what you would expect too, with a two-dimensional look and a faded color palette. The music comes from Cecile Corbel, Simon Caby and Dale Sison, but it often feels like a Joe Hisaishi score. Studio Ghibli's future is in good hands.
Arrietty Clock is 14 years old and four inches tall. She's a Borrower and lives with her mother and father. Borrowers acquire items that humans don't really need and then use them as food or to make tools. She collects leaves, sugar lumps and pins and puts them to good use. Humans are considered dangerous so the Clock family tries to remain out of sight, living in the foundations of the humans' house.
Arrietty and her father adapt a variety of items and turn them into useful gadgets. Thread, earrings and sticky tape enable them to climb and move around large objects. Dangers are everywhere if you are four inches tall. Think of how a cat or bird might view someone of that size. Despite the danger, Arrietty seems at one with nature. She tries not to hurt any small bugs and is accepted by most of the creatures in her world.
I'm not going to go into too much detail about the plot as the film hasn't yet been released theatrically in North America, but here are a few important points:
A boy named Sho comes to stay at the house while he awaits a heart operation. Imagine that in a Disney movie; it just wouldn't happen. Sho defies the expectations of the Clock family and seems friendly. However, not everyone in his household is as harmless. If humans discover the existence of the Clock family, they will have to vacate their home and move on.
Moments of peril are few, but intense, although there is no real violence. The film plays out like an adventure and can safely be viewed by people of all ages. The ending leaves a few loose threads. Mary Norton's series consists of four books, so it's possible that Studio Ghibli could release a sequel one day.
The film is a coming-of-age story in which Arrietty tries to prove her value as a Borrower. It touches on illness, love, trust, superstition and greed, but its world is filled with beauty and innocence for the most part. Look at Sho's expression when he meets Arrietty and see how non-threatening it is. Notice how Arrietty's nods of understanding convey respect and love for her father. See how imaginative the story is in terms of using Arrietty's stature to show the world from her perspective.
The film ends on an optimistic note, despite the feeling that some story threads are unresolved. That's exactly how I feel about the future of Studio Ghibli. If you are a fan of the studio, please consider seeing the film in theaters. It's due to be released in North America on February 17. It certainly has a lot more heart than typical animated fare and perhaps our support will encourage Disney to release more Studio Ghibli films on Blu-ray in North America?
This version features a British voice cast and the imported Blu-ray is locked to Region B. The North American release will feature a completely different voice cast and is out on May 22, 2012. If you prefer to see the film in its original Japanese, that's also an option on this release.
It would be hard to give a higher recommendation. I've seen the film twice and its world embraced me like a familiar warm blanket on both occasions.
Overall score 4.5/5
Return to index of every review on the site.
Animation. Adventure, Family, 94 minutes
Directed by Hiromasa Yonebayashi
Starring the voices of Saoirse Ronan, Mark Strong and Tom Holland
For the benefit of those who have never read any of my reviews, I consider Studio Ghibli's films to be the most beautiful and moving stories that the genre has to offer.
The studio was founded by Directors Hayao Miyazaki and Isao Takahata as well as Producer Toshio Suzuki, but is entering a transitional phase with that trio now in their 60s and 70s. So how does this debut effort from Yonebayashi hold up?
After two viewings, I would say extremely well.
Fans of Miyazaki need not despair. He had a hand in the screenplay, adapted from Mary Norton's book, and his imprint is all over this film. Like all Studio Ghibli efforts, Arrietty has so much heart that it's almost impossible to avoid being emotionally moved by the story. The animation style is exactly what you would expect too, with a two-dimensional look and a faded color palette. The music comes from Cecile Corbel, Simon Caby and Dale Sison, but it often feels like a Joe Hisaishi score. Studio Ghibli's future is in good hands.
Arrietty Clock is 14 years old and four inches tall. She's a Borrower and lives with her mother and father. Borrowers acquire items that humans don't really need and then use them as food or to make tools. She collects leaves, sugar lumps and pins and puts them to good use. Humans are considered dangerous so the Clock family tries to remain out of sight, living in the foundations of the humans' house.
Arrietty and her father adapt a variety of items and turn them into useful gadgets. Thread, earrings and sticky tape enable them to climb and move around large objects. Dangers are everywhere if you are four inches tall. Think of how a cat or bird might view someone of that size. Despite the danger, Arrietty seems at one with nature. She tries not to hurt any small bugs and is accepted by most of the creatures in her world.
I'm not going to go into too much detail about the plot as the film hasn't yet been released theatrically in North America, but here are a few important points:
A boy named Sho comes to stay at the house while he awaits a heart operation. Imagine that in a Disney movie; it just wouldn't happen. Sho defies the expectations of the Clock family and seems friendly. However, not everyone in his household is as harmless. If humans discover the existence of the Clock family, they will have to vacate their home and move on.
Moments of peril are few, but intense, although there is no real violence. The film plays out like an adventure and can safely be viewed by people of all ages. The ending leaves a few loose threads. Mary Norton's series consists of four books, so it's possible that Studio Ghibli could release a sequel one day.
The film is a coming-of-age story in which Arrietty tries to prove her value as a Borrower. It touches on illness, love, trust, superstition and greed, but its world is filled with beauty and innocence for the most part. Look at Sho's expression when he meets Arrietty and see how non-threatening it is. Notice how Arrietty's nods of understanding convey respect and love for her father. See how imaginative the story is in terms of using Arrietty's stature to show the world from her perspective.
The film ends on an optimistic note, despite the feeling that some story threads are unresolved. That's exactly how I feel about the future of Studio Ghibli. If you are a fan of the studio, please consider seeing the film in theaters. It's due to be released in North America on February 17. It certainly has a lot more heart than typical animated fare and perhaps our support will encourage Disney to release more Studio Ghibli films on Blu-ray in North America?
This version features a British voice cast and the imported Blu-ray is locked to Region B. The North American release will feature a completely different voice cast and is out on May 22, 2012. If you prefer to see the film in its original Japanese, that's also an option on this release.
It would be hard to give a higher recommendation. I've seen the film twice and its world embraced me like a familiar warm blanket on both occasions.
Overall score 4.5/5
Return to index of every review on the site.
Thursday, June 23, 2011
My Top 20 animated movies: Part 4, #1-5
My Top 20 animated films (continued)
I would just like to mention that Grave of the Fireflies was included in my Top 20 dramas and has therefore been omitted from this list. It would have placed second.
Here are my Top 5 animated films:
5. Ratatouille (2007)
Directed by Brad Bird and Jan Pinkava
Starring the voices of Patton Oswalt, Lou Romano, Ian Holm and Janeane Garofalo
If you have read my other three articles in this series, you’ll know I love Pixar. The Incredibles, Finding Nemo, Cars, Wall-E and the Toy Story trilogy narrowly missed making my Top 20, but all are worth owning. Ratatouille is my favorite entry from the studio and I would love to see a sequel one day. Remy (Oswalt) is a rat, gifted with an enhanced sense of taste and smell. He can tell the other rats what’s safe to eat, but aspires to be something more. After seeing a cooking show on TV, he discovers that he would like to cook. He seems naturally gifted and teams up with Linguini (Romano), who works as a kitchen boy in a Parisian restaurant. Linguini has no talent as a chef, but Remy finds that he can control him by tugging strands of hair while hiding under his toque. His food is popular with the customers, but he has to find a way to realize his ambitions. His journey is a lot of fun. Remy communicates almost entirely through body language when he’s with humans and his little gestures convey a lot of feeling. He’s such a happy little guy that it’s difficult to dislike him.
At 111-minutes, Ratatouille might not hold the attention of young children, but there’s no questionable content. It’s informative and charming, but lacks the constant action associated with most animation. The Blu-ray presentation is among the best you’ll find.
Click here for my full review.
Click here for my full review.
4. Ponyo (2008)
Directed by Hayao Miyazaki
Starring the voices of Noah Lindsey Cyrus, Frankie Jonas, Liam Neeson and Tina Fey
My love for Miyazaki’s films started three years ago when I bought Ponyo on Blu-ray. After seeing his charming view of the world, I sought out every other title I could find from Studio Ghibli. Ponyo (Cyrus) is a little fish with the face of a girl and she escapes her underwater home and encounters Sosuke (Jonas). He rescues her when she becomes trapped in a discarded bottle and takes her home in a bucket. After licking blood from a cut on his finger, she starts to take on human form and the two become friends. Sosuke’s mother, Lisa (Fey), accepts the situation and knows that Ponyo is magical. Ponyo’s father (Neeson) looks for her because her presence in the human world is causing nature to be out of balance. The story is delightful and I love watching the two children grow closer. Ponyo loves ham and is capable of performing magic, while Sosuke accepts her for exactly what she is. Like other Miyazaki films, it’s a good place to visit. People respect each other and there are no villains. The weather and the balance of nature are the two biggest situations to overcome, and the whole story is a lot of fun. The animation is beautiful, especially during the opening scene in Ponyo’s home under the sea.
The Disney Blu-ray is an ideal way to experience this colorful world. Some might argue that Ponyo is aimed at young children, but I would say that the whole family should enjoy it. I don’t find it childish at all.
3. Spirited Away (2001)
Directed by Hayao Miyazaki
Starring the voices of Daveigh Chase, Jason Marsden, Suzanne Pleshette and David Ogden Stiers
Spirited Away won an Oscar for Best Animated Feature. The story starts simply enough when Chihiro (Chase), a 10-year-old girl, discovers an old amusement park with her parents. Although deserted, the stalls contain hot food. When the parents start to eat, they turn into pigs. She encounters Haku (Marsden), a boy who lives in the town, and he explains that she can only stay if she finds work. Chihiro begins the story as a whiny brat who complains about everything, but learning to work and taking responsibility for saving her parents changes her. She begins a long quest and we encounter all kinds of strange beings along the way. It’s probably the most complex of Miyazaki’s worlds and needs the full 124-minute running time to show us everything in sufficient detail. Chihiro helps Haku discover his true identity along the way and meets an interesting multi-limbed character named Kamaji (Stiers), who runs a boiler room and is happy to help her.
Some of the scenes are a little scarier than those in films such as Ponyo or My Neighbor Totoro, but it's still suitable for the whole family. There’s no Blu-ray release as yet, so you’ll have to pick up the DVD or wait a while if you want to own it.
2. NausicaƤ of the Valley of the Wind (1984)
Directed by Hayao Miyazaki
Starring the voices of Alison Lohman, Shia LaBeouf, Patrick Stewart and Uma Thurman
The film was originally released in the US as Warriors of the Wind, but the extensive cuts lost the essence of the story and ruined it. The post-apocalyptic setting is epic in scope. Humans have polluted the Earth to such a degree that all that’s left are deserts, and jungles filled with poisonous plants. The people have to wear breathing masks to avoid the toxic air. Princess NausicaƤ is a teenage girl with a good heart. She’s in tune with nature and the creatures inhabiting her strange world, and appreciates her surroundings. Her first instinct is to trust people and she believes that there’s good to be found in everyone. This vast journey shows us an unusual world filled with threats both real and perceived. NausicaƤ has a few secrets and hopes to transform her damaged world. The ignorance of some of the people she encounters threatens the safety of all humans and everything she’s trying to achieve.
This is one of Miyazaki’s most adult-orientated films, but I wouldn’t stop young children from seeing it. The Disney Blu-ray is a big improvement over the DVD and I would recommend it to anyone.
1. My Neighbor Totoro (1988)
Directed by Hayao Miyazaki
Starring the voices of Dakota Fanning, Elle Fanning, Tim Daly and Pat Carroll
To be honest, I’m not sure whether Totoro is Miyazaki’s best film. It’s like trying to decide which of your children you prefer over the others. All of his films make me smile and I’m always moved when I watch any of them. Miyazaki sees things that most of us take for granted and manages to capture it in simple animation. The reason I have put Totoro above his other films (today at least) is the relationship between sisters Satsuki (Dakota Fanning) and Mei (Elle Fanning). Satsuki looks out for Mei, while Mei mimics her sister and obviously loves her. When the girls and their father move into a new house, I love seeing the determination on Mei’s face as she curiously explores her surroundings. For around 30 minutes, we focus on those charming scenes. Then, one day, Mei goes exploring on her own and meets a huge Totoro, who is a magical creature living in the nearby woods. He’s not threatening in any way so Mei goes to sleep on his belly. The two girls befriend the creature, who can only be seen if he wants to be seen. The world is a wonderful place, free of danger.
Young children will probably love My Neighbor Totoro, but adults should see something in it too. It’s beautiful and full of innocence, and shows us what it’s like to see the world through the eyes of a child. A Blu-ray release could come within a year or so, but it’s only available on DVD at present.
Click here for my full review.
If you have read the entire list, you’ll see that Hayao Miyazaki features prominently. Seven of the films he directed made my Top 20, and he wrote the screenplay for one of the others. If you haven’t checked out his films because they are Japanese, please consider giving one a try. All are dubbed into English and feature actors that you’ll be familiar with. I can’t promise you’ll love them as much as I do, but the potential reward is worth the time investment.
Did I include your favorites on my list? Thanks for reading and feel free to comment or post your own favorites.
Click here to see #16-20 on my list.
Click here to see #11-15 on my list.
Tuesday, June 21, 2011
My Top 20 animated movies: Part 2, #11-15
My Top 20 animated movies (continued)
I promised yesterday that I would reveal the next five movies from my 20 favorite animated titles, so here they are:
I promised yesterday that I would reveal the next five movies from my 20 favorite animated titles, so here they are:
15. Watership Down (1978)
Directed by Martin Rosen
Starring the voices of John Hurt, Richard Briers and Ralph Richardson
The first thing you should know is that I love rabbits. That made me curious about Watership Down, so I borrowed the DVD from my local library. Richard Adams’ novel tells the story of a small group of rabbits threatened by a development scheme which could destroy their home. Fiver (Briers), is a young rabbit with a gift; he catches glimpses of the future. He sees imminent danger and encourages the other rabbits to leave, but only a small group listen. Hazel (Hurt) is Fiver’s brother and leads the group as they search for a safer home. They are joined by Bigwig, Silver and Buckthorn. The group faces dangers from other animals, rival warrens and humans, and the quest continually encounters perilous situations. The film is informative for anyone interested in group dynamics as we see how the individuals find their roles in the new order. It also shows the difference between those with strong character and those who are too weak to do anything but follow the established rules. There’s a lot of blood as the rabbits fight for survival, and there is no shortage of death.
I wouldn’t recommend showing this to small children as it could give them nightmares for years to come. It’s suitable for older teens and up though. I’m anxiously awaiting the arrival of the German Blu-ray and I’ll write a full review after it arrives.
14. Tangled (2010)
Directed by Nathan Greno and Byron Howard
Starring the voices of Mandy Moore, Zachary Levi and Donna Murphy
Are you tired of seeing Disney films involving princesses and too many songs? I was, and that’s why I resisted the temptation to see Tangled. But after a while, I caved in and gave it a try. It was a pleasant surprise in more ways than one.
It’s the story of what happens when Rapunzel (Moore) and Flynn Rider (Levi) meet. Rapunzel is kept trapped in a tower by an old woman who taps her powers in order to remain young, while Rider is a thief. The two go on an adventure that’s full of discovery and action. You’ll also meet Pascal, a chameleon who has befriended Rapunzel. He doesn’t speak, but his body language is hilarious and he steals a few scenes. Maximus is the other source of humor. He’s a horse who spends his time tracking Rider in an attempt to bring him to justice.
Disney’s 50th animated title is a delight and suitable for people of all ages.
Here’s my full review.
13. Bambi (1942)
Directed by James Algar, Samuel Armstrong, David Hand, Graham Heid, Bill Roberts, Paul Satterfield and Norman Wright
Starring the voices of Hardie Albright, Peter Behn, Stan Alexander and Bobette Audrey
Bambi is a prime example of classic Disney. The main theme of the film is innocence, and it details the early years in the life of a young deer. I saw the film as a child and again recently when it was released on Blu-ray, and found that I had forgotten just how beautiful the story is. Bambi is raised by his mother and befriends various other forest animals such as Thumper the rabbit and Flower the skunk. We see Bambi learn how to walk and talk, always with the help of his friends. Like any youngster, he’s curious about his surroundings. The film is full of scenes in which he discovers new things and learns how to interact with his environment. The one scar on the film’s beauty is the death of Bambi’s mother. It happens offscreen, but it’s obviously something which could disturb small children. In fact, I know a few adults who won’t watch it because of that event. The remainder of the story is full of charm and we see how Bambi and his friends discover love and choose their mates.
The Blu-ray presentation is outstanding and the film looks great considering it’s almost 70 years old. Bambi gets my vote for the most beautiful story Disney has ever told.
12. Castle in the Sky (1986)
Directed by Hayao Miyazaki
Starring the voices of James Van Der Beek, Anna Paquin, Cloris Leachman and Mark Hamill
Sheeta (Paquin) is a young girl who falls from an airship at the start of the story. She wears a magic crystal which enables her to float safely to the ground. She meets Pazu who is a boy about her age and the two become friends. Friendship is a common theme in Miyazaki’s films and often forms the foundation of the story. The pair are being chased by pirates who want the crystal for themselves. Sheeta learns that knowledge of the crystals was once common and that an entire island was created which floated in the sky. The crystal is thought to have the power to show the location of the legendary island and so they try to establish its whereabouts. The story is full of action and adventure, as well as some surprises along the way. It works because of the sense of friendship between Sheeta and Pazu, and it has plenty of charm.
The film has been released on Blu-ray in Japan, Australia and the UK, so a North American release can’t be very far away. It's a good family film and can be enjoyed by people of any age.
Directed by Wes Anderson
Starring the voices of George Clooney, Meryl Streep and Bill Murray
Wes Anderson’s adaptation of Roald Dahl’s story is often funny, but also contains serious themes which might be lost on some children. It uses stop motion and tells the tale of Mr. Fox, who has trouble resisting the temptation to steal from the local farmers. He’s not a very good father and can’t be trusted by his wife, but has a certain roguish charm. The film mixes standard animated action with a quirky sense of humor that’s more subtle than that found in most stories. His antics put his family and other animals in danger as the three farmers he robs team up and decide to kill him. The humor is close in style to that used in Bottle Rocket and The Darjeeling Limited, rather than something you would expect to find in an animated film. The story isn’t afraid to show animals being hurt or even dying, so caution should be used if you’re planning to watch it with smaller children.
The Blu-ray presentation looks incredible and the voice acting is strong throughout. There’s no other animated film quite like this one.
Here’s my full review.
For #16-20 on the list, click here.
For #6-10 on the list, click here.
For #1-5 on the list, click here.
Return to index of every review on the site.
For #1-5 on the list, click here.
Return to index of every review on the site.
Monday, June 20, 2011
My Top 20 animated movies: Part 1, #16-20
My Top 20 animated movies
Animated movies rarely get the respect they deserve. It’s common to hear people refer to them as cartoons and to regard them as lighthearted entertainment fit only for children. I suppose that idea comes from the fact that the majority of us enjoyed short cartoons when we were kids.
Classic Disney titles have been around for over 70 years and focus on material that is suitable for young children, but that doesn’t mean it’s not suitable for adults.
My Top 20 includes a number of Disney titles. Some have universal appeal while others are aimed at older audiences. Other films on the list contain messages that can appeal to people of any age. Some of the themes are complex and will only be understood by adults. I’ll mention which category each of my selections falls into.
It’s important to keep an open mind about animation and not label it as something too childish to bother with. You’ll miss out on some stunning stories if you do. There are currently 51 animated titles in my Blu-ray collection and the number would be much higher if other titles were available on the format.
Those of you who read my Top 20 Drama articles will know that Grave of the Fireflies is among my favorites. For that reason, I chose to omit it from this list.
That’s enough talk; let’s get started:
20. A Bug’s Life (1998)
Directed by John Lasseter and Andrew Stanton
Starring the voices of Kevin Spacey, Dave Foley and Julia Louis-Dreyfus
Pixar’s second movie focuses on a colony of ants. The story is about standing up to bullies and pursuing your own course even when you’re regarded as different or weird. That’s a good message for children. Flik (Foley) is a young ant with an imagination. He invents laborsaving devices to help his colony gather food for a group of aggressive grasshoppers, led by Hopper (Spacey). When an accident causes the gathered food to be lost, Flik is sent on a trip to enlist bugs willing to help the colony stand up to the grasshoppers. They are essentially getting rid of him and don’t expect him to succeed, but he returns with help. The new allies help the ants come up with a plan to defeat the grasshoppers. It’s a coming-of-age tale with lovable and quirky characters.
The animation looks great, especially on Blu-ray. Every blade of grass looks real and the detail is incredible. The story is a little scary in places, but is ultimately a lot of fun. It’s suitable for the whole family.
19. How to Train Your Dragon (2010)
Directed by Dean DeBlois and Chris Sanders
Starring the voices of Jay Baruchel, Gerard Butler and Craig Ferguson
Here’s a movie that I expected to love, but it didn’t really grab me the first time I saw it. Maybe I was in the wrong mood that day because my opinion of it improved significantly on the second viewing.
The story is similar to the one in A Bug’s Life in some ways. It tells the story of Hiccup; a young Viking hoping to hunt dragons like most of the town’s inhabitants. The problem is, he’s undersized and seemingly lacks the requisite skills. He likes to invent things and one of his weapons hits the most ferocious species of dragon, a Night Fury. When he eventually discovers the injured beast, he finds that he’s unable to kill it. Instead, he names it Toothless and builds a device that will enable the dragon to fly again. The two form a bond and he starts to question whether his people are right in their assumption that dragons are dangerous and should be killed on sight. The story is full of action, which peaks during the flight scenes.
The Blu-ray presentation is excellent and the story should interest the whole family. There are currently eight books in the series and second movie is due to be released in 2014.
18. Mary and Max (2009)
Directed by Adam Elliot
Starring the voices of Philip Seymour Hoffman, Toni Collette and Eric Bana
Mary and Max is one of the weirdest animated films I have ever seen. It’s full of dark humor and is often sad, but I find myself laughing most of the time. Mary Daisy Dinkle (Collette) is an 8-year-old Australian girl, with a birthmark the color of poo, who picks a name at random from the Manhattan phone directory. The name is that of Max Jerry Horovitz (Hoffman), a 44-year-old Jewish man with Asperger’s Syndrome. Both are terribly lonely, so when she writes to him, the two develop a friendship. The dialogue is hilarious. Mary thinks that babies are found in the bottom of beer glasses; Max informs her that they actually come from eggs laid by rabbis. If you are Jewish, they are laid by Catholic nuns. If you are an atheist, they are laid by dirty, lonely prostitutes. The whole movie is full of similar dialogue. Max is brutally honest and says things that are completely inappropriate for 8-year-old Mary.
The claymation looks highly-detailed on Blu-ray. I wouldn’t be comfortable showing the movie to small children because it could raise some awkward questions. Themes include sex, theft, alcoholism and death. If you like weird humor, this is probably something you should check out.
17. Whisper of the Heart (1995)
Directed by Yoshifumi KondƓ
Starring the voices of Brittany Snow, David Gallagher, James Sikking and Cary Elwes
If you read all 20 recommendations, you’ll see Hayao Miyazaki’s name mentioned several times. Although he didn’t direct Whisper of the Heart, he wrote the screenplay, and his imprint is all over the movie. Shizuku is a girl of about 13 who doesn’t really know what she wants to do with her life. She’s clever and creative, but lacks direction. She's intrigued when she discovers that almost every library book she checks out has previously been borrowed by the same person. When she meets the boy, the story starts to take off. It’s a charming story filled with people who are generally good. Children respect their elders and the elders have time to encourage the children. Friendships are strong and meaningful and it’s a nice world to spend some time in. It’s a coming-of-age story in which Shizuku discovers her calling in life. Don’t make the mistake of thinking it’s a teen romance; there’s so much more going on than that. Miyazaki creates characters that you’ll quickly like and often come to love.
Whisper of the Heart is released on Blu-ray in Japan on July 20, so there’s a good chance it will be available elsewhere by the end of 2011 or the start of 2012.
16. Princess Mononoke (1997)
Directed by Hayao Miyazaki
Starring the voices of Billy Crudup, Gillian Anderson, Clare Danes and Minnie Driver
Princess Mononoke is an animated film dealing in adult themes. Its 133-minute running time is barely sufficient to explore the vast world and complex story and it’s a little disjointed at times, but seems smoother every time I watch it. It was the highest-grossing film in Japan until Titanic was released.
Our hero is Ashitaka (Crudup), who saves his village from a possessed boar, but suffers a wound that could eventually result in his death. He is forced to leave the village to seek a cure. He rides an elk and shares a strong bond with the animal. Ashitaka is a noble and heroic young prince who always has good intentions. We see him save two men from drowning and he returns them to their village. He enters the Forbidden Forest, which is considered certain death, but it turns out to be nothing of the sort. Ashitaka encounters forest sprites who are full of joy and childlike wonder, and they lead him to safety. As with virtually all Miyazaki films, most of the danger comes from misunderstandings rather than true evil. The story is deeply spiritual and demonstrates Miyazaki’s love of nature. Princess Mononoke is raised by wolves and hates humans, but Ashitaka tries to show her that not all humans are bad. It’s a sprawling story filled with gods and mystery, but the long running time never feels boring. The simple animation style is beautiful and the music enhances the whole experience.
There’s no Blu-ray release as yet, although it will eventually happen. The DVD is worth checking out if you don’t have the option to stream it. The story is quite violent in places with bloody scenes involving enemies being decapitated. It may not be suitable for small children.
Here's my full review.
Here's my full review.
Click here to see #11-15 on the list.
Click here to see #6-10 on the list.
Click here to see #1-5 on the list.
Return to index of every review on the site.
Sunday, June 5, 2011
My Top 20 Dramas: Part 2, #11-15
My Top 20 Dramas (continued)
Most of my favorite movies are dramas. It’s largely because important stories told in a serious way tend to be dramas. Acting is generally better and the story means something.
It’s incredibly difficult to rank films. Much depends on mood or which ones you have seen recently. The order constantly changes and new titles are added as I see titles for the first time.
With that in mind, here’s #11-15 in my favorite genre:
15. As Good as It Gets (1997)
Directed by James L. Brooks
Starring Jack Nicholson, Helen Hunt and Greg Kinnear
Nicholson and Hunt both won Oscars for their unconventional romance. It’s a good example of the type of humor I like as it is sprinkled among serious dramatic scenes. The main duo, ably supported by Kinnear, all did great work. Nicholson possesses excellent comic timing and all three characters were convincing in their roles. The story is touching, involving and very funny in places. It’s capable of making you laugh and cry and that’s a rare thing.
14. One Flew Over the Cuckoo’s Nest (1975)
Directed by Milos Forman
Starring Jack Nicholson, Louise Fletcher, Brad Dourif and Danny DeVito
More Nicholson and further evidence of his natural instinct for comic timing. It’s a thought-provoking film set in a mental institution, mixing humor and drama. Some scenes are uplifting, but others are extremely sad. What is freedom? What are the most important things in life? It also features good early performances from Danny DeVito, Christopher Lloyd and Brad Dourif (who was nominated for an Oscar). I don’t think I’ll ever forget Will Sampson’s contribution as The Chief. Ah, Juicy Fruit.
13. Juno (2007)
Directed by Jason Reitman
Starring Ellen Page, Michael Cera, Jason Bateman and J.K. Simmons
Juno is another drama with plenty of funny moments. The acting is superb across the board and the chemistry between Page and Cera works well. One of my favorite scenes involves a talk between Juno and her father (Simmons) in which his gentle wisdom leads her to a key revelation about her feelings. The Oscar-winning screenplay from Diablo Cody feels authentic and captures the mind of a teen particularly well. I laughed and I was charmed by this gem. The story never gets too serious and the whimsical mood is perfectly enhanced by the choice of songs.
See my full review here.
12. Grave of the Fireflies (1988)
Directed by Isao Takahata
Starring the voices of Tsutomu Tatsumi and Ayano Shiraishi
Here’s an animated movie that wasn’t targeted at children. Most animated fare is light-hearted and full of humor, but Grave of the Fireflies is deadly serious. I’m usually crying three minutes into the film because of a beautiful scene where a boy’s spirit is reunited with his sister’s. The remainder of the story is told through flashbacks and shows how the two siblings died. It contains so many touching moments and is based on a true story in which a young boy was unable to save his little sister. It’s set during the Second World War, but never preaches about which side was right or wrong. It’s purely an observation of how war affects people’s lives. It’s easily the best serious animation I've ever seen.
11. Three Colors Red (1994)
Directed by Krzysztof Kieslowski
Starring Irène Jacob, Jean-Louis Trintignant and Frédérique Feder
Krzysztof Kieslowski and IrĆØne Jacob first worked together three years earlier in The Double Life of Veronique and it’s a pleasure to see them together again in Kieslowski’s final film. She plays Valentine, a young model who inadvertently meets a retired judge (Trintignant). She disapproves of his lifestyle and slowly influences him and inspires a change. I like it so much because Valentine is such a pure spirit and a source of goodness. The judge isn’t particularly likable at the outset, but I end up pitying him and then liking him. It’s a thought-provoking piece about how people can change. It also has deeper themes and some have speculated that the judge represents God. Released in the same year as Forrest Gump, The Shawshank Redemption and Pulp Fiction, Three Colors Red is the most powerful part of Kieslowski’s excellent trilogy.
See #16-20 on my list here.
I’ll reveal the next five films on my list tomorrow.
Feel free to let me know what you think about my selections, and what would make your Top 20.
Return to index of every review on the site.
Return to index of every review on the site.
Labels:
animation,
anime,
drama,
ellen page,
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helen hunt,
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j. k. simmons,
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krzysztof kieslowski,
michael cera,
oscar winner,
studio ghibli
Thursday, June 2, 2011
My Neighbor Totoro: Miyazaki captures beauty and innocence
My Neighbor Totoro (animation, adventure, family)
Directed by Hayao Miyazaki
Starring the voices of Dakota Fanning, Elle Fanning, Tim Daly and Pat Carroll
Disney / Buena Vista | 1988 | 86 min | Rated G | Released Mar 02, 2010
The Film 5/5
Unlike all of my previous blog reviews, My Neighbor Totoro hasn’t yet been released on Blu-ray. Disney is working its way through the Studio Ghibli titles and has released most of them on DVD, but a Blu-ray release for this particular film is likely one or two years away. While I intend to own them all on the best possible format, I just had to buy Totoro on DVD until it sees a high definition release.
This is going to be a difficult review because my love for Studio Ghibli and its worlds is hard to put into words. I’ll do my best.
Hayao Miyazaki’s films aren’t for everyone. They should be, but it just isn’t the case. The reason is that we in North America have come to expect a certain style when it comes to animation.
Animated movies are typically fast-paced and filled with action. They have heroes, villains, chase scenes and conflict. What’s more, they are noisy. It seems that without constant action, there’s a fear that the audience might become bored. This is not a criticism, merely an observation. I’m quite happy watching such things as Kung Fu Panda, Megamind, Tangled or How to Train Your Dragon.
Miyazaki’s films don’t follow the typical Hollywood style. Until very recently, everything was hand-drawn. Each frame is like a watercolor painting and has a certain beauty. Those who only watch modern CGI animation may not appreciate the classic two-dimensional style.
Another huge difference is the pacing. Instead of constant action, you’ll see occasional shots of the countryside, a stream, an animal or clouds. It’s a cultural difference and reflects a society in which people are more in tune with nature and the simple joy of being alive. Miyazaki’s stories unfold gradually in their own time.
Like most Studio Ghibli releases, Totoro doesn’t contain any villains. We are shown situations that its characters encounter and have to figure out. It works because the characters are well-defined and we care about them. We want to see how they will proceed and whether they will succeed.
Like most Studio Ghibli releases, Totoro doesn’t contain any villains. We are shown situations that its characters encounter and have to figure out. It works because the characters are well-defined and we care about them. We want to see how they will proceed and whether they will succeed.
The story is set in the 1950s in a Japanese village and begins with Professor Kusakabe (Daly) arriving at his new house, along with daughters Satsuki and Mei (Dakota and Elle Fanning). Satsuki is about 10 years old and Mei around 4. The sisters are delighted with their new home. Mei mimics her sister’s actions and sometimes repeats what she says. I have never seen a more realistic depiction of how children think and behave.
The children are full of life and explore their new house with excitement. It’s rumored to be haunted, but they only encounter soot sprites which leave at the sound of laughter. The sprites are only visible to children. Another cultural difference is highlighted when the professor shares a bath with his daughters. His girls happily help with the chores before they run off to play. This is a world in which TV doesn’t exist. The children spend their free time playing outside.
Professor Kusakabe puts the girls on his bicycle and takes them to a hospital where their mother is being treated. Miyazaki’s own mother suffered from tuberculosis and, although it’s never stated, this is probably what Mrs. Kusakabe was recovering from. It’s not typical for animated films to deal with such themes as illness, but this is a realistic world and the situation fits. They learn that she’s almost ready to return home and see their new house.
Satsuki cooks for the family and her father works at home when he’s not lecturing at the university. It’s a benign world where children walk to school without any fear of abduction or similar dangers.
Mei isn’t yet old enough for school and plays outside while her father works at his desk. She views the world with the charming fascination of a child, exploring her surroundings and watching tadpoles swim in the stream. Then she sees a pair of white ears in the long grass, belonging to a creature resembling a rabbit. The creature scurries away from her alternating between visible and invisible. She tracks it into a tunnel formed by overhanging trees. After entering a hole in the trunk of a vast tree she emerges in a clearing occupied by a giant sleeping creature.
We are more than 30 minutes into the film before she encounters the sleeping totoro. The film takes its time and doesn’t feel the need to introduce the creature from the start. It looks like a cross between a cat, a teddy bear and an owl. She prods it inquisitively and it seems unconcerned by her presence. There’s no sense of danger and she simply curls up on top of it and falls asleep. Her father and sister notice she is missing and set out to find her. When they arrive, she’s sleeping on the ground in the forest with no sign of the totoro.
When she tells her unlikely story, her father and sister believe her. They accept that she wouldn’t lie. It’s very refreshing to see that kind of trust between adult and child. Professor Kusakabe speculates that the totoro can only be seen when he wants to be seen and that Mei was very lucky to have the chance. These simple words make her happy.
The film defies our expectations at every turn. When her father has to go to the university, Mei starts to miss Satsuki, so the old woman looking after her takes her to the school. Satsuki explains to the teacher that their father will be home in a couple of hours and Mei is allowed to stay with the older children. She feels important and quietly sits at her desk drawing a picture of the totoro.
I don’t want to give away the whole story, but the totoro has an important part to play in the lives of the girls. The most worrying part of the film lasts about ten minutes, but it’s a realistic situation and doesn’t contain any villains. Their friend the totoro is a reassuring presence and knows how to solve the problem.
The girls are very sweet, but it isn’t overdone. Little Mei is probably my favorite character in any animated film. She’s thoroughly adorable. Miyazaki’s drawings are quite simple, but he can convey emotion with just a few expressions. He varies the size of the children’s mouths and eyes according to the mood of the scene.
My Neighbor Totoro is set in a world that no longer exists. The parents care deeply for their children and the two sisters love and depend on each other. Villagers pull together in times of crisis and care about their neighbors. Children respect older people and there’s no sense of danger. It’s a warm and happy place to visit and I wish the real world were more like Miyazaki’s imaginary ones. This is what human beings are supposed to be like.
Miyazaki has a wonderful imagination and it’s even more prominent in fantasy worlds such as those encountered in Nausicaa of the Valley of the Wind, Castle in the Sky and the Oscar-winning Spirited Away. All of his stories have warmth and heart. If you see him interviewed, it’s apparent that he loves what he does. His enthusiasm is infectious and he smiles when he talks about his worlds. He sees things that most of us take for granted and miss altogether.
I consider My Neighbor Totoro to be the perfect family film. It may also be the happiest film I’ve ever seen and the relationship between the sisters is wonderful to watch. They aren’t constantly bickering. If Mei gets tired, Satsuki carries her. Adults treat children seriously and genuinely want to know what’s important to them. In today’s world, with the pressures adults place on themselves, that isn’t always the case.
Miyazaki has crafted a film filled with wonder and a sense of discovery. It’s like returning to your childhood and seeing the world from that perspective. The expressions of concentration, determination and pure wonder on Mei’s face are depicted perfectly. The film is full of beauty. I don’t just mean the animation – although it is beautiful – I’m also referring to the actions performed by the people and creatures in the film.
The feelings created by the story are considerably enhanced by Joe Hisaishi’s haunting score. He’s responsible for the music in all of Miyazaki’s films and the two have established a good understanding. The melodies seem so simple, but it’s hard to imagine the film without their presence.
While I’m delighted that Disney is releasing the Studio Ghibli titles on Blu-ray, it can’t happen fast enough. Some will argue that the English dub of the film ruins the experience. The good thing about the recent releases is that the original Japanese version is included as an option. If you want to experience the film in its native language, you can now do so, with or without subtitles.
There’s also a short film set in the same world; Mei and the Kittenbus. It hasn’t been released commercially, but is sometimes shown at the Studio Ghibli museum in Mitaka, Japan. You’ll have to reserve a ticket in advance if you want to pay a visit. It’s a long trip to see a 14-minute short film, but it’s currently the only way to see it. My forlorn hope is to see the short included among the special features when the film is released on Blu-ray.
I would recommend Miyazaki’s films to everyone, although I realize that some people won’t connect with them. The potential reward is worth the time investment. If you have children, there’s even more reason to give one a try. Try to go in with an open mind. My Neighbor Totoro isn’t about constant action or conflict, but it’s an experience that shouldn’t be missed. It’s closer to a film like Bambi than Megamind or Despicable Me.
Just because a film is about young children, it doesn’t mean that the viewer has to be a young child in order to appreciate the story. Pixar has elevated North American films to new levels over the past two decades, but I can honestly say that Studio Ghibli, and Miyazaki in particular, has produced films with more heart. They are beautiful, magical and full of imagination. These stories matter to me and I can’t wait to see the next one.
Click here to see where My Neighbor Totoro ranks in my Top 20 animated films list.
Return to index of every review on the site.
Click here to see where My Neighbor Totoro ranks in my Top 20 animated films list.
Return to index of every review on the site.
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