100 Movies - No. 87: Taxi Driver

87. Taxi Driver (1976)
Drama, Thriller, 113 minutes
Directed by Martin Scorsese
Starring Robert De Niro, Jodie Foster and Cybill Shepherd

Travis Bickle (DeNiro) is a former Marine and a veteran of the Vietnam war. He frequently has trouble sleeping and is plagued by headaches. The pills he takes don't seem to help at all. Because he's likely to be awake all night anyway, Bickle takes a job driving a cab. He prefers the night shift.

Scorsese's version of New York is gritty and realistic. Most of the film is shot at night and we see just how crazy some of the people are. It's a crime-ridden world populated by junkies and prostitutes. Bickle hates how much scum exists in the city, and he's referring to the people more than the dirty streets.

Bickle is looking for something to brighten up his seedy existence and a woman catches his eye. Betsy (Shepherd) works in a local office for a senator who is hoping to become the next president. After pestering her for a while, she eventually agrees to go on a date with him. He talks to her in a very straightforward way. It's not clear whether he lacks intelligence, or if he doesn't see any point in hiding the truth about himself. His approach works and leads to one of the funniest scenes in the film when he takes her to see a movie.

Other things attract Bickle's attention. He's particularly drawn to Iris (Foster), who is a 12-year-old prostitute. As his frustration mounts at the disgusting state of the city, he begins to devise a plan to clean up one small part. An incident on the street gives him the idea of saving Iris from her situation and giving her the opportunity to escape from her pimp (Harvey Keitel).

It's interesting watching Bickle trying to escape his miserable existence. He figures out how to buy and use weapons and starts working out to strengthen his body. All the while, there's mounting tension, and we sense that Bickle is close to losing touch with reality completely.

The supporting cast is strong, with Shepherd, Foster and Keitel all playing their parts well. You'll also see Peter Boyle and Albert Brooks. One of the most surprising scenes involves a cameo from Scorsese. His character might even be the catalyst for the change which eventually occurs in Bickle.

I have to mention Scorsese's decision to shoot most of the scenes at night. It was an inspired choice and adds so much atmosphere to the film. Bernard Herrmann's saxophone-heavy score is also an important part of the mix and helps helps transport us into Bickle's troubled world.

De Niro has produced some incredible performances over the past 40 years and Travis Bickle is probably my favorite De Niro character. There's so much going on beneath the surface and De Niro portrays much of it with his body language.

The meaning of the conclusion is open to debate, but if you take it purely at face value, it's quite uplifting.

If you like Taxi Driver:

One film definitely worth watching if you enjoy seeing how people can lose touch with reality is Falling Down, starring Michael Douglas.

Fight Club is perhaps a more extreme view of mental illness, but some of the settings feel similar to those in Taxi Driver. It has that same gritty quality.

Scorsese has made so many wonderful films about a world hidden just beneath the surface. The best examples are probably Casino and Goodfellas and De Niro stars in both. For a more recent example, consider The Departed, for which Scorsese was awarded his only Oscar to date.

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100 Movies - No. 82: The Silence of the Lambs

82. The Silence of the Lambs (1991)
Crime, Thriller, 118 minutes
Directed by Jonathan Demme
Starring Anthony Hopkins, Jodie Foster and Scott Glenn

It's rare for a film to win Best Actor, Best Actress, Best Picture, Best Director and Best Screenplay Oscars, but The Silence of the Lambs did just that. Hannibal Lecter (Hopkins) is often regarded at the top villain in cinema history and he's probably the first character that springs to mind when you think about the movie. It's hard to believe that Hopkins was only on the screen for about 16 minutes.

The story begins with Agent Clarice Starling (Foster). We see her tackling an obstacle course at the FBI's Quantico training center. Her boss, Jack Crawford, (Glenn), calls her in and asks her to visit Lecter. He's in a secure cell and the warnings she receives appear excessive, but they seem justified by the end of the movie.

Lecter is intelligent, polite and eloquent. Although he's a monster capable of eating people, he has a twisted sense of honor. It's clear that he likes Starling and he rewards some of her honest revelations with help and insight into how she might track down serial killer, Buffalo Bill (Ted Levine).

It's curious that the movie is often placed in the horror genre. I watched David Fincher's version of The Girl with the Dragon Tattoo recently, and compared the two films. Both are essentially investigations into murders as the protagonists attempt to track a serial killer. Each includes a colorful character, although one is a hero and the other a villain. If Lisbeth Salander and Hannibal Lecter were more conventional characters, the two movies would lose a lot of their power. I think it's wrong to label The Silence of the Lambs as a horror movie, but I understand why that's often the case.

The movie works because we love how monstrous Lecter is and how human Starling can be. Foster's performance made Starling seem incredibly vulnerable. She's a young cadet finding her way in the FBI and this is her first big break. Then we see that she has to contend with Lecter, who is ruthlessly insightful and able to read her easily. Much of the story is seen from Starling's point of view and it's easy to identify with her fears as she tries to catch the killer.

The final showdown is extremely effective. You can sense the evil in Buffalo Bill and Starling's fear is audible and visible. The song playing during this sequence (Hip Priest, by The Fall) holds special meaning for me as it was played at the first concert I ever attended.

Scott Glenn can be very likable and I enjoyed his performance as Crawford. The movie drew considerable praise from the FBI for it's realism and it was easy to imagine Glenn as a member of the organization.

Hopkins is a versatile actor capable of playing just about any role. I would rank him among the top tier of my favorite actors. Maybe it's because of the characters he plays, but he strikes me as a very intelligent man.

The Silence of the Lambs is constructed simply, but the acting and the ominous mood elevate it to the level of greatness.

If you like The Silence of the Lambs:

Director Jonathan Demme has never created a better movie, but he was also responsible for Stop Making Sense and Something Wild. The former documents a Talking Heads concert and is easily one of the best concerts captured on film. The latter is a quirky road movie of sorts and stars Jeff Daniels, Melanie Griffith and Ray Liotta.

Anthony Hopkins also plays Lecter in Red Dragon and Hannibal, although he's not the focus of the story in either. Red Dragon is comfortably the better of the two and isn't far below the level of The Silence of the Lambs. Edward Norton and Ralph Fiennes head a strong cast.

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