Showing posts with label natalie portman. Show all posts
Showing posts with label natalie portman. Show all posts

Wednesday, July 6, 2011

My Blueberry Nights: A delicious morsel from Wong Kar-Wai

My Blueberry Nights (drama, romance)
Directed by Wong Kar-Wai
Starring Jude Law, Norah Jones, David Strathairn, Natalie Portman and Rachel Weisz

Optimum Home Entertainment | 2008 | 95 min | Rated BBFC: 12 | Released Jun 23, 2008

Video:
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.35:1

Audio:
English: DTS-HD Master Audio 5.1

Subtitles:
English

Disc:
Single 50GB Blu-ray Disc

The Film 4/5

The first thing to mention is that My Blueberry Nights is not yet available on Blu-ray in North America. This review refers to the Region B UK disc.

In the opening scene, we are introduced to Jeremy (Law), who runs a diner in New York. He’s originally from Manchester, England, but seems at home in his surroundings. He knows people by what they eat. Elizabeth (Jones) is a customer who is asking whether her boyfriend has been in the diner. Jeremy confirms that he was there and had dinner with another woman. 


The two begin to talk on a regular basis. Elizabeth leaves her keys at the diner so that Jeremy can give them to her boyfriend. He listens to everything she says and is part friend, part psychiatrist and part restaurant owner. The two share a bond of sorts and he also reveals details of his own previous relationships. He keeps her keys in a jar with countless others and Elizabeth learns that he knows the story behind each set.

Jeremy also talks to her about food, explaining what sells well and what doesn’t. He offers her blueberry pie and ice cream and mentions that the blueberry pie is often untouched at the end of the day. There’s nothing wrong with it, but people just make other choices. I think Wong Kar-Wai is comparing people to food with that observation. There’s nothing wrong with Elizabeth or Jeremy, but both are alone.


The camera on the diner wall serves as Jeremy’s diary. He likes to watch the recordings at the end of the day to see what he’s missed. Wong Kar-Wai’s camera doesn’t miss anything. When Jeremy and Elizabeth are talking, we see them from afar. There’s often a counter or something in the way of the camera so that we feel like voyeurs, spying on an intimate conversation. Other notable techniques include the use of vivid colors and the blurring of motion, as well as slow motion and images which are sped up. Wong Kar-Wai uses the same techniques in other films such as Chungking Express and Fallen Angels.

Without declaring anything, it becomes obvious that Jeremy and Elizabeth care about each other. But Elizabeth seems wary of relationships after her recent experiences and decides to take some time to think about what she really wants. She works in various bars and diners and eventually winds up in Memphis. It’s there that she meets Arnie (Strathairn), who drinks in her bar. She listens to Arnie, talks about her dreams and gives him advice. I like Strathairn’s performance and consider him one of the most interesting characters in the film. Is it a coincidence that Elizabeth becomes someone who will listen to people’s problems, just as Jeremy did with her?


Elizabeth writes to Jeremy regularly, but never reveals her address or phone number. He misses her and tries randomly calling bars and diners to find her. Later, he decides to send postcards, and ends up sending hundreds.

Elizabeth rarely stays in one place for long and has a series of adventures. The most prominent one happens when she encounters Leslie (Portman), who plays poker for high stakes. Elizabeth learns more about herself as the film progresses, especially from Leslie.


Will Elizabeth and Jeremy ever meet again? I won’t reveal that here.

Norah Jones did a great job on her acting debut. The story is stylish, intimate and a little unconventional. If you like other Wong Kar-Wai films, you’ll almost certainly like this. Ry Cooder’s score is incredible and perfectly matches the mood. There are some other well-placed songs, especially the two haunting numbers from Cat Power. If you’re a fan of Cat Power, look out for a cameo appearance by Chan Marshall.

Video Quality 4.5/5
Optimum’s Blu-ray presentation looks great. The stylized color scheme is striking and the detail strong. There are no obvious problems such as dirt or print damage. The film looks clean and almost perfect. Any blurring is purely intentional and a regular occurrence in Wong Kar-Wai's films.

Audio Quality 4.5/5
The DTS-HD Master Audio 5.1 track delivered everything I hoped for. Although the film is primarily a dialogue-heavy story, the use of music enhances the atmosphere. Cooder’s guitar is wonderful and the other songs all come across well. You won’t have to strain to hear any of the dialogue and I couldn’t detect any faults in the mix.

Special Features 3/5

10,279 Miles Since Hong Kong: My Blueberry Nights – A good “making of” feature with cast and crew.

Cannes Press Conference – Director Wong Kar-Wai and actress Norah Jones face the Cannes media.

Character Study – A short piece featuring comments from cast and crew.

Theatrical Trailer

My Blueberry Nights will appeal to lovers of film for its interesting use of color and unusual camera angles. It’s a romance of a sort, but less conventional than most. Some of the discussions will stay with you if you’re the sort of person who analyzes what you have just seen. The Blu-ray presentation is fantastic, but you’ll need a Region B or Region Free player to view it. The Amazon UK price at the time of writing is £4.61, or £1.79 from third party sellers. Fans of Wong Kar-Wai shouldn’t hesitate. If this is your first Wong Kar-Wai film and you liked it, Chungking Express is well worth checking out. I consider it his masterpiece.

Tuesday, May 3, 2011

Black Swan: Good film, average Blu-ray presentation

Black Swan (drama, mystery, thriller)
Directed by Darren Aronofsky
Starring Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey and Winona Ryder 

20th Century Fox | 2010 | 108 min | Rated R | 

Video:
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1

Audio:
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1

Subtitles:
English SDH, Spanish 

Disc:
Single 50GB Blu-ray disc

The Film 4.5/5

With five Oscar nominations (cinematography, best picture, best director, editing and best leading actress), Black Swan took home the best actress statue for Natalie Portman. The $13 million budget meant that certain sacrifices had to be made, but the result is still a film of high quality.

Aronofsky's films are always challenging and frequently show the ugly truth behind an apparently glamorous existence. The Wrestler is the most glaring example. He's also no stranger to obsession as The Fountain clearly demonstrated.

It's almost impossible to write a meaningful review without revealing some of the plot elements, so stop reading now if you want to see the film without knowing anything.

Black Swan is a psychological drama along the lines of Psycho, rather than a film about dance. Nina (Portman) is a ballet dancer who wants the leading role in a new adaptation of Swan Lake. The role consists of two elements; the white swan and the black swan. She's apparently the best candidate for the role and performs the white swan better than anyone, but is encouraged to abandon her self-control in order to access the emotions needed to dance the black swan. In order to do so, she toughens up mentally, becomes more assertive and confrontational and explores her sexuality.


Like Mulholland Dr. and Fight Club, the line between what is real and what is imagined is not obvious on first viewing. Nina is a disturbed young woman who has trouble staying grounded in reality. She imagines terrible things and obsesses about winning the role. Her duality is gradually revealed throughout the film and will frighten some people who allow themselves to become fully involved with the story.

I won't spoil things further, but Black Swan is an interesting tale of Nina's search for perfection in her art.


The technical aspects of the film are superb. The camera is frequently used to follow the dancers on stage and puts the viewer among the action. It's quite breathtaking in places. The editing and digital manipulation both convince the audience that Portman is performing all of the moves a ballet dancer might make.

Portman trained for 10 months to learn how to move like a dancer. She also dieted so that her body looked the part. She fully deserved her Oscar win for this performance. The supporting cast is strong in all areas, with her mother (Hershey), and her closest rival for the part of the swan queen, Lily (Kunis), both doing good work.


Video Quality 4/5
Shot partially in 16mm and also digitally, Black Swan lacks the level of detail normally associated with a Blu-ray presentation. Many of the scenes are dark, while others are stylistic and intentionally soft. Heavy grain is present, but the look is very similar to the theatrical presentation. This is not a poor transfer; it's an accurate reproduction of the film's original look. Many of the softer shots were probably intended to convey the dream-like quality of certain scenes. Don't expect to be blown away.

Audio Quality 4.5/5
Sound is an important part of Black Swan. Clint Mansell's score enhances the experience considerably and the ambient sounds add to the mood. The sound of rustling feathers is particularly effective and disturbing. I'm left with the impression that Aronofsky lovingly crafted every component of the film.

Special Features 4/5
The special features are not exhaustive, but what's included is excellent. There are interviews with Aronofsky, Portman, Hershey, Cassel and Ryder. There's also a 49-minute featurette on how the film was made, including the music, cinematography and special effects. Well worth a look if you're a fan.

Similar films
It's hard to talk about Black Swan without thinking about The Red Shoes (1948). Both films feature ballet dancers who are striving to perfect their art. I'm also reminded of films dealing with blurred reality and mental illness such as Psycho, Persona and Repulsion.

Black Swan draws you into its world. If you let it happen, you will be affected emotionally. It was one of the best five films of 2010.

Overall score 4.5/5 

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