100 Movies - No. 100: Broadcast News

100. Broadcast News (1987)
Comedy, Drama, Romance, 133 minutes
Directed by James L. Brooks
Starring William Hurt, Holly Hunter, Albert Brooks and Jack Nicholson

If you watch television at all, you have almost certainly seen something that James L. Brooks was involved in. He was a writer on Taxi, Lou Grant, Rhoda and the Mary Tyler Moore show and continues to contribute to The Simpsons. His first film, Terms of Endearment, took home five Oscars, with Brooks being credited for three of them.

Broadcast News is a blend of comedy, drama and romance. When I first watched it over 20 years ago, I was disappointed. I didn't think it was interesting, funny or moving in any way. It's strange how our tastes can change over the years. I think I appreciate the film now because I know more about life and can relate to some of the events.

Two brief scenes at the start of the film introduce us to the characters of Tom and Jane. We learn that Tom doesn't mind being beaten up at school because he knows he will have a better career than any of the bullies he has to deal with. Jane shows us a glimpse of her character as she chastises her father for his imprecise use of words.

The story continues with the adult Jane (Hunter) giving a speech about news coverage. She's dismayed at how the networks dumb-down information to appease the audience. When she demonstrates her point with a mindless news article, her audience is more responsive than at any other point in her speech.The only person who admires her presentation is Tom (Hurt) and she asks him to dinner. He presents the news, but reveals that he knows very little about the stories he talks about. Despite that, his employers love what he does and pay him large sums of money.

Jane is obsessed with her job as a producer and can't respect people who are bad at their job. Any chance of romance is ended when she speaks her mind to Tom. She repels men. Hunter got the part which was intended for Debra Winger, but it's hard to imagine anyone else in the role. Her accent and the determination with which her character pursues her career reminds me of Jodie Foster's performance in The Silence of the Lambs.

How often do people succeed on charm or because they have the right look? The film explores that theme throughout as we see Tom take every opportunity that presents itself. In contrast, we see a gifted reporter, Aaron (Brooks), receive no recognition from anyone with the exception of Jane. The two have a deep friendship and confide in each other regularly.

James L. Brooks has a background in news and portrays the high-paced environment to good effect. There's an hilarious scene early in the film in which Jane edits a story just a few seconds before it is due to air, and her assistant (Joan Cusack) has to dodge all manner of unlikely obstacles to deliver the tape on time. Although it's a funny scene, it shows how much pressure is involved in the news business.

Another exceptional scene shows Tom anchoring the news for the first time. Jane knows that he is likely to stumble if he has to think up questions for himself, so she takes care of all the content. Aaron, who is at home getting drunk after being overlooked again, calls in with information which Jane feeds to Tom while he is on the air. The result is a professional broadcast in which Tom is made to look highly competent.

There are a lot of similar scenes which give us a real understanding of how the news business might work. We feel part of that world. However, the film shines because of the acting and the dark comedy. Brooks is the source of much of the humor, but Hurt and Hunter play their parts well. Jack Nicholson has a small role and pulls it off perfectly as you would expect.

There is a love triangle of sorts. Tom is successful, but superficial, and he is interested in Jane. Part of his interest appears to be driven by what she might do for his career. Aaron can see Tom's shortcomings and thinks that he's a more suitable partner for Jane. He clearly loves her as well as being her best friend. Jane is torn between Tom's looks and success, and Aaron's friendship and competence. I'll let you find out the resolution for yourself.

Criterion's Blu-ray presentation is excellent and the film looks better than it ever has. The special features include recent interviews with James L. Brooks and the cast. One of the most interesting features is an alternate ending with comments from Brooks.

Broadcast News is unusual in that it manages to make a technical job appear exciting. I wanted to see what would happen to the three main characters. It's funny throughout in an intelligent way and the romantic element will please some viewers. I can't believe that I failed to see its brilliance when I first watched it over 20 years ago.

If you like Broadcast News:

Director James L. Brooks received much acclaim for his debut, Terms of Endearment, but I must admit that I haven't got around to seeing it yet. I aim to remedy that at the earliest opportunity. One Brooks film that I can heartily recommend is As Good as It Gets, starring Jack Nicholson, Helen Hunt and Greg Kinnear. Like Broadcast News, it expertly blends drama, comedy and romance.

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100 Movies - No. 81: The Shining

81. The Shining (1980)
Drama, Horror, 142 minutes
Directed by Stanley Kubrick
Starring Jack Nicholson, Shelley Duvall and Danny Lloyd

When I listed my Top 10 horror movies, The Shining took the top spot. I'm not a fan of campy comedy-horror, so the list is dominated by psychological horror. The Shining is that and a whole lot more. It begins like a drama and takes plenty of time to establish its world, and the majority of the film takes place in the Overlook Hotel.

The opening shots are incredible and set the mood. We are shown a car driving along a mountain road. Kubrick sweeps across the countryside so we can see how isolated the Overlook Hotel would be if the only access road was blocked by snow.

Jack Torrance (Nicholson) is a recovering alcoholic and he's applying for a winter job as caretaker of the hotel. He'll live there for six months with his wife, Wendy (Duvall), and their young son, Danny (Lloyd).

What is shining? It appears to be a form of extrasensory perception. We learn that Danny has the ability and so does the hotel's cook, Dick Hallorann (Scatman Crothers). They can communicate without words. Danny's parents know that he talks to Tony, his imaginary friend, but they aren't aware that he has the shining.

I mentioned that the film takes time setting things up. We are shown the hotel in great detail. They live in an apartment inside the hotel and Wendy spends most of her time there. Jack uses one of the large rooms to work on his novel and Danny explores by driving around the halls in his toy car.

The film is 32 years old, so spoilers won't be a problem for most people, but stop reading now if you are about to see it for the first time.

The hotel appears to be populated by ghosts. All three people see them while they are alone, so that suggests that the ghosts really do exist. Another explanation would be that all the events are happening inside the mind of one of the characters, or that the hotel itself is 'alive' and remembering some of the events that occurred within its walls. I tend to believe that the ghosts and everything we see is real. That would explain all of the events, including how Jack escapes from a locked room and why Danny has marks on his neck.

Time is another factor. Some of the occurrences involve one of the characters visiting the past. Wendy sees guests at a party and Jack interacts with Grady and Lloyd. Sometimes the ballroom is filled with people from the past.

Danny's gift is extremely powerful and attracts the attention of Dick when he is 2,000 miles away. Dick's attempts to intervene are significantly different from the story told in Stephen King's book, and Kubrick makes a lot of other changes. I like both versions of the story, but I have to admit that Kubrick's changes played out well on the screen.

The dialogue is sparse, but very satisfying at times. I particularly enjoy the exchanges when Jack is talking to Lloyd and Grady. Nicholson is convincing when he acts crazy and the final act shows him at his crazy best. Is his transformation some kind of mental illness, or possession by the spirits that occupy the hotel?

The black and white photograph near the end of the film shows Jack attending a 1921 party at the hotel. Grady says at one point that Jack is the caretaker and has always been the caretaker. Is this some kind of living hell? Suppose Jack has had a number of families throughout some kind of supernatural existence and he's been bringing them to the hotel without any previous knowledge of those he has brought there before? He mentions at the start that he's experiencing déjà vu and knows what is around every corner.

One shot shows him looking rather demonic. Is he in fact a demon or Satan?

What's your take on The Shining? What's your version of the truth?

If you like The Shining:

Like Alfred Hitchcock, Kubrick effectively builds tension in The Shining. I would recommend two of Hitchcock's movies to horror fans and anyone who enjoyed The Shining. Psycho deals with mental illness and is among the best psychological horror that I have seen. The Birds takes a snapshot of an unexplained phenomenon and puts us right in the middle of the action.

Kubrick's career saw him explore many different genres. My other favorites are 2001: A Space Odyssey, Lolita, The Killing and Dr. Strangelove.

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My Top 10 Horror Movies: Part 2, #1-5

My Top 10 Horror Movies (continued)


Silence of the Lambs would have been at the top of the list, but it's listed as a crime/thriller and I decided it was ineligible.

5. The Exorcist (1973)

Directed by William Friedkin

Starring Ellen Burstyn, Max von Sydow and Linda Blair

Like The Omen, here’s a film that relies on building suspense. The most frightening thing about the film is what it makes you think, rather than anything shown on the screen. It deals with possession and we see a sweet young girl transformed into a growling demon. Imagine if that were your child. How would you handle the situation? Would you resort to prayer even if you were an atheist? The main actors do a wonderful job of keeping the scenes serious. If they believe it, maybe we can believe it. The effects all had to be produced using whatever props were available and most look pretty good. This is a film that relies on mood and your ability to think beyond what you’re being shown. It’s genuinely frightening if you allow yourself to be drawn in to the story.

Click here for my full review.

4. The Mist (2007)

Directed by Frank Darabont

Starring Thomas Jane, Marcia Gay Harden and Laurie Holden

Are you starting to notice a pattern in my choices? The Mist shows what happens when people are forced to abandon the normal rules of behavior. A group of customers take refuge in a supermarket when a strange mist descends. One man rushes in and shouts a warning that there’s something in the mist. Some people believe him, but most don’t. The plot develops and the incidents become more serious, until someone is finally killed. A small group witnesses the event and has to convince the other customers that there’s a real threat. People start to form into groups. One is led by a religious fanatic (Harden) and thinks that some form of human sacrifice is the answer. Another is led by the logical local artist, David Drayton (Jane). It’s interesting to see how people perform under pressure and who the true leaders are when the situation demands it.

Click here for my full review.

3. The Birds (1963)

Directed by Alfred Hitchcock

Starring Tippi Hedren, Rod Taylor and Suzanne Pleshette

Hitchcock loved to deceive audiences and The Birds is a prime example. The first part of the film shows Melanie Daniels (Hedren) randomly encountering Mitch Brenner (Taylor) in a store which sells birds. After Brenner has left, she decides that she would like to know more about him. She purchases two birds and takes a long drive to his hometown. After questioning a few locals, she tracks down his address. The whole setup makes the film look like a traditional romance, but things change when she’s attacked by a bird while rowing across the bay to his home. The attacks start to become more serious and she eventually becomes trapped with Brenner, his mother and his daughter. Hitchcock never explains why the birds are behaving aggressively and doesn’t need to. The group has to battle to survive and the resolution doesn’t completely reveal whether they will be safe. It’s a snapshot in the lives of a few people in an extreme situation.

2. Psycho (1960)

Directed by Alfred Hitchcock

Starring Anthony Perkins, Janet Leigh and Vera Miles

More Hitchcock and another deceptive plot. If by some chance you haven't seen the film, please skip the rest of this summary. The plot is fairly simple, but unexpected. A young woman (Leigh) steals money from work and decides to flee the town. The setup leads us to believe that the story will be about her struggle to evade pursuit. But she stops in a motel for the night and is murdered by the owner, Norman Bates (Perkins). I like how Hitchcock makes us root for Bates and we almost want him to avoid being caught. Perkins plays the role perfectly and appears logical and nervous at the same time. The strength of the film is that it could happen. It's more psychological horror than slasher movie and Bates is a character that we can pity. Some of the shocks were original at the time, but probably seem pretty lame now that we know about such techniques. Imagine seeing this 50 years ago. The Blu-ray presentation is incredible.

Click here for my full review.

1. The Shining (1980)

Directed by Stanley Kubrick

Starring Jack Nicholson, Shelley Duvall and Danny Lloyd 

Kubrick was comfortable working in any genre and The Shining was his attempt at horror. I like so many of his films, but this might be his best. It’s not a strict adaptation of Stephen King’s novel, but I like the changes that he made. Technology probably wasn’t capable of showing Danny’s solo encounter in the hedge maze, but it would have been great to see it. Jack Torrance (Nicholson) is a writer who takes a winter job as caretaker of the Overlook Hotel. The setting is perfect for a horror movie. He takes his wife (Duvall) and young son (Lloyd) and they plan to live there alone until the hotel re-opens in the spring. All three family members witness weird events. Torrance is a recovering alcoholic and finds that the bar is full of people. The hotel is supposed to be empty. He drinks and talks to the barman. We start to see ghosts of people who lived, stayed or worked at the hotel. The story is about how Torrance loses his grip on reality and becomes a danger to his family. It’s full of mysteries and many are never explained. Kubrick’s film creates its own atmospheric world and it’s good to visit when you’re in the mood.

Click here to see #6-10 on my list.

Did I mention any of your favorites? Feel free to let me know what you think of the list or post your own Top 10 in the comments section.

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My Top 20 Dramas: Part 2, #11-15

My Top 20 Dramas (continued)

Most of my favorite movies are dramas. It’s largely because important stories told in a serious way tend to be dramas. Acting is generally better and the story means something.

It’s incredibly difficult to rank films. Much depends on mood or which ones you have seen recently. The order constantly changes and new titles are added as I see titles for the first time.

With that in mind, here’s #11-15 in my favorite genre:

15. As Good as It Gets (1997)

Directed by James L. Brooks

Starring Jack Nicholson, Helen Hunt and Greg Kinnear

Nicholson and Hunt both won Oscars for their unconventional romance. It’s a good example of the type of humor I like as it is sprinkled among serious dramatic scenes. The main duo, ably supported by Kinnear, all did great work. Nicholson possesses excellent comic timing and all three characters were convincing in their roles. The story is touching, involving and very funny in places. It’s capable of making you laugh and cry and that’s a rare thing.

14. One Flew Over the Cuckoo’s Nest (1975)

Directed by Milos Forman

Starring Jack Nicholson, Louise Fletcher, Brad Dourif and Danny DeVito

More Nicholson and further evidence of his natural instinct for comic timing. It’s a thought-provoking film set in a mental institution, mixing humor and drama. Some scenes are uplifting, but others are extremely sad. What is freedom? What are the most important things in life? It also features good early performances from Danny DeVito, Christopher Lloyd and Brad Dourif (who was nominated for an Oscar). I don’t think I’ll ever forget Will Sampson’s contribution as The Chief. Ah, Juicy Fruit.

13. Juno (2007)

Directed by Jason Reitman

Starring Ellen Page, Michael Cera, Jason Bateman and J.K. Simmons

Juno is another drama with plenty of funny moments. The acting is superb across the board and the chemistry between Page and Cera works well. One of my favorite scenes involves a talk between Juno and her father (Simmons) in which his gentle wisdom leads her to a key revelation about her feelings. The Oscar-winning screenplay from Diablo Cody feels authentic and captures the mind of a teen particularly well. I laughed and I was charmed by this gem. The story never gets too serious and the whimsical mood is perfectly enhanced by the choice of songs.

See my full review here.

12. Grave of the Fireflies (1988)

Directed by Isao Takahata

Starring the voices of Tsutomu Tatsumi and Ayano Shiraishi

Here’s an animated movie that wasn’t targeted at children. Most animated fare is light-hearted and full of humor, but Grave of the Fireflies is deadly serious. I’m usually crying three minutes into the film because of a beautiful scene where a boy’s spirit is reunited with his sister’s. The remainder of the story is told through flashbacks and shows how the two siblings died. It contains so many touching moments and is based on a true story in which a young boy was unable to save his little sister. It’s set during the Second World War, but never preaches about which side was right or wrong. It’s purely an observation of how war affects people’s lives. It’s easily the best serious animation I've ever seen.

11. Three Colors Red (1994)

Directed by Krzysztof Kieslowski

Starring Irène Jacob, Jean-Louis Trintignant and Frédérique Feder

Krzysztof Kieslowski and Irène Jacob first worked together three years earlier in The Double Life of Veronique and it’s a pleasure to see them together again in Kieslowski’s final film. She plays Valentine, a young model who inadvertently meets a retired judge (Trintignant). She disapproves of his lifestyle and slowly influences him and inspires a change. I like it so much because Valentine is such a pure spirit and a source of goodness. The judge isn’t particularly likable at the outset, but I end up pitying him and then liking him. It’s a thought-provoking piece about how people can change. It also has deeper themes and some have speculated that the judge represents God. Released in the same year as Forrest Gump, The Shawshank Redemption and Pulp Fiction, Three Colors Red is the most powerful part of Kieslowski’s excellent trilogy.

See #16-20 on my list here.

See #6-10 on my list here.
See #1-5 on my list here.

I’ll reveal the next five films on my list tomorrow.

Feel free to let me know what you think about my selections, and what would make your Top 20.

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