Needful Things

Needful Things (1993) 
Crime, Drama, Horror, 120 minutes

Directed by Fraser Clarke Heston

Starring Ed Harris, Max von Sydow and Bonnie Bedelia

I first read Needful Things about 20 years ago, not long after it was published. One thing I like about Stephen King's stories is how familiar the worlds seem. Then he changes one or two small details and introduces a supernatural element. We still relate to the story because we identify so strongly with the setting he establishes. Like many of King's books, Needful Things is set in the fictional town of Castle Rock, Maine.

The movie is not an entirely faithful adaptation of the book, but that's partly due to the length of the original story. A few details are changed to help the story along and other elements are completely omitted. The remaining story still works well as a movie, but it could have been even better.

What would you do if The Devil lived in your town?

Leland Gaunt (von Sydow) opens a store in Castle Rock. Needful Things sells all manner of antiques and collectibles and Gaunt initially appears to be a friendly old man. His first customer is a young boy, Brian Rusk, who has a large collection of Topps baseball cards. After Gaunt asks him to wish for any item he can imagine, Brian thinks of a 1956 Mickey Mantle Topps card. When Brian closes his eyes and touches the card, he can see Mantle playing in a game from decades ago. The card is worth hundreds of dollars, but Gaunt asks for just 95c. The other part of the price is a deed.

The deeds are tricks played on other people. Brian is told to throw turkey droppings at freshly-washed sheets hanging on a neighbor's washing line. He barely knows the woman and so there's almost no chance she will find out that it was him. Gaunt uses this tactic with everyone who enters the store. He somehow has an item that each covets, whether it's sunglasses worn by Elvis Presley, a first edition of Treasure Island signed by the author, or a toy horse-racing game that accurately predicts winners of upcoming races. People are willing to perform tricks to acquire items they desperately want.

Most people don't have a clue what is going on, but Sheriff Alan Pangborn (Harris) sees what Gaunt is doing. The tricks start to become more cruel and dangerous, and some ultimately become fatal. Gaunt apparently travels from one town to the next and feeds off the evil and negative energy.

The biggest flaw in the movie adaptation is a speech designed to give the story a typical Hollywood climax. It seems out of place and unrealistic, but I understand why it was added. That aside, it's one of the best King adaptations. The acting is strong for the most part, with good performances from Amanda Plummer, Bonnie Bedelia and J. T. Walsh supporting the excellent work of Harris and von Sydow.

It's fascinating watching how a few evil deeds can impact a friendly small town. The story is simple, but it seems so plausible. 

What would you do to possess your own needful thing?

Overall score 3.5/5

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My Top 10 Horror Movies: Part 2, #1-5

My Top 10 Horror Movies (continued)


Silence of the Lambs would have been at the top of the list, but it's listed as a crime/thriller and I decided it was ineligible.

5. The Exorcist (1973)

Directed by William Friedkin

Starring Ellen Burstyn, Max von Sydow and Linda Blair

Like The Omen, here’s a film that relies on building suspense. The most frightening thing about the film is what it makes you think, rather than anything shown on the screen. It deals with possession and we see a sweet young girl transformed into a growling demon. Imagine if that were your child. How would you handle the situation? Would you resort to prayer even if you were an atheist? The main actors do a wonderful job of keeping the scenes serious. If they believe it, maybe we can believe it. The effects all had to be produced using whatever props were available and most look pretty good. This is a film that relies on mood and your ability to think beyond what you’re being shown. It’s genuinely frightening if you allow yourself to be drawn in to the story.

Click here for my full review.

4. The Mist (2007)

Directed by Frank Darabont

Starring Thomas Jane, Marcia Gay Harden and Laurie Holden

Are you starting to notice a pattern in my choices? The Mist shows what happens when people are forced to abandon the normal rules of behavior. A group of customers take refuge in a supermarket when a strange mist descends. One man rushes in and shouts a warning that there’s something in the mist. Some people believe him, but most don’t. The plot develops and the incidents become more serious, until someone is finally killed. A small group witnesses the event and has to convince the other customers that there’s a real threat. People start to form into groups. One is led by a religious fanatic (Harden) and thinks that some form of human sacrifice is the answer. Another is led by the logical local artist, David Drayton (Jane). It’s interesting to see how people perform under pressure and who the true leaders are when the situation demands it.

Click here for my full review.

3. The Birds (1963)

Directed by Alfred Hitchcock

Starring Tippi Hedren, Rod Taylor and Suzanne Pleshette

Hitchcock loved to deceive audiences and The Birds is a prime example. The first part of the film shows Melanie Daniels (Hedren) randomly encountering Mitch Brenner (Taylor) in a store which sells birds. After Brenner has left, she decides that she would like to know more about him. She purchases two birds and takes a long drive to his hometown. After questioning a few locals, she tracks down his address. The whole setup makes the film look like a traditional romance, but things change when she’s attacked by a bird while rowing across the bay to his home. The attacks start to become more serious and she eventually becomes trapped with Brenner, his mother and his daughter. Hitchcock never explains why the birds are behaving aggressively and doesn’t need to. The group has to battle to survive and the resolution doesn’t completely reveal whether they will be safe. It’s a snapshot in the lives of a few people in an extreme situation.

2. Psycho (1960)

Directed by Alfred Hitchcock

Starring Anthony Perkins, Janet Leigh and Vera Miles

More Hitchcock and another deceptive plot. If by some chance you haven't seen the film, please skip the rest of this summary. The plot is fairly simple, but unexpected. A young woman (Leigh) steals money from work and decides to flee the town. The setup leads us to believe that the story will be about her struggle to evade pursuit. But she stops in a motel for the night and is murdered by the owner, Norman Bates (Perkins). I like how Hitchcock makes us root for Bates and we almost want him to avoid being caught. Perkins plays the role perfectly and appears logical and nervous at the same time. The strength of the film is that it could happen. It's more psychological horror than slasher movie and Bates is a character that we can pity. Some of the shocks were original at the time, but probably seem pretty lame now that we know about such techniques. Imagine seeing this 50 years ago. The Blu-ray presentation is incredible.

Click here for my full review.

1. The Shining (1980)

Directed by Stanley Kubrick

Starring Jack Nicholson, Shelley Duvall and Danny Lloyd 

Kubrick was comfortable working in any genre and The Shining was his attempt at horror. I like so many of his films, but this might be his best. It’s not a strict adaptation of Stephen King’s novel, but I like the changes that he made. Technology probably wasn’t capable of showing Danny’s solo encounter in the hedge maze, but it would have been great to see it. Jack Torrance (Nicholson) is a writer who takes a winter job as caretaker of the Overlook Hotel. The setting is perfect for a horror movie. He takes his wife (Duvall) and young son (Lloyd) and they plan to live there alone until the hotel re-opens in the spring. All three family members witness weird events. Torrance is a recovering alcoholic and finds that the bar is full of people. The hotel is supposed to be empty. He drinks and talks to the barman. We start to see ghosts of people who lived, stayed or worked at the hotel. The story is about how Torrance loses his grip on reality and becomes a danger to his family. It’s full of mysteries and many are never explained. Kubrick’s film creates its own atmospheric world and it’s good to visit when you’re in the mood.

Click here to see #6-10 on my list.

Did I mention any of your favorites? Feel free to let me know what you think of the list or post your own Top 10 in the comments section.

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My Top 10 Horror Movies: Part 1, #6-10

My Top 10 Horror Movies

Horror isn’t my favorite genre, but there are good movies to be found in almost any genre. Over the next two days, I’ll reveal my 10 favorites. Feel free to comment on my choices and leave your own lists on my blog. What have I overlooked that you feel should definitely be on the list?

10. Planet Terror (2007)

Directed by Robert Rodriguez

Starring Rose McGowan, Freddy Rodriguez and Josh Brolin

I’m not generally a fan of horror films which rely on comedy, but Planet Terror is an exception. Nothing in this film is supposed to be taken seriously. Josh Brolin and Bruce Willis play it straight, but their roles are ludicrous. The premise is that there’s a deadly gas in the air that has the effect of making people’s skin break out in hideous ways. The victims soon turn into zombies and look to eat anyone who crosses their path. Rose McGowan plays a one-legged babe with a machine gun fixed to her bad leg, while Freddy Rodriguez has legendary fighting skills. The whole thing is a lot of fun and has plenty of replay value.

9. Cronos (1993)

Directed by Guillermo del Toro

Starring Federico Luppi, Ron Perlman and Claudio Brook

The first two acts of Cronos are superb. The acting, pacing and atmosphere are close to perfect and the sense of mystery makes for an intriguing story. An alchemist has invented the Cronos device which is capable of reversing the aging progress and prolonging life indefinitely, but there are consequences. Is it a blessing or a curse to have eternal life? The film focuses on the relationship between an old man and his granddaughter. It’s interesting how she’s able to accept him in whatever form he happens to appear. The third act is a little disappointing and explores the same territory as movies such as Dracula, but it’s a good film overall.

8. Needful Things (1993)

Directed by Fraser Clarke Heston

Starring Ed Harris, Max von Sydow and Bonnie Bedelia

Stephen King adaptations are a mixed bag, but Needful Things is one of the better ones. Ed Harris is a sheriff in a small town where hardly anything ever happens. The inhabitants are generally well-behaved and friendly. Everything changes when a new shop opens. It’s run by Leland Gaunt (von Sydow) and he seems to be able to stock any item you’d wish for. His prices are low, but he also asks that buyers perform a deed as well as paying the cash price. The deeds start off as little pranks, but soon progress to more serious crimes. Is he the devil? He soon has the town in a state of chaos and normal behavior starts to break down.

7. The Omen (1976)

Directed by Richard Donner

Starring Gregory Peck, Lee Remick and Harvey Stephens

The Omen is a character-driven story with very little action. Donner relies on the audience to imagine the worst, and suspense builds throughout the movie. The story is essentially about Robert and Katherine Thorn (Peck and Remick). Their young son, Damien, is believed to be evil. Some think that he’s the son of Satan. Thorn investigates the child’s origins and has to decide whether the accusations are true. If they are, what will he do about it?

My full review can be found here.

6. Alien (1979)

Directed by Ridley Scott

Starring Sigourney Weaver, Tom Skerritt and John Hurt

Ridley Scott’s Alien was a sensation on its release in 1979. The setup looks like that of a traditional science fiction movie, but it evolves into a battle for survival. The crew of a mining ship encounters an abandoned ship and decides to investigate. Its origin clearly isn’t human. Those investigating are allowed back onto the ship without undergoing proper quarantine procedures and a life-form is inadvertently brought on board. The creature evolves fast, increasing in size and adapting to its situation quickly. It starts to pick off the crew. Who will survive and what will happen to the creature? The first hour is the strongest half of the story due to the air of mystery surrounding the derelict ship, but the second half is far from weak and contains most of the action. It’s a movie with a lot of replay value and was popular enough to spawn three more films in the series.

Click here to see 1-5 on my list.

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The Exorcist: Excellent Blu-ray presentation for Friedkin's theological thriller

The Exorcist (horror, mystery, thriller)
Cast: Ellen Burstyn, Linda Blair, Max von Sydow, Lee J. Cobb
Director: William Friedkin

Warner Brothers | 1973 | 132m and 122m | Rated R |

Video:
VC-1 | 1080p | 1.78:1

Audio:
English DTS-HD Master Audio 6.1
English DTS-HD Master Audio 5.1
French, German, Italian, Japanese, Portuguese, Spanish: Dolby Digital Mono

Subtitles:
English SDH, Arabic, Croatian, Czech, Danish, Dutch, Estonian, Finnish, French, German SDH, Greek, Hungarian, Icelandic, Italian SDH, Norwegian, Polish, Portuguese, Romanian, Russian, Slovenian, Spanish, Swedish and Turkish

Discs:
Two 50GB Blu-ray Discs
Digibook

The Film 4/5

The Exorcist's iconic cover claims that it's the scariest film of all time, but the makers of the movie prefer to label it as a theological thriller. I tend to agree and have always considered The Silence of the Lambs, The Shining and Psycho as psychological thrillers rather than horror. I mention those three because they represent the best that 'horror' has to offer, whether you label them as such or not.

When I think of horror films, the first thing that comes to mind is excessive gore and cheesy lines. I'm simply not a fan of seeing bodies hacked to pieces and I don't find any value in cheesy horror stories. So bear that in mind if you are a fan of such movies as the Evil Dead (not that there's anything wrong with that).

Instead, I look at how films are made, what they make me feel, the quality of the acting and the methods used by the director. In those terms, The Exorcist deserves to be rated among the best 'horror' films ever made.

The film plays like a book with the three main sets of characters being shown individually before the threads are drawn together for the body of the story. The story begins with Father Merrin (Max von Sydow) heading an archeological expedition in Iraq. Father Karras (Jason Miller) is shown caring for his dying mother and we see how he lives. Chris MacNeil (Ellen Burstyn) is shown being a mother to Regan (Linda Blair).

Regan is a pretty, playful 12-year-old girl without a care in the world. We see her demeanor gradually change as she's possessed by a demon. She seeks out her mother's bed because her own is shaking, but her mother thinks she's lying. There are noises in the attic which are thought to be rats as Chris tries to label them as something familiar. Regan's sweet nature gradually erodes and we see her lose her temper more and more frequently. She's eventually referred to doctors and shouts obscenities at them. Some of the tests she has to undergo would be frightening to a child, but everything comes back negative. A psychiatrist gets a turn and also fails to solve the problem. Denial is a powerful thing in this story as doctors continually try to rationalize the things they are seeing and hearing.

Chris is an atheist, but can see that the doctors are wrong. She eventually seeks out help from Father Karras, showing just how desperate she is to help her daughter. If you allow yourself to be drawn in to the story and consider how you would react if your own child underwent such changes, you'll feel the power of this film.

The climax of the film sees Father Karras and Father Merrin performing an exorcism after convincing the church that it was needed. Regan's transformation is impressive. When possessed, she talks in many different voices, some of which are known to the priests and the people around her. The demon is a master liar and seeks to confuse the priests and prevent the exorcism. Regan becomes a monster, reeling off obscenities and spewing foul green bile. Her face and body become covered in scars and it's hard to see anything of the original person.

In 1973, it was a real challenge to produce some of the effects seen in the film. Instead of CGI, everything had to be done by other means. Wires were used in two or three of the scenes were Regan levitates or runs down the stairs upside down. A model was made to enable the illusion that her head turns 360 degrees. The bile had to be made and then delivered using tubes. Although it's obvious that the spinning head is a model, it's still unsettling to see it happen.

Will you be scared by this movie? Visually, it's nothing compared to effects achieved by modern techniques. You might be scared if the story captures you sufficiently to make you feel that you're a part of it. Imagine yourself as Regan's parent for example. We can overlook the dated effects and take them seriously because everything else about this film is deadly serious. The acting is strong throughout, with the whole cast performing well. Friedkin tells the story simply, but effectively. The final solution is extreme, but convincing.

Like Psycho, this film was original and startling in its day. It has an important place in film history. It might not have a strong impact on people who are used to modern horror movies, but it's worth seeing for anyone who has avoided it thus far.

Video Quality 4/5

This package includes two discs. One shows the original theatrical version (122m) and the other shows the extended version (132m). My comments refer to the extended version, although I would expect the quality to be identical in both versions.

The scenes in Iraq are bright and full of detail and the film would earn a 4.5 for picture quality if it were that good throughout. Unfortunately, much of the film is shot in dimly lit rooms and grain is dense in such scenes. All things considered, it's hard to imagine the image looking any better than it does though.

Audio Quality 4.5/5

Friedkin mentions that the lossless audio enables him to hear effects that he had forgotten were in the film. It's certainly a strong presentation and the film benefits most of all from the audio upgrade. We can clearly hear Regan wheezing and the voices in outdoor scenes come across well in the rear speakers. Dialogue is always easy to understand and some of the louder scenes, such as furniture moving or glass breaking, carry added weight. The 6.1 version is included in the extended cut, while the original version has 5.1 audio.

Special Features 4.5/5

There's plenty of background information included in the special features for anyone who is interested.

Director's commentary
Raising Hell: Filming the Exorcist (30m, HD)
The Exorcist Locations: Georgetown Then and Now (9m, HD)
Faces of Evil: The Different Versions of the Exorcist (10m, HD)
Trailers, TV Spots and Radio Spots
Director's Introduction (2m, SD)
The Fear of God (77m, SD)
Filmmaker Interviews (9m, SD)
Sketches and Storyboards (3m, SD)
Original Ending (2m, SD)
40-page booklet with pictures, cast details and background information

The Exorcist is an important part of cinematic history. Nominated for 10 Oscars, it won two, and that's unusual for this genre. It's a beautifully presented package complete with a high quality booklet and separate discs for each version of the film. The audio upgrade is huge, making the experience a lot more intense. The visual upgrade is probably the best that could have been managed considering the dark setting and the director's original intentions. I would strongly recommend this definitive version for any fan of the film or of cinema in general.

Overall score 4.5/5 

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