Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, May 18, 2011

Control: A fitting tribute to Ian Curtis

Control (drama, biography, music)
Directed by Anton Corbijn
Starring Sam Riley, Samantha Morton and Alexandra Maria Lara

Alliance | 2007 | 122 min | Rated R | Released Mar 08, 2011

Video:
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1

Audio:
English: DTS-HD Master Audio 5.1
English, French: Dolby Digital 5.1

Subtitles:
None

Discs:
50GB Blu-ray Disc
DVD copy

The Film 5/5

Control won 25 awards, including three at Cannes, and was nominated for two BAFTA awards in the UK. The film is yet to receive a Blu-ray release in the US, but has been released in Germany and Canada. This review covers the Canadian version, which is locked to Region A.

The film made just under $8 million worldwide owing to the dark subject matter and the fact that Joy Division’s music still isn’t widely known. That’s a shame because Corbijn (The American) has made a wonderful film.

This is the story of Ian Curtis who was the lead singer for Joy Division until his suicide in 1980. He died on May 18, so it was 31 years ago today at the time of writing.

I wanted to see the film because Joy Division is still one of my Top 5 bands 30 years later. I know who made me the tape so that I could hear debut album Unknown Pleasures for the first time and I remember who I was with and where I was when the news leaked that Curtis was dead.


It wasn't easy to find a theater which was showing the film when it was released so I ended up hunting down an obscure run-down cinema in downtown Toronto to even see it. About six other people showed up. Every single one appeared deeply moved and on the verge of tears after the film. I’m happy to finally own it on Blu-ray.

The main problem I have with this review is that I went in loving the band and knowing most of the story. Did it work for me because of that, or is it truly a great story that will appeal to people who know nothing about Curtis or Joy Division? It partly depends on whether you like the dark, brooding music, but it works for some people who don’t like the band at all.

The film is bleak. It appears in black and white and is set in a northern town in England (Macclesfield). The houses are small, the streets are narrow and it rains often. This is all true. It's a depressing part of the country. The dreary setting matches the atmosphere of the music and the band’s tale. The film shows how the band came into existence and their early successes such as recording, getting a recording contract and appearing on TV, but this isn’t a true biopic.

Although I knew the lyrics and understood what the words meant before I saw the film, I didn't know the origin of those lyrics. The film ties together some of the events in the life of Curtis with the origin of the songs. When you see what She's Lost Control is really about, it adds new layers of meaning. If you think Love Will Tear Us Apart sounds like a pop song, it takes on a more sinister tone when you understand why he wrote it.

The actors rehearsed together to get the songs right so that they could play them in the film rather than miming. Corbijn never intended to include real performances of the music, but the "band" convinced him. The first time I heard the first note of the first song played in the film, I felt a huge surge of emotion.


Sam Riley manages to look very similar to Curtis and must have spent a long time studying the few examples of Curtis performing the songs. He mimics the actions perfectly and sounds like him too. It was almost like stepping back in time and experiencing a Joy Division concert. Samantha Morton gives a strong performance, managing to look like a young girl and then his wife and the mother of his child.

There's a lot of truth in this film too. Deborah Curtis (his wife) wrote the book Touching From A Distance which tells what really happened. The screenplay was adapted from that book and the details are as true as possible. Corbijn shot some of the iconic photographs of Curtis and the band while working as a photographer for the New Musical Express in England. This was a labor of love.

The result is a moving drama detailing the final few years of Curtis’s life. It doesn't hold much back, showing his faults as well as his redeeming qualities. It's the story of a young man (23 when he died) who was in a situation he couldn't control. Loving and hating two different women, a parent at a young age, success at a level that was hard to imagine and all the while dealing with epilepsy. His character says in the film that the audience didn't realize how much he gave during a performance, or how draining it was and how painful to access the emotions to perform those songs. To the audience, they were songs. To Curtis, they were hideous parts of his life.

I found the film incredibly moving, haunting, captivating, happy and sad. I'm glad that Curtis will be introduced to new audiences through this film. Joy Division is important to me and Control is one of the most prized Blu-rays in my collection.

Video Quality 4.5/5
The film was shot in color and transferred to black and white and the images suit the mood of the film perfectly. Detail is sharp throughout and the print is clean and natural in appearance. I have also seen the German release and the presentation is similar. It’s hard to imagine the film looking any better.

Audio Quality 5/5
The sound is the best I have ever heard where music is concerned. It’s as good as listening to a CD on high quality equipment. The songs have a lot of depth and range and it’s easy to pick out individual instruments. The dialogue is also clear.

Special Features 4/5

Audio commentary with director Anton Corbijn.

Making of Control, featuring interviews with Corbijn, the writer and some of the actors (24 minutes).

Extended live performances from the film:

Transmission
Leaders of Men
Candidate

Music Videos:

Atmosphere – Joy Division
Transmission – Joy Division
Shadowplay – The Killers

Two theatrical trailers.

Joy Division’s music isn’t for everyone, but this is an interesting look at the life of Ian Curtis whether you are a fan or not. The presentation from Alliance is superb and I would recommend it to anyone capable of viewing Region A material. The actors do a wonderful job and the music sounds authentic. It will send shivers down your spine.

Saturday, April 30, 2011

Stop Making Sense: Legendary concert sounds great on Blu-ray

Stop Making Sense (documentary, music)
Directed by Jonathan Demme
88 minutes

Umvd/Visual Entertainment | 1984 | 88 min | Not rated | Oct 13, 2009

Video:
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1

Audio:
English: DTS-HD Master Audio 5.1 (audience mix)
English: DTS-HD Master Audio 5.1 (studio mix)
English: LPCM 2.0

The Film 5/5

I was passionate about music long before I became passionate about film. It began when my neighbor played Hunky Dory to me, and became stronger through school as I discovered the likes of Pink Floyd, Neil Young, Joy Division, The Fall and too many punk bands to mention. We shared albums on cassette and I started listening to the John Peel show on the radio. He broadened my appreciation for obscure music. I mention this because Talking Heads were a big part of my musical education. I remember playing Fear of Music to death when it came out.

David Byrne is not a conventional singer. In fact, very few of the bands I love have people who can really sing. It's just not a requirement for me. I prefer vocalists who obviously feel what they are performing, even if their vocal ability is limited. A list of my favorites would include:

Ian Curtis - Joy Division
Neil Young
Stephen Malkmus - Pavement (can change key several times during a line)
Black Francis - Pixies
Tom Verlaine - Television
David Bowie
Kristin Hersh - Throwing Muses
Polly Harvey
Nick Cave
Thurston Moore/Kim Gordon/Lee Ranaldo - Sonic Youth
Kurt Cobain - Nirvana
Jonathan Richman - The Modern Lovers
Mark E. Smith - The Fall

Byrne whines, growls, yelps and screams. It works...for me. It may not work for everyone. The same goes for most people on the above list. That's why all those bands, and Talking Heads, don't sound like anyone else. They have their own identity. It amazes me that bands like Television don't get more recognition. Marquee Moon (arguably the best album of the 70s) is an absolute masterpiece of guitar sound, but they were labeled as punk/new wave and never got the recognition they deserved. I'm one of their 17 fans across the world.


Talking Heads deserve a special place in music history and the band was inducted into the Rock 'n' Roll Hall of Fame in 2002. Their sound isn't exactly rock, but what is it? There's a huge funk influence as well as world music.

The rhythm section was superb with Chris Frantz (drums), Jerry Harrison (guitar, keyboards) and Tina Weymouth (bass) all vital to the mix. For the purposes of this film, the band was joined by Bernie Worrell (keyboards), Steve Scales (percussion), Alex Weir (guitar), Edna Holt (backing vocals) and Lynn Mabry (backing vocals). The result was an intricate fusion of styles with multiple layers of sound. This complicated layering is prevalent among bands I have grown to love over the years.

The movie doesn't look like a movie at all; it looks like a live concert. It was filmed over several nights with cameras being positioned in different places each time. As a result, you won't see cameras cluttering the performance. It explains how we were given views of the audience from behind the drums without any other cameras in view. The shooting style is somewhat similar to that used in the dance scenes in Black Swan. You'll find yourself on stage with the band, right among the action.

The concert begins with David Byrne walking out carrying a boom box. He wants to play us a tape. It consists of the pounding backing beat of Psycho Killer and he performs it solo with his guitar. Tina Weymouth joins him for a rendition of Heaven, with Chris Frantz entering for Thank You For Sending Me An Angel and Jerry Harrison completing the foursome on Found A Job. The guest performers all add something to the sound and all nine performers are on stage for the start of the seventh song. I have seen Byrne use this formula for solo shows and it works well. I think it highlights what each musician adds to the sound and helps you appreciate exactly how much is going on in that rhythm section.


Byrne was a ball of energy, running on the spot, doing laps around the stage, leaping up beside the drums and performing a variety of patented moves. When the ensemble plays the Tom Tom Club's Genius of Love, Byrne leaves the stage. When it ends, he returns wearing the big suit. He wanted to make his head look smaller so he decided to make the rest of his body appear bigger. I think Byrne was one of the best front men in music history. Looking like a cross between a manic bird and Norman Bates, he was never still.

One of the gripes I have about popular music is that it's too manufactured. The record labels want a product that can be marketed and exploited. As long as those involved look the part, the music is secondary. That wasn't the case with Talking Heads. This was real. Look at their faces and how much they enjoyed the performance. Look at the effort involved.

The music is full of emotion.

There are 16 songs included in the 88 minutes:

1. Psycho Killer
2. Heaven
3. Thank You For Sending Me An Angel
4. Found A Job
5. Slippery People
6. Burning Down The House
7. Life During Wartime
8. Making Flippy Floppy
9. Swamp
10. What A Day That Was
11. This Must Be The Place (Naïve Melody)
12. Once In A Lifetime
13. Genius Of Love
14. Girlfriend Is Better
15. Take Me To The River
16. Crosseyed And Painless

No weak tracks there. It's not quite the perfect set, but it's close. Don't Worry About the Government would have been a nice addition. The bonus features do include Cities and Big Business/I Zimbra, adding another 11 minutes or so of music.

Talking of special features, there's also a 65-minute press conference of the band at a 1999 film festival where the movie was shown for its 15th anniversary.

Video Quality 3/5
You will probably be disappointed by the picture quality. It's marred by frequent dirt, scratches and white specks. Concerts tend to happen in dim settings and you have to remember that it's 27 years old.

Audio Quality 5/5
The real difference here is the sound. There are three lossless mixes. The audience mix (DTS-HD Master Audio 5.1), the studio mix (DTS-HD Master Audio 5.1) and a PCM stereo mix. There are occasional sync issues, such as on Life During Wartime, but overall, things match up well. The audience mix gives more of a concert experience while the studio mix is more polished. Both are excellent.

I quickly forgot the shortcomings of the picture quality and enjoyed the music.

Can I recommend this to everyone? No, definitely not. It depends what kind of music you like. If all you have ever listened to is classic rock and AOR, the jump might be too much for you. If you are familiar with Talking Heads and appreciate what they do, the Blu-ray is an essential purchase.

Overall 4.5/5 

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