Showing posts with label tom hanks. quentin tarantino. Show all posts
Showing posts with label tom hanks. quentin tarantino. Show all posts

Friday, April 6, 2012

100 Movies - No. 97: Apollo 13

97. Apollo 13 (1995)
Drama, History, 140 minutes
Directed by Ron Howard
Starring Tom Hanks, Ed Harris, Gary Sinise, Kevin Bacon and Bill Paxton

"Houston, we have a problem."

Are you old enough to remember the space race and the first time an American set foot on the Moon? The Apollo 11 crew achieved that feat in July, 1969 and were followed by Apollo 12 in November, 1969. Apollo 13 attempted the trip in 1970, but an accident early in the mission prevented the landing. Instead, the mission became one of survival. Would the three astronauts make it back to Earth?

Jim Lovell (Hanks), Fred Haise (Paxton) and Ken Mattingly (Sinise) were set to make the trip, but Mattingly was replaced by Jack Swigert (Bacon), because it was feared that Mattingly might develop the measles on the trip. Gene Kranz (Harris) was in charge of Mission Control on the ground.


I remember the broadcasts of the Apollo 11 trip, but the American public were not particularly interested in seeing live footage by the time the Apollo 13 mission took place. We see the crew filming each other for TV, but they don't know that the pictures aren't being shown live. That all changed the moment the accident occurred. Instead of being a boring event, lives were suddenly at stake. TV crews scrambled to cover the unfolding events.


Hanks, Harris, Paxton, Sinise and Bacon are at their best in Apollo 13. We see the importance of trusting in the overall ability of the team, both in space and back in Houston. Director Ron Howard does a good job of showing how events aboard the ship affected things on the ground. The accident gave both teams several problems to overcome and it wouldn't have happened if either team had failed to contribute.


It's hard to imagine three men sitting in a confined space holding our attention for over two hours, but that's exactly what happens. You may not know how the original events unfolded, but the tension builds effectively even if you know how the story will end.

The overall look of the movie feels authentic. Shots of space are particularly effective. It's almost impossible to listen to the sound of the launch without feeling moved in some way.

The movie is structured in such a way that we feel that the three astronauts have something to lose other than their own lives. The first 30 minutes show Lovell interacting with his wife, Marylin (Kathleen Quinlan), and their children. We also see other crew members and it gives us a glimpse of their personalities. This segment is so effective and adds a lot to the remainder of the movie. Howard makes us feel as though we are back in 1970 and that we are part of Lovell's family or immediate friends.

If you like Apollo 13:

There are plenty of movies which take place in space, but 2001: A Space Odyssey captures the same feel as Apollo 13 for some of the film. It shows in detail how astronauts adapt and what some of the dangers of space flight can be.

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Monday, August 8, 2011

The Green Mile: Another perfect Stephen King adaptation from Darabont

The Green Mile (Drama, Fantasy)
Directed by Frank Darabont
Starring Tom Hanks, Michael Clarke Duncan, Jeffrey DeMunn and David Morse

Warner Bros. | 1999 | 188 min | Rated R | Released Dec 01, 2009

Video:
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.78:1

Audio:
English: Dolby TrueHD 5.1
English, French, German, Italian, Portuguese, Spanish: Dolby Digital 5.1
Turkish: Dolby Digital 2.0

Subtitles:
English SDH, Cantonese, Danish, Dutch, Finnish, French, German SDH, Greek, Italian, Korean, Norwegian, Portuguese, Spanish, Swedish, Thai, Turkish

Disc:
Single 50GB Blu-ray Disc

The Film 5/5


If you read my Top 20 Drama articles, you’ll know that I’m a big fan of Frank Darabont’s Stephen King adaptations. The Shawshank Redemption ranks second and The Green Mile is just behind in fourth.

Watching a Darabont movie is like entering another world. He takes his time with the story and the development of the characters. Don’t expect fast cuts and short scenes; each film is a work of art that is meant to be savored.

Before I talk about the film, I have to mention a funny story. Stephen King decided to write the book in a series of six installments. King was inspired by Charles Dickens, who also liked the serial novel format. I found the first installment in a supermarket and kept the receipt. A scan of it is shown opposite. See if you can spot the unusual item (five items from the top). It’s amazing what you can buy in supermarkets these days. I guess I was low on junk food that week? What a terrible diet I had back then.

The Green Mile is set in a Louisiana prison, but, unlike The Shawshank Redemption, the inmates can only interact by talking and never leave their cells to mingle. Each prisoner is condemned to death and is awaiting a meeting with Old Sparky, the electric chair.

The story is narrated by Paul Edgecomb (Dabbs Greer and Tom Hanks), the head warder, and the vast majority of the story is told through the use of flashback and is set in 1935. He explains how he met a huge black prisoner named John Coffey (Michael Clarke Duncan). Coffey is a simple man and seemingly gentle despite his size, but he was found guilty of murdering two little girls. His behavior doesn’t do anything to suggest that he was capable of such an act.

Coffey has a secret, but I can’t reveal it here without ruining the movie. His nature becomes apparent about an hour into the film and it changes everything.

The story revolves around Edgecomb’s role in running the prison and how he reacts when he finds out Coffey’s true nature. Prison life is fairly quiet, but Edgecomb has to deal with an annoying warder called Percy Wetmore. We are told that Wetmore has connections and so the other warders have to tolerate him or risk losing their jobs. Another thing that upsets Edgecomb’s routine is the addition of a new prisoner, 'Wild Bill' Wharton (Sam Rockwell), who likes to make as much trouble as possible.


One part of the story concerns the appearance of a mouse. The reaction of the individual warders reveals something about their own nature and it’s a brilliant plot device. Unfortunately, I can’t say anything more about the mouse without ruining the story.

The Green Mile isn’t what it seems. It begins like a hard-hitting drama, but things change as we discover more about the characters. In the end, the story is about trust and belief. It’s very powerful and some of the characters do extraordinary things. The warders, with the exception of Percy, are a close-knit group. They demonstrate the kind of trust that can only occur between close friends. The stakes are high and the story is compelling.

I’ll say no more about the plot other than that the conclusion is very satisfying.


Darabont draws strong performances from every member of the cast. Hanks is superb as usual, but the story wouldn’t work without Michael Clarke Duncan’s performance and his Oscar nomination was well deserved. I could mention at least 15 actors who played their role to perfection. Darabont was nominated for Best Picture and Best Adapted Screenplay and the film deserved all of the recognition it received. The mouse should have won an Oscar.

The film has a couple of disturbing scenes, such as one of the executions, but is generally a series of character studies. You’ll be sucked into the story because of what the characters do, rather than for any special effects or shocking scenes. The story has a lot of heart and will stay with you long after the credits roll. At 189-minutes, many will be wary of watching the film. Don’t let that put you off. Good films never feel too long, and this is a very good film.

Video Quality 4/5
The VC-1 transfer looks very good for the most part. Detail in close-ups is exceptional and, apart from a few soft scenes, detail is generally strong throughout. Black levels are problematic on occasion. Darabont uses plenty of dark shots using blacks, grays and browns. Sometimes, shadows obscure some of the detail. I’m very happy with the upgrade, but it could have been slightly better. Owners of the DVD will be relieved that the Blu-ray comfortably contains the entire film, so you won’t have to flip the disc over as you did with the DVD.

Audio Quality 4/5
The English: Dolby TrueHD 5.1 mix is quiet and I found myself increasing the volume by 10 decibels over my normal level. Once that adjustment was made, everything sounded clear. It’s a dialogue-driven film, but the surrounds do play a part when required. Listen to the sound of the mouse running across the floor and you’ll hear the fine detail in the mix. One electrocution is particularly noisy and you’ll feel like it’s happening right in front of you. I couldn’t detect any imperfections in the track at all.

Special Features 5/5

The extras all appear in standard definition:

Commentary by Director Frank Darabont

Walking the Mile: The Making of The Green Mile (25:30)

Miracles and Mystery: Creating The Green Mile (1:42:54) – If the commentary and “Making Of” features weren’t enough, here’s an in-depth look at every aspect of making the film. It’s split into six parts if the running time seems daunting:

Stephen King: Storyteller
The Art of Adaptation
Acting on the Mile
Designing the Mile
The Magic of the Mile
The Tail of Mr. Jingles

Deleted Scenes (3:38) – Two scenes which didn’t make it into the film.

Michael Clarke Duncan's Screen Test (8:26)

Tom Hanks' Makeup Tests (5:30)

Trailers

The Green Mile is a film about hope, trust, friendship and the power of belief. It’s a stunning achievement and the story never feels boring despite the long running time. I give it a spin every three months or so and am always glad to visit that world once again. Anyone who enjoys good acting, master storytelling and emotional drama would probably find a lot to like in this film.

Wednesday, June 8, 2011

My Top 20 Dramas: Part 4, #1-5

My Top 20 Dramas (final part)



5. American Beauty (1999)
Directed by Sam Mendes
Starring Kevin Spacey, Annette Bening and Thora Birch

American Beauty is the story of how Lester Burnham (Spacey) rebels against his boring lifestyle and acts to change it. He’s unhappy with his wife, Carolyn (Bening), while his daughter, Jane (Birch), barely acknowledges his existence. Mendes explores the difference between the image we present to other people and what actually goes on behind the scenes. There’s plenty of dark humor and this might just be Spacey’s best role. All three people make big changes and develop as characters throughout the film. It expresses feelings that a lot of people feel, but never do anything about.



My full review can be found here.




4. The Green Mile (1999)
Directed by Frank Darabont
Starring Tom Hanks, Michael Clarke Duncan and David Morse


The best Stephen King adaptations are directed by Frank Darabont. The Green Mile is set in a prison in the 1930s and all of the inmates are waiting to be executed in the electric chair. It’s not a traditional prison story as all of the prisoners have their own cell and don’t come into contact with each other. The warders, led by Paul Edgcomb, have their world turned upside down when John Coffey (Duncan) arrives on the scene. Edgcomb, now an old man, narrates the story and everything we see happened when he was a young man. Coffey is a giant of a man, but is exceptionally quiet and gentle. I won’t reveal how he shakes things up because it would ruin the surprise. It’s a wonderful drama and Darabont takes his time telling the story. Don’t be put off by the 189-minute running time because you’ll probably be sorry that it’s over when it ends. It also has the best performance by a mouse in the history of motion pictures.


Click here for my full review.




3. Pulp Fiction (1994)
Directed by Quentin Tarantino
Starring John Travolta, Samuel L. Jackson and Bruce Willis


Reservoir Dogs was a promising debut and Pulp Fiction sees Tarantino take a step forward. His screenplay deservedly won the Oscar and it’s full of the realistic dialogue that’s found in all of his films. Vincent Vega (Travolta) and Jules Winnfield (Jackson) play two killers. The most interesting thing about them is their conversations and outlook on life. Bruce Willis is also in the mix, playing a boxer who is paid to fix a fight and goes on the run after failing to keep his promise. The film is full of interesting characters. Christopher Walken appears in just one scene, but you’ll never forget it. Uma Thurman hinted at the potential she would eventually realize in the Kill Bill movies. The non-linear plot is a sequence of bizarre events rather than a coherent story, but I wouldn’t change a thing. It’s hard to pick a favourite Tarantino movie, but this currently has the edge.




2. The Shawshank Redemption (1994)
Directed by Frank Darabont
Starring Morgan Freeman, Tim Robbins and Bob Gunton
Shawshank is another Stephen King story adapted by Frank Darabont and it’s also set in a prison. Andy Dufresne (Robbins) plays a man convicted of murdering his wife. Red (Freeman) befriends him and helps him adjust to prison life. The film has been criticized by some for manipulating our feelings, but don’t all movies aim do that? The pacing is slow, allowing us to feel the passage of time as Dufresne serves his long sentence. My favourite scene happens while several inmates are tarring a roof, but the film is full of memorable scenes. I doubt that Robbins or Freeman have ever delivered better performances. As with most Stephen King stories, there’s a real sense of justice by the conclusion. I’m not sure how many times I have seen Shawshank, but I know I’ll keep watching it on a regular basis.




1. Mulholland Dr. (2001)
Directed by David Lynch
Starring Naomi Watts. Laura Harring and Justin Theroux


David Lynch isn’t the easiest filmmaker to like. He doesn’t like explaining the meaning of anything and insists that you draw your own conclusions. Mulholland Dr. is particularly baffling on the first viewing. It’s unclear what’s happening and the whole film is turned on its head in the last 45 minutes. It makes the viewer question the validity of everything that has happened up to that point. Betty (Watts) plays a bright-eyed aspiring actress who befriends Rita (Harring); a woman suffering from amnesia following a car accident. Part of the story plays like a Nancy Drew mystery as the two try to find Rita’s true identity. In fact, the whole film is about identity. There’s an air of mystery throughout and numerous scenes filled with dark humor. It’s also actually quite frightening in places if you allow yourself to be drawn in. If it works for you, you’ll find yourself reading about the film and watching it again within a couple of days. If it fails, you’ll regret ever seeing it. I watched it two days running and have seen it many times since. This is the film that changed the way I think about cinema.

My full review can be found here.
 
See #16-20 on my list here.
See #11-15 on my list here.
See #6-10 on my list here.

I Hope that you enjoyed reading about my Top 20 dramas. Feel free to comment and add your own list.

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