The Monuments Men (2013)
Action, Biography, Drama, 118 minutes
Directed by George Clooney
Starring George Clooney, Matt Damon, John Goodman, Bill Murray, Cate Blanchett, Bob Balaban, Dimitri Leonidas, Jean Dujardin and Hugh Bonneville
I was trying decide whether to see The Monuments Men in theaters, or simply wait for the Blu-ray. On the one hand, it has a tremendous cast and features some of my favorite actors, but reviews have been generally negative. I eventually chose to make up my own mind.
I'm still not sure if that was a good decision.
The movie is based on a true story, and tells the tale of how a small group of men were charged with the task of recovering artwork stolen by the Nazi's during World War II. I'm tired of stories about Nazi's, but I have a lot of respect for people who fought and still fight for our freedom. Art should be for everyone and I had not heard this story before, so I have to admit that I had high hopes for the movie.
Nobody from the talented cast dominated the story. This was a true ensemble piece with screen time being shared. We are shown a recruiting stage, a planning stage, and then the attempted execution of those plans. Unfortunately, the drama doesn't really build in an effective way. In fact, I'm not certain what the movie was trying to be. There were frequent moments of comedy, interspersed with mystery, brief action, and adventure elements. With all of these important works of art at stake, I somehow failed to be completely invested in the story.
It's hard to pinpoint why it fell flat for me. I rather enjoyed the performances of the principal actors, but I didn't feel much tension during the search, or triumph when works of art were recovered.
The closing credits showed photographs of the real heroes who were involved in the mission 70 years ago.
The most memorable character was James Granger (Matt Damon), who interacted in an important way with Parisian museum curator, Claire Simone (Cate Blanchett), to uncover vital information for the mission. Blanchett's character was based on Rose Valland.
The Monuments Men is an important and heroic story which meanders along without ever becoming riveting. I would watch it again, but I don't think I need to own it.
Overall score 3/5
Return to index of every review on the site.
Saturday, February 15, 2014
Sunday, February 9, 2014
The Jungle Book - Diamond Edition Blu-ray
The Jungle Book (1967)
Animation, Adventure, Family, 78 minutes
Directed by Wolfgang Reitherman
Starring the voices of Phil Harris, Sebastian Cabot, George Sanders, Louis Prima, Bruce Reitherman and Sterling Holloway
Although Bambi, Dumbo and Lady and the Tramp are my favorite classic Disney titles, The Jungle Book holds a special place in my heart. My mother took me and my brother to see it on the big screen shortly before she died, and it was the only animated Disney film we saw together at the cinema. I remember that we were late and missed a few minutes, so we watched the rest of the film, Treasure Island, and then sat through all of The Jungle Book again afterwards. I only asked to see the few minutes we had missed, but we couldn't bring ourselves to leave at that point.
I don't think I have seen the film since that day around 40 years ago, so I wondered whether my treasured memory would be ruined by seeing it again as an adult. I'm happy to say that I thoroughly enjoyed the experience.
Walt Disney's last major animated film is a feel-good story suitable for the whole family. The story is simple: Mowgli is a small child who is discovered by Bagheera the panther in the Indian Jungle. After giving the matter some thought, he decides that the local wolves would provide the best home for the boy. Ten years quickly pass during a narrated scene and we skip ahead to the current day. The wolves have heard that the tiger, Shere Khan, is back in the neighborhood. He hates humans and will likely seek out Mowgli to kill him. Don't worry, I promise that your children won't be frightened by the story.
Mowgli is befriended by a small elephant, and also has the help of Bagheera, who decides to deliver the boy to a village so that he can be among his own kind. Along the way they encounter Baloo the bear, who is the life and soul of the film. He's not too bright, but his heart is in the right place and it's easy to love him.
Like most Disney classics, the story contains plenty of songs. The most notable is Bare Necessities, sung by Baloo, and it was nominated for an Oscar. There are four other songs, including King of the Swingers, which is almost as much fun as Bare Necessities.
The 78-minute story seems to be over all too quickly, but you could always watch it twice as I did all those years ago. I could imagine small children loving the colors, the music, and the bright characters that populate the entire movie.
The Diamond Edition Blu-ray boasts a 7.1 DTS-HD Master Audio track, as well as the original mono track, and 5.1 Dolby Digital versions in French, Spanish and Portuguese. The picture is free of dirt and debris and looks as clear as a watercolor painting could possibly look. Be aware that these hand-painted Disney classics do not have the depth of modern CGI images, but the story is strong enough to make you focus on what's happening in the foreground. I was very happy with the presentation.
As well as features from the Classic DVD, this latest version includes the following:
Music, Memories and Mowgli: A Conversation with Richard M. Sherman, Diane Disney Miller and Floyd Norman (9:42)
Alternate Ending - Mowgli and the Hunter (unfinished animation in storyboard form) (8:46)
I Wan'na Be Like You: Hanging Out at Disney's Magic Kingdom (18:25)
Bear-e-oke (5 songs)
@disneyanimation: Sparking Creativity (9:14)
The package comes with an embossed slip cover and a DVD.
For any Disney fan who hasn't seen The Jungle Book, the Blu-ray is a great way to experience it for the first time. I would also recommend it as an upgrade for owners of the DVD.
Overall score 4/5 (Presentation 5/5)
Return to index of every review on the site.
Animation, Adventure, Family, 78 minutes
Directed by Wolfgang Reitherman
Starring the voices of Phil Harris, Sebastian Cabot, George Sanders, Louis Prima, Bruce Reitherman and Sterling Holloway
Although Bambi, Dumbo and Lady and the Tramp are my favorite classic Disney titles, The Jungle Book holds a special place in my heart. My mother took me and my brother to see it on the big screen shortly before she died, and it was the only animated Disney film we saw together at the cinema. I remember that we were late and missed a few minutes, so we watched the rest of the film, Treasure Island, and then sat through all of The Jungle Book again afterwards. I only asked to see the few minutes we had missed, but we couldn't bring ourselves to leave at that point.
I don't think I have seen the film since that day around 40 years ago, so I wondered whether my treasured memory would be ruined by seeing it again as an adult. I'm happy to say that I thoroughly enjoyed the experience.
Walt Disney's last major animated film is a feel-good story suitable for the whole family. The story is simple: Mowgli is a small child who is discovered by Bagheera the panther in the Indian Jungle. After giving the matter some thought, he decides that the local wolves would provide the best home for the boy. Ten years quickly pass during a narrated scene and we skip ahead to the current day. The wolves have heard that the tiger, Shere Khan, is back in the neighborhood. He hates humans and will likely seek out Mowgli to kill him. Don't worry, I promise that your children won't be frightened by the story.
Mowgli is befriended by a small elephant, and also has the help of Bagheera, who decides to deliver the boy to a village so that he can be among his own kind. Along the way they encounter Baloo the bear, who is the life and soul of the film. He's not too bright, but his heart is in the right place and it's easy to love him.
Like most Disney classics, the story contains plenty of songs. The most notable is Bare Necessities, sung by Baloo, and it was nominated for an Oscar. There are four other songs, including King of the Swingers, which is almost as much fun as Bare Necessities.
The 78-minute story seems to be over all too quickly, but you could always watch it twice as I did all those years ago. I could imagine small children loving the colors, the music, and the bright characters that populate the entire movie.
The Diamond Edition Blu-ray boasts a 7.1 DTS-HD Master Audio track, as well as the original mono track, and 5.1 Dolby Digital versions in French, Spanish and Portuguese. The picture is free of dirt and debris and looks as clear as a watercolor painting could possibly look. Be aware that these hand-painted Disney classics do not have the depth of modern CGI images, but the story is strong enough to make you focus on what's happening in the foreground. I was very happy with the presentation.
As well as features from the Classic DVD, this latest version includes the following:
Music, Memories and Mowgli: A Conversation with Richard M. Sherman, Diane Disney Miller and Floyd Norman (9:42)
Alternate Ending - Mowgli and the Hunter (unfinished animation in storyboard form) (8:46)
I Wan'na Be Like You: Hanging Out at Disney's Magic Kingdom (18:25)
Bear-e-oke (5 songs)
@disneyanimation: Sparking Creativity (9:14)
The package comes with an embossed slip cover and a DVD.
For any Disney fan who hasn't seen The Jungle Book, the Blu-ray is a great way to experience it for the first time. I would also recommend it as an upgrade for owners of the DVD.
Overall score 4/5 (Presentation 5/5)
Return to index of every review on the site.
Blu-ray Bin Update - Feb. 9, 2014
Here are the latest Used 1-Disc/Used additions from Blu-ray Bin:
2012 $9.99
24: Season 7 $19.99
Alcatraz: The Complete Series $14.99
Alphabet Killer, The $9.99
Babe $9.99
Being Human: Season 5 $14.99
Bling Ring, The $12.99
Blue Angel, The (2-Disc Ultimate
Edition) $19.99
Ceremony $4.99
Closed Circuit $12.99
Doctor Who - Series Seven: Part One $9.99
Falling Skies: Season 2 $12.99
Hour 2, The $12.99
InuYasha - The Final Act - Set 2 $19.99
InuYasha; - The Final Act - Set 1 $19.99
Iron Man 3 $12.99
Le Casanova de Fellini (French Import -
Region B Only) $12.99
Legend of Korra - Book One: Air $12.99
Looper $12.99
Master, The $9.99
Moonrise Kingdom (Combo Pack) $9.99
Nip/Tuck Season 4 $19.99
Nura: Rise of the Yokai Clan $16.99
Ocean Predators 3D $14.99
Poetry (UK Import - Region Free) $12.99
Prom Night $4.99
Scent of a Woman/Sea of Love - Double
Feature (2-Disc) $6.99
Spring Breakdown $4.99
Taking Off (French Import - Region B
Only) $12.99
Tie That Binds, The $9.99
To the Wonder $9.99
Trance $9.99
Voyage to the Bottom of the Sea $12.99
Free shipping on all used items if you use code freeshipfeb2014. Free shipping on new items when you spend at least $25.
Used items come with cases and original artwork and are 100 percent guaranteed.
Sunday, February 2, 2014
Labor Day (Theatrical Review)
Labor Day (2013)
Drama, 111 minutes
Directed by Jason Reitman
Starring Kate Winslet, Josh Brolin, Gattlin Griffith and Tobey Maguire
I was apprehensive attending the Saturday morning showing of Jason Reitman's Labor Day. Although I almost always avoid reviews and trailers when I am certain I will see a movie, I had heard the mostly negative buzz for Reitman's fifth movie. I also knew that this wouldn't contain the humor that I loved in Thank You for Smoking, Juno, Up in the Air and Young Adult. In short, I was afraid that Reitman's perfect record would be broken, but in my mind at least, he's still batting a thousand. If you're a Reitman fan, I urge you to stop reading until you have seen the movie. It's impossible to talk about it without giving away significant plot points.
For those of you who are undecided, I'm not going to mention anything that isn't revealed in the trailer.
Adele (Kate Winslet) plays a single mother who lives with her son, Henry (Gattlin Griffith). Her former husband had a child with another woman and Adele struggles to cope with depression and social anxiety. She barely leaves the house, shopping just once a month for supplies from the local store. It might be difficult to understand this condition if you have never suffered from it. Some days are good, and it's possible to talk to a total stranger; other days are difficult, and the slightest trigger can result in a surge of panic. This fight or flight feeling can be overwhelming, and, as a coping technique, those who suffer from anxiety run through every possible scenario before facing the world.
You can imagine Adele's horror when Henry introduces her to Frank (Josh Brolin), who just met him in the store and asked for a ride. I can imagine Adele wondering how to extract herself from the situation without upsetting her son. Does Frank look safe, or could he turn out to be dangerous? Frank more or less insists that Adele help him, and then demands to be driven to her home. He's an escaped convict.
This is not the Reitman that we have come to know and love. Make no mistake, Labor Day is a drama. It plays out somewhat like a Hitchcock movie, but instead of seeing things from the viewpoint of the man on the run, we see things through the eyes of Adele and Henry. Frank just wants to rest for a while and says that he will leave that night by train, but Labor Day weekend is approaching and the trains aren't running.
The story is set in 1987, and the narration is handled by Tobey Maguire, who also shows up later in the story as an adult version of Henry. If you're planning to see this movie because Maguire is involved, his role is fairly minor. This is all about the interaction between Adele and Frank, and how it impacts Henry. The acting is superb, and Winslet thoroughly deserved her Golden Globe nomination.
As the trailer shows, this film isn't a traditional crime drama. Adele has missed her husband and Frank doesn't seem all that threatening. The news bulletins say that he is a murderer serving 18 years, but he insists that things didn't happen the way they were described on TV. We eventually learn the truth through flashbacks, but I won't talk about that here. We are also shown more of Adele's past, and come to understand some of the things that trigger her anxiety. These troubled people find that they like each other, and both Adele and Henry seem content to have Frank around. Instead of treating them as prisoners, he even fixes things around the house.
I found myself actually rooting for Frank to escape and it reminded me of Roger Ebert's comments about the scene in Psycho where we wanted the car to sink into the water when Norman Bates was hiding it. I keep mentioning Hitchcock because tension and suspense is present throughout the film. I think I was engrossed in the story for every single moment of the 111 minutes.
So why are the reviews so negative? Is the story unrealistic? Not to me. Is the ending contrived or weak? I certainly didn't think so. I was never bored and the resolution wasn't immediately obvious. The actors didn't put a foot wrong either. Were people disappointed by the lack of Reitman's established formula? I really don't know why the reviews are so bad. I can assure you that I would echo those opinions if the same were true for me, but I loved Labor Day. The score was subtle and effective, the pacing good, and the atmosphere just right.
The only difficult thing is deciding whether to give the film 4.5 or 5 stars, and I think it deserves a 5. If you like Reitman at all, please give this a chance and make up your own mind. I'm delighted that I did.
Overall score 5/5
Return to index of every review on the site.
Drama, 111 minutes
Directed by Jason Reitman
Starring Kate Winslet, Josh Brolin, Gattlin Griffith and Tobey Maguire
I was apprehensive attending the Saturday morning showing of Jason Reitman's Labor Day. Although I almost always avoid reviews and trailers when I am certain I will see a movie, I had heard the mostly negative buzz for Reitman's fifth movie. I also knew that this wouldn't contain the humor that I loved in Thank You for Smoking, Juno, Up in the Air and Young Adult. In short, I was afraid that Reitman's perfect record would be broken, but in my mind at least, he's still batting a thousand. If you're a Reitman fan, I urge you to stop reading until you have seen the movie. It's impossible to talk about it without giving away significant plot points.
For those of you who are undecided, I'm not going to mention anything that isn't revealed in the trailer.
Adele (Kate Winslet) plays a single mother who lives with her son, Henry (Gattlin Griffith). Her former husband had a child with another woman and Adele struggles to cope with depression and social anxiety. She barely leaves the house, shopping just once a month for supplies from the local store. It might be difficult to understand this condition if you have never suffered from it. Some days are good, and it's possible to talk to a total stranger; other days are difficult, and the slightest trigger can result in a surge of panic. This fight or flight feeling can be overwhelming, and, as a coping technique, those who suffer from anxiety run through every possible scenario before facing the world.
You can imagine Adele's horror when Henry introduces her to Frank (Josh Brolin), who just met him in the store and asked for a ride. I can imagine Adele wondering how to extract herself from the situation without upsetting her son. Does Frank look safe, or could he turn out to be dangerous? Frank more or less insists that Adele help him, and then demands to be driven to her home. He's an escaped convict.
This is not the Reitman that we have come to know and love. Make no mistake, Labor Day is a drama. It plays out somewhat like a Hitchcock movie, but instead of seeing things from the viewpoint of the man on the run, we see things through the eyes of Adele and Henry. Frank just wants to rest for a while and says that he will leave that night by train, but Labor Day weekend is approaching and the trains aren't running.
The story is set in 1987, and the narration is handled by Tobey Maguire, who also shows up later in the story as an adult version of Henry. If you're planning to see this movie because Maguire is involved, his role is fairly minor. This is all about the interaction between Adele and Frank, and how it impacts Henry. The acting is superb, and Winslet thoroughly deserved her Golden Globe nomination.
As the trailer shows, this film isn't a traditional crime drama. Adele has missed her husband and Frank doesn't seem all that threatening. The news bulletins say that he is a murderer serving 18 years, but he insists that things didn't happen the way they were described on TV. We eventually learn the truth through flashbacks, but I won't talk about that here. We are also shown more of Adele's past, and come to understand some of the things that trigger her anxiety. These troubled people find that they like each other, and both Adele and Henry seem content to have Frank around. Instead of treating them as prisoners, he even fixes things around the house.
I found myself actually rooting for Frank to escape and it reminded me of Roger Ebert's comments about the scene in Psycho where we wanted the car to sink into the water when Norman Bates was hiding it. I keep mentioning Hitchcock because tension and suspense is present throughout the film. I think I was engrossed in the story for every single moment of the 111 minutes.
So why are the reviews so negative? Is the story unrealistic? Not to me. Is the ending contrived or weak? I certainly didn't think so. I was never bored and the resolution wasn't immediately obvious. The actors didn't put a foot wrong either. Were people disappointed by the lack of Reitman's established formula? I really don't know why the reviews are so bad. I can assure you that I would echo those opinions if the same were true for me, but I loved Labor Day. The score was subtle and effective, the pacing good, and the atmosphere just right.
The only difficult thing is deciding whether to give the film 4.5 or 5 stars, and I think it deserves a 5. If you like Reitman at all, please give this a chance and make up your own mind. I'm delighted that I did.
Overall score 5/5
Return to index of every review on the site.
Sunday, January 26, 2014
Rush
Rush (2013)
Biography, Drama, Sports, 123 minutes
Directed by Ron Howard
Starring Daniel Brühl, Chris Hemsworth, Olivia Wilde and Alexandra Maria Lara
I remember the marketing campaign for Rush, which claimed it was unmissable and full of thrills. While I thoroughly enjoyed the movie, it's definitely not as advertised.
It's actually better, but in a different way.
The movie performed badly at the US box office, making just $27 million. Formula One racing isn't very popular in North America, so it's not hard to see why audiences weren't anxious to see the movie in theaters.
The story focuses on the 1976 Formula One championship, which came down to a battle between two men:
James Hunt (Chris Hemsworth) was an English playboy more interested in pursuing the lifestyle of a superstar than devoting his life to his career. We see him drinking, smoking, and chasing beautiful women. He's carefree, controversial and irresponsible. In contrast, Austrian Niki Lauda (Daniel Brühl) will do anything to succeed. He takes care of his health, goes to bed early, and seemingly has more knowledge of how to get the best out of his car than his mechanics and the team owners.
An early scene shows how Hunt and Lauda first raced together in the lower Formula Three class. Lauda is forced off the track by Hunt and takes an instant dislike to him. Over a period of six or seven years, the rivalry intensifies. Success in Formula One racing depends on the competitiveness of the car as much as the ability of the driver. Lauda negotiates a deal to drive for one of the best teams, Ferrari. Hunt resorts to begging for a position with any team that will give him a car good enough to compete. He eventually signs with Hesketh.
You might think that a movie about car racing would be full of action, but director Ron Howard spends more time off the track than on it. He develops the plot by showing us the contrast between Hunt and Lauda. As well as character differences, they came from very different backgrounds. Hunt's family was rich and prepared to buy him a place on a team, but Lauda was disowned by his father after choosing racing over a more traditional career. We see Lauda succeeding on his own merit rather than being handed anything. While Hunt pursues any attractive woman who will spend the night with him, Lauda chooses a supportive woman who ended up being married to him until 1991.
Formula One racing is a glamorous sport. In 2013, two drivers earned $27 million in salary alone. Sponsorship deals would vastly increase that sum. If you have ever watched a race, you'll have seen the celebrities in attendance, as well as a horde of beautiful women. The movie speculates that women like racing drivers because they are so close to death, and that makes them more alive than other men. It also helps that they are incredibly rich. An early voice-over informs us that of the 25 drivers in Formula One, two will probably die by the end of the season. Although that was true at the time, safety has improved enormously since the 1970s.
Will the movie work for you if you know nothing about Formula One? I grew up following the sport and still watch every race today. I have no interest in any other type of car racing. It's hard for me to imagine watching the movie without the knowledge I have gained over a lifetime, but I would think that the story has plenty to offer those who know nothing about the sport. It should work if you enjoy character studies. As for the acting, many think that Brühl should have received an Oscar nomination, while I have never seen Hemsworth deliver a better performance. The story is interesting and quite gripping. It felt as if only an hour had passed by the time that the credits rolled.
Writer Peter Morgan has given us some great stories set in the 1970s. He teamed up with Ron Howard for Frost/Nixon, which received international acclaim, while Tom Hooper's The Damned United does an excellent job of portraying English soccer.
If you are curious about seeing the film for the racing sequences, you might be disappointed. I would estimate that around 30 minutes is devoted to the actual races. Those sequences are done very well, and really give you an idea of what it might be like to drive a Formula One car. Howard also shows the dangers involved, and how a serious accident can occur in a split second. But there is a lot more to this movie than action sequences.
The Blu-ray delivers a spectacular presentation. Colors are vibrant, features are clear, and the audio is excellent when it needs to be. With ten deleted scenes and just over an hour of special features in total, the package offers plenty of insight into the making of the movie and Formula One in general.
Rated R for sexual content, nudity, language, some disturbing images and brief drug use.
Overall score 4/5
Return to index of every review on the site.
Biography, Drama, Sports, 123 minutes
Directed by Ron Howard
Starring Daniel Brühl, Chris Hemsworth, Olivia Wilde and Alexandra Maria Lara
I remember the marketing campaign for Rush, which claimed it was unmissable and full of thrills. While I thoroughly enjoyed the movie, it's definitely not as advertised.
It's actually better, but in a different way.
The movie performed badly at the US box office, making just $27 million. Formula One racing isn't very popular in North America, so it's not hard to see why audiences weren't anxious to see the movie in theaters.
The story focuses on the 1976 Formula One championship, which came down to a battle between two men:
James Hunt (Chris Hemsworth) was an English playboy more interested in pursuing the lifestyle of a superstar than devoting his life to his career. We see him drinking, smoking, and chasing beautiful women. He's carefree, controversial and irresponsible. In contrast, Austrian Niki Lauda (Daniel Brühl) will do anything to succeed. He takes care of his health, goes to bed early, and seemingly has more knowledge of how to get the best out of his car than his mechanics and the team owners.
An early scene shows how Hunt and Lauda first raced together in the lower Formula Three class. Lauda is forced off the track by Hunt and takes an instant dislike to him. Over a period of six or seven years, the rivalry intensifies. Success in Formula One racing depends on the competitiveness of the car as much as the ability of the driver. Lauda negotiates a deal to drive for one of the best teams, Ferrari. Hunt resorts to begging for a position with any team that will give him a car good enough to compete. He eventually signs with Hesketh.
You might think that a movie about car racing would be full of action, but director Ron Howard spends more time off the track than on it. He develops the plot by showing us the contrast between Hunt and Lauda. As well as character differences, they came from very different backgrounds. Hunt's family was rich and prepared to buy him a place on a team, but Lauda was disowned by his father after choosing racing over a more traditional career. We see Lauda succeeding on his own merit rather than being handed anything. While Hunt pursues any attractive woman who will spend the night with him, Lauda chooses a supportive woman who ended up being married to him until 1991.
Formula One racing is a glamorous sport. In 2013, two drivers earned $27 million in salary alone. Sponsorship deals would vastly increase that sum. If you have ever watched a race, you'll have seen the celebrities in attendance, as well as a horde of beautiful women. The movie speculates that women like racing drivers because they are so close to death, and that makes them more alive than other men. It also helps that they are incredibly rich. An early voice-over informs us that of the 25 drivers in Formula One, two will probably die by the end of the season. Although that was true at the time, safety has improved enormously since the 1970s.
Will the movie work for you if you know nothing about Formula One? I grew up following the sport and still watch every race today. I have no interest in any other type of car racing. It's hard for me to imagine watching the movie without the knowledge I have gained over a lifetime, but I would think that the story has plenty to offer those who know nothing about the sport. It should work if you enjoy character studies. As for the acting, many think that Brühl should have received an Oscar nomination, while I have never seen Hemsworth deliver a better performance. The story is interesting and quite gripping. It felt as if only an hour had passed by the time that the credits rolled.
Writer Peter Morgan has given us some great stories set in the 1970s. He teamed up with Ron Howard for Frost/Nixon, which received international acclaim, while Tom Hooper's The Damned United does an excellent job of portraying English soccer.
If you are curious about seeing the film for the racing sequences, you might be disappointed. I would estimate that around 30 minutes is devoted to the actual races. Those sequences are done very well, and really give you an idea of what it might be like to drive a Formula One car. Howard also shows the dangers involved, and how a serious accident can occur in a split second. But there is a lot more to this movie than action sequences.
The Blu-ray delivers a spectacular presentation. Colors are vibrant, features are clear, and the audio is excellent when it needs to be. With ten deleted scenes and just over an hour of special features in total, the package offers plenty of insight into the making of the movie and Formula One in general.
Rated R for sexual content, nudity, language, some disturbing images and brief drug use.
Overall score 4/5
Return to index of every review on the site.
Saturday, January 25, 2014
Kramer vs. Kramer (Blu-ray Review)
Kramer vs. Kramer (1979)
Drama, 105 minutes
Dorected by Robert Benton
Starring Dustin Hoffman, Meryl Streep, Jane Alexander and Justin Henry
We live in a world in which people watch movies to be thrilled and excited. It's difficult enough to pry someone away from their cell phone, tablet or PC for long enough to watch an entire movie. In order to cater to this trend, Hollywood has largely moved away from emotional dramas like Kramer vs. Kramer, replacing them with CGI-loaded blockbusters. If this movie had been made in 2014, there's an 87 percent chance that Ted would be a shape-shifting vampire with telekinetic powers.
That's a huge shame.
I watch my fair share of action, science fiction, and adventure movies, but most of my favorites are serious dramas. I like being made to feel something other than amazement at the visuals. Kramer vs. Kramer won five Oscars; Best Picture, Best Director, Best Actor, Best Supporting Actress and Best Adapted Screenplay. Watching the film in 2014, those awards still seem thoroughly deserved.
This is a great story because it's so real and believable. It opens with a scene in which Ted Kramer (Dustin Hoffman) is given a major promotion at work. He's thrilled at his success and eventually makes his way home to deliver the news to wife, Joanna (Meryl Streep). Unfortunately, Joanna is just finishing the task of packing her bags, and announces that she is leaving him. Ted can't believe her poor timing, but it's clear to us that work is his main priority.
The mood changes as the reality of Ted's situation sets in. Most of the events are told from his perspective, so it's easy to empathize with his problems. His boss wants him to be available 24/7, but that's impossible if you are responsible for an 8-year-old child. Ted has relied on Joanna to take care of his son, Billy (Justin Henry), and despite his false optimism, Ted has little idea of what is involved. This is apparent when we see Ted making French toast with Billy the morning after Joanna leaves. He doesn't even know what grade his son is in at school.
The charm and beauty of the story is that Ted does everything in his power to learn, improve, and be a good father. His work inevitably suffers, but Billy is happier. Ted's neighbor (Jean Alexander) was more of a friend to Joanna than to Ted, but she sees that he has changed. She's also separated herself, and she regularly hangs out with Ted while their kids play together.
As the title would suggest, there is a court case. Some 18 months after Ted has adapted his life to Billy's needs, Joanna reappears and says that she wants custody of Billy. You have to remember that the movie was made in 1979, and it was highly unusual for a court to rule in favor of a father over a mother. Ted loves his son and thinks that he has earned the right to raise him.
One thing that strikes me is the truthfulness present throughout the whole story. Instead of tearing each other apart inside and outside the courtroom, Ted and Joanna seem to respect one another. They genuinely want what is best for Billy. Neither of the parents are cast as villains, and the film is all the better for it. What we see is a family rationally coming to terms with the problems presented by a divorce. There's no sensationalism or anything written purely for effect.
Many of the scenes were improvised by the actors, especially when Billy was involved. Hoffman was about to be divorced in his real life at the time, and I'm sure he accessed some of those emotions. The result is a brilliant performance, and Streep was effective in her more limited time on the screen. I am not a parent, but I was thoroughly engrossed in Ted's life for 105 minutes.
The Blu-ray offers a pleasing upgrade and comes with just one special feature, Finding the Truth. However, this documentary does run for around 50 minutes and contains plenty of interesting information if you are a fan of the movie. The first cut of the film was 43 minutes longer, and it would be nice to see some of the scenes that were removed, but the story is tight and tense in its final form. This is why I own older movies and continually explore films I initially missed.
There is brief nudity, but it's quite humorous, and not a reason to prevent children from seeing the movie.
Overall score 4.5/5
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Drama, 105 minutes
Dorected by Robert Benton
Starring Dustin Hoffman, Meryl Streep, Jane Alexander and Justin Henry
We live in a world in which people watch movies to be thrilled and excited. It's difficult enough to pry someone away from their cell phone, tablet or PC for long enough to watch an entire movie. In order to cater to this trend, Hollywood has largely moved away from emotional dramas like Kramer vs. Kramer, replacing them with CGI-loaded blockbusters. If this movie had been made in 2014, there's an 87 percent chance that Ted would be a shape-shifting vampire with telekinetic powers.
That's a huge shame.
I watch my fair share of action, science fiction, and adventure movies, but most of my favorites are serious dramas. I like being made to feel something other than amazement at the visuals. Kramer vs. Kramer won five Oscars; Best Picture, Best Director, Best Actor, Best Supporting Actress and Best Adapted Screenplay. Watching the film in 2014, those awards still seem thoroughly deserved.
This is a great story because it's so real and believable. It opens with a scene in which Ted Kramer (Dustin Hoffman) is given a major promotion at work. He's thrilled at his success and eventually makes his way home to deliver the news to wife, Joanna (Meryl Streep). Unfortunately, Joanna is just finishing the task of packing her bags, and announces that she is leaving him. Ted can't believe her poor timing, but it's clear to us that work is his main priority.
The mood changes as the reality of Ted's situation sets in. Most of the events are told from his perspective, so it's easy to empathize with his problems. His boss wants him to be available 24/7, but that's impossible if you are responsible for an 8-year-old child. Ted has relied on Joanna to take care of his son, Billy (Justin Henry), and despite his false optimism, Ted has little idea of what is involved. This is apparent when we see Ted making French toast with Billy the morning after Joanna leaves. He doesn't even know what grade his son is in at school.
The charm and beauty of the story is that Ted does everything in his power to learn, improve, and be a good father. His work inevitably suffers, but Billy is happier. Ted's neighbor (Jean Alexander) was more of a friend to Joanna than to Ted, but she sees that he has changed. She's also separated herself, and she regularly hangs out with Ted while their kids play together.
As the title would suggest, there is a court case. Some 18 months after Ted has adapted his life to Billy's needs, Joanna reappears and says that she wants custody of Billy. You have to remember that the movie was made in 1979, and it was highly unusual for a court to rule in favor of a father over a mother. Ted loves his son and thinks that he has earned the right to raise him.
One thing that strikes me is the truthfulness present throughout the whole story. Instead of tearing each other apart inside and outside the courtroom, Ted and Joanna seem to respect one another. They genuinely want what is best for Billy. Neither of the parents are cast as villains, and the film is all the better for it. What we see is a family rationally coming to terms with the problems presented by a divorce. There's no sensationalism or anything written purely for effect.
Many of the scenes were improvised by the actors, especially when Billy was involved. Hoffman was about to be divorced in his real life at the time, and I'm sure he accessed some of those emotions. The result is a brilliant performance, and Streep was effective in her more limited time on the screen. I am not a parent, but I was thoroughly engrossed in Ted's life for 105 minutes.
The Blu-ray offers a pleasing upgrade and comes with just one special feature, Finding the Truth. However, this documentary does run for around 50 minutes and contains plenty of interesting information if you are a fan of the movie. The first cut of the film was 43 minutes longer, and it would be nice to see some of the scenes that were removed, but the story is tight and tense in its final form. This is why I own older movies and continually explore films I initially missed.
There is brief nudity, but it's quite humorous, and not a reason to prevent children from seeing the movie.
Overall score 4.5/5
Return to index of every review on the site.
Wednesday, January 22, 2014
The Wolf of Wall Street (Theatrical Review)
The Wolf of Wall Street (2013)
Biography, Comedy, Crime, 179 minutes
Directed by Martin Scorsese
Starring Leonardo DiCaprio, Jonah Hill and Margot Robbie
Martin Scorsese's last movie was the family-friendly Hugo, so I guess he felt the need to make something a little more controversial this time around. The Wolf of Wall Street is bold, loud, and a totally wild ride for three hours. There are more than 500 F-bombs, sex, plenty of nudity, drugs everywhere, and even a little violence.
Like Goodfellas, the movie uses voice-overs to give the audience an insight into how the characters think. We learn that Jordan Belfort (DiCaprio) made $49 million when he was 26-years-old, but he's annoyed that it was $3 million short of a million per week. The story is non-linear, so we can also see how Belfort started in the business as a stockbroker, and the events that led to him owning his own company.
Belfort's initial job is terminated, and for a short while he's desperate for work. But then he takes a chance on a small local firm which claims to be in the same business as his previous company. When he arrives, the employees are sitting around in jeans. There are no computers of any kind. The stocks being traded are only worth a few cents, but the rate of commission is 50 percent. In a very convincing scene, Belfort's character makes a $4,000 sale, earning him $2,000 on the spot. The other employees can't believe what they are seeing.
This initial success enables Belfort to buy a fancy car and he attracts the attention of his neighbor, Donnie (Jonah Hill). After learning that Belfort made $72,000 the previous month, Donnie begs him for a job and quits his own immediately. Belfort is gifted at sales and convincing people to do things his way, He hires a collection of apparent losers, writes sales scripts, and teaches them how to sell. These scenes are very funny, and the whole venture succeeds brilliantly. Belfort is beginning to think anything is possible.
The movie will appeal to a large number of people because Belfort essentially has the life that others dream about. He does and says what he wants, marries a beautiful woman, lives in a huge house, and buys just about anything his heart desires. He speculates to his employees that we all want such wealth, and let's face it, the vast majority of people dream of that kind of life.
Some of the dialogue is excellent. For instance, one scene shows Belfort taking advice on dwarf tossing. He has a perfectly serious conversation about the legality of the idea, and wants to know the extent of his liabilities. Because it's serious, it's funny. One of the biggest laughs comes when we see a scene from Belfort's perspective and later learn the truth about what really happened. If you see the movie, you'll know which one I am talking about. The heavy drug use does cast some doubts about the accuracy of what we are seeing as it's mostly from Belfort's perspective.
In rather predictable fashion, these largely illegal practices eventually catch up with him. However, I won't spoil the outcome by talking about how he deals with his problems.
DiCaprio is outrageous for much of the movie. At times I thought I was watching Jack Nicholson around 40 years ago. If you recall Nicholson's performances in One Flew Over the Cuckoo's Nest or The Shining, the manic quality is similar to DiCaprio's turn as Belfort. If you aren't squeamish about nudity and bad language, The Wolf of Wall Street is a lot of fun. It felt as if 90 minutes had gone by when the credits rolled, but it was three hours. I can imagine watching this one over and over.
Overall score 4.5/5
Return to index of every review on the site.
Biography, Comedy, Crime, 179 minutes
Directed by Martin Scorsese
Starring Leonardo DiCaprio, Jonah Hill and Margot Robbie
Martin Scorsese's last movie was the family-friendly Hugo, so I guess he felt the need to make something a little more controversial this time around. The Wolf of Wall Street is bold, loud, and a totally wild ride for three hours. There are more than 500 F-bombs, sex, plenty of nudity, drugs everywhere, and even a little violence.
Like Goodfellas, the movie uses voice-overs to give the audience an insight into how the characters think. We learn that Jordan Belfort (DiCaprio) made $49 million when he was 26-years-old, but he's annoyed that it was $3 million short of a million per week. The story is non-linear, so we can also see how Belfort started in the business as a stockbroker, and the events that led to him owning his own company.
Belfort's initial job is terminated, and for a short while he's desperate for work. But then he takes a chance on a small local firm which claims to be in the same business as his previous company. When he arrives, the employees are sitting around in jeans. There are no computers of any kind. The stocks being traded are only worth a few cents, but the rate of commission is 50 percent. In a very convincing scene, Belfort's character makes a $4,000 sale, earning him $2,000 on the spot. The other employees can't believe what they are seeing.
This initial success enables Belfort to buy a fancy car and he attracts the attention of his neighbor, Donnie (Jonah Hill). After learning that Belfort made $72,000 the previous month, Donnie begs him for a job and quits his own immediately. Belfort is gifted at sales and convincing people to do things his way, He hires a collection of apparent losers, writes sales scripts, and teaches them how to sell. These scenes are very funny, and the whole venture succeeds brilliantly. Belfort is beginning to think anything is possible.
The movie will appeal to a large number of people because Belfort essentially has the life that others dream about. He does and says what he wants, marries a beautiful woman, lives in a huge house, and buys just about anything his heart desires. He speculates to his employees that we all want such wealth, and let's face it, the vast majority of people dream of that kind of life.
Some of the dialogue is excellent. For instance, one scene shows Belfort taking advice on dwarf tossing. He has a perfectly serious conversation about the legality of the idea, and wants to know the extent of his liabilities. Because it's serious, it's funny. One of the biggest laughs comes when we see a scene from Belfort's perspective and later learn the truth about what really happened. If you see the movie, you'll know which one I am talking about. The heavy drug use does cast some doubts about the accuracy of what we are seeing as it's mostly from Belfort's perspective.
In rather predictable fashion, these largely illegal practices eventually catch up with him. However, I won't spoil the outcome by talking about how he deals with his problems.
DiCaprio is outrageous for much of the movie. At times I thought I was watching Jack Nicholson around 40 years ago. If you recall Nicholson's performances in One Flew Over the Cuckoo's Nest or The Shining, the manic quality is similar to DiCaprio's turn as Belfort. If you aren't squeamish about nudity and bad language, The Wolf of Wall Street is a lot of fun. It felt as if 90 minutes had gone by when the credits rolled, but it was three hours. I can imagine watching this one over and over.
Overall score 4.5/5
Return to index of every review on the site.
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