The Big Lebowski: Classic slightly disappoints on Blu-ray

The Big Lebowski (Comedy, Crime)

Directed by Joel Coen and Ethan Coen

Starring Jeff Bridges, John Goodman and Steve Buscemi

Universal Studios | 1998 | 119 min | Rated R | Released Aug 16, 2011

Video:
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1
French: DTS 5.1

English: DTS-HD Master Audio 5.1
French: DTS 5.1 (less)

Subtitles:

English SDH, French, Spanish

English SDH, French, Spanish (less)

Disc:
Single 50GB Blu-ray Disc

Digital Copy

BD-Live

The Film 4/5

The Big Lebowski is essentially about mistaken identity if you care about the plot. Jeffrey Lebowski is known to his friends as The Dude (Bridges) and a gang of criminals pay him a visit thinking that he’s another Lebowski who happens to be a millionaire. After they urinate on his rug, he seeks out the millionaire to claim compensation.

The millionaire’s wife goes missing and the gang asks for a million dollars in ransom. The Dude is chosen as the courier.

That’s about it. The plot is incidental; this is a movie about a way of life.

The Dude hangs out with two of his bowling buddies, Walter (Goodman) and Donny (Buscemi). Walter is a Vietnam veteran who has anger management issues; Donny hardly says a word and is told to shut up every time he tries to make a comment.

The Dude is a mellow kind of a guy. He shops in his robe, gets high, and talks like he's permanently stoned. Walter is a mystery to him because he is so easily annoyed. When a competing team puts a toe over the line during a bowling game, Walter pulls out a gun and insists that it is marked down as a zero. It’s a league game after all.

The movie doesn’t take itself too seriously and can be classed as a comedy more than anything, but the style of comedy may be different to the type you are used to. Many of the jokes are clever and subtle, and it’s rare for the humor to be aimed too low.

Watching The Big Lebowski is an experience. You’re never quite sure what it is or where it is going. The plot elements aren’t very important, but everything adds up and provides a reason for the characters to do what they do. It’s the sort of movie where nothing happens, but you find yourself thinking about it days later.

Fargo and No Country for Old Men are exceptional movies from the Coen Brothers, but many fans would argue that The Big Lebowski is better. I’m not among them, but it amuses me and I’m glad to finally own it on Blu-ray.

Video Quality 3.5/5

Although the Blu-ray is a vast upgrade over the DVD, I’m a little disappointed with the overall look. Colors are much improved and everything looks brighter and cleaner, but the VC-1 presentation could have been better. Fine detail is present in a few scenes, but is lacking for the most part. Faces in particular seem badly defined. It just about earns a passing grade, but don’t expect to be dazzled.

Audio Quality 4.5/5

The English: DTS-HD Master Audio 5.1 track sounds great. The songs carry a lot more weight than in previous releases. Dialogue is clear throughout and the predominantly front-heavy mix blends well with the action. No complaints about the sound.

Special Features 4/5

Worthy Adversaries: What's My Line Trivia – A game for one or two players in which you have to supply missing dialogue from The Dude and Walter.

An Exclusive Introduction (4:40, SD)

The Dude’s Life (10:08, HD)

The Dude Abides: The Big Lebowski Ten Years Later (10:26, HD)

Making of The Big Lebowski (24:35, SD)

The Lebowski Fest: An Achiever’s Story (13:53, SD)

Flying Carpets and Bowling Pin Dreams: The Dream Sequences of The Dude (4:20, HD)

Interactive Map

Jeff Bridges Photo Book (17:30, HD) – Bridges took shots while filming and explains them here.

Photo Gallery (3:25, SD)

U-Control: Three features with PiP, text and a profanity counter.

Scene Companion

The Music of The Big Lebowski

Mark It, Dude

28-page digibook

The Big Lebowski is a typically quirky effort from the Coen Brothers. While not their very best work, it deserves a place in your collection. Bridges and Goodman excel in their roles and hold the whole thing together. The Blu-ray presentation enhances the experience, but not quite as much as I had hoped. The packaging is good and there’s plenty of behind the scenes information if The Big Lebowski is your kind of film.

Overall score 4/5

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Rango: An entertaining animated Western for the whole family

Rango (animation, comedy, adventure)

Directed by Gore Verbinski

Starring the voices of Johnny Depp, Isla Fisher, Bill Nighy and Ned Beatty

Paramount Pictures | 2011 | 112 min | Rated PG | Released Jul 15, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.40:1

Audio:

English: DTS-HD Master Audio 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English, English SDH, French, Portuguese, Spanish

Discs:

50GB Blu-ray Disc

DVD copy (with digital copy)

The Film 4/5

The Blu-ray includes the 107-minute theatrical version and a 112-minute extended version.

Rango (Depp) is an aquatic chameleon who is trying to discover his purpose in life. He lives alone in a tank until the car it is being transported in hits a bump and gives him his freedom in the desert. His journey begins when he discovers an armadillo and is told to visit the nearby town of Dirt if he wants to find water. He’s given a ride by Beans (Fisher), who owns land in the valley and drops him off in town.

Rango begins the movie as a liar who is unsure of his capabilities, until dumb luck elevates him in the eyes of the locals and he starts to believe in himself. He represents hope as the townspeople struggle to find the water they need to survive.

The first part of the story is not particularly encouraging. It moves at a frantic pace and initially relies on characters being hurt, and belch or fart jokes for comic relief. But things eventually settle down and the story starts to work. It references many movies from the Western genre, including True Grit and High Noon. Some scenes pay tribute to other movies such as Star Wars.

The story is simple, but the setting and design of the characters is extremely detailed. There’s also a wealth of voice talent in the supporting cast, including Ray Winstone, Harry Dean Stanton, Abigail Breslin and Timothy Olyphant, as well as the main cast.

The dialogue isn’t typical and a lot of it won’t be easily understood by children. The characters mention chromosome pools, paradigm shifts and aquifers. Rango, in particular, is very articulate. It’s quite refreshing to see this kind of thing in an animated movie. Maybe some of the kids will ask their parents to explain terms they don’t understand. Even though some of the dialogue is complex, the story is easy to follow.

The movie is a mix of fast-paced action, dumb jokes, clever jokes, battle scenes and quiet moments in which Rango contemplates his existence. There are problems to be solved, misunderstandings and traditional themes of good versus evil. One of my favorite elements is the use of a mariachi band, composed of four owls, documenting Rango’s tale through the use of various songs.

I won’t reveal any more of the plot, but I found Rango to be an enjoyable ride. The first 30 minutes had me worried because of the pacing and the dumb jokes, but things improve significantly in the last hour. I often have problems adjusting to the style of North American animation after seeing one of Hayao Miyazaki’s films, and I viewed Spirited Away a few days ago. Once I accepted that Rango was a totally different style; I started to enjoy it more.  It’s not perfect, but it’s well worth your time.

Video Quality 5/5

If you’ve ever seen a Pixar movie on Blu-ray, you’ll have an idea what to expect from Rango. I couldn’t detect a single fault. Colors are striking and detail is exceptional. All of the backgrounds seem properly finished and add depth to the image. When you see Rango’s face at the start of the movie, it looks like he’s in the room with you. Clothing, skin, scenery and water are all displayed perfectly. This is a presentation that shows off the Blu-ray format wonderfully. Nobody will be disappointed with the look of the movie.

Audio Quality 5/5

The DTS-HD Master Audio 5.1 track doesn’t disappoint either. There’s a lot going on throughout the movie and the lossless audio handles everything well. Some of the battle scenes are particularly loud, while other scenes rely on music for maximum effect. The rear speakers are used frequently and I didn’t detect any faults in the mix. The image will dazzle you, but you’ll be happy with the sound too.

Special Features 4/5

The additional features are all presented in full HD.

Audio Commentary (Extended version only) with Director, Gore Verbinski; Head of Story James Ward Byrkit; Production Designer Mark "Crash" McCreery; Animation Director Hal Hickel; and Visual Effects Supervisor Tim Alexander.

Breaking the Rules: Making Animation History (48:52) – A two-part feature consisting of The Stage is Set and Now we Ride. Learn about how the movie was made and see the evolution of the characters.

Deleted Scenes (8:27) – A brief look at 10 additional scenes which will seem very familiar if you watched the extended version of the movie.

Real Creatures of Dirt (22:15) – Showing real desert creatures such as snakes, scorpions, tarantulas and armadillos.

Storyboard Reel Picture-in-Picture (theatrical version only)

A Field Trip to Dirt – An interactive digital model which allows you to ride through the town and look around.

Theatrical Trailer (2:27)

Credits

Previews

DVD Copy (digital copy on disc)

Rango is a fun way to spend almost two hours. Although some of the dialogue is complex, the movie is suitable for the whole family and has something for everyone. The blend of action and humor works well overall and the animals make interesting and memorable characters. The Blu-ray is just about perfect and Rango immediately ranks among the best presentations the format has to offer.

Overall score 4.5/5

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Midnight in Paris: A magical story that will make you laugh and think

Midnight in Paris (comedy, fantasy, romance)

Directed by Woody Allen

Starring Owen Wilson, Rachel McAdams, Michael Sheen, Marion Cotillard, Kathy Bates and Adrien Brody

2011 | 94 min | PG-13 | 1.85:1 | Theatrical Release Date June 10, 2011

The Film 5/5

Woody Allen has directed more than 40 movies and Midnight in Paris is one of his best. It’s a gentle comedy with a strong fantasy element. Like most of Allen’s movies, it relies on good writing and clever dialogue.

The fantasy element changes the entire feel of the movie, and although it’s revealed early in the story, I don’t want to ruin it for anyone. However, this would be a very short review if I didn't mention it at all. So please be warned that the remainder of the review contains spoilers. If you don’t want to know, it’s time to stop reading.

The story is built around Gil Pender (Wilson), who arrives in Paris with his fiancée, Inez (McAdams). He’s a writer hoping to find inspiration and she wants to see some of the local sights. The two explore the city with friends Paul (Sheen) and Carol. Paul claims to be an authority on everything and Gil is annoyed by him, but Inez used to have a crush on Paul and enjoys his company.

One evening, Gil decides that he will take a walk alone to get away from Paul. He’s a little drunk and manages to get lost, and eventually finds himself sitting on some steps at midnight. It’s here that the entire movie changes. A vintage car stops and the people inside urge Gil to get in. They take him to a party and he discovers that Scott and Zelda Fitzgerald are among the guests. He’s surprised at their names, and even more baffled when he’s introduced to Ernest Hemingway.

Gil has traveled back into the 1920s.

What would you say to Fitzgerald and Hemingway if you were an aspiring writer? Gil is both astonished and thrilled to be in their presence and mentions that he’s also a writer. The trip to the past isn’t permanent and he wakes up in the present the next morning. Was it just a dream, or was it real? Allen never explains how Gil returns from the past.

He tries to reenact the event, taking Inez with him, but she leaves before midnight. When the clock strikes, the car appears again and he’s back in the past. He’s introduced to other famous artists, singers and writers, and Gertrude Stein (Bates) critiques his manuscript. Gil seems at home in the 1920s and happier than when he is with Inez in the present. The people seem to understand him better and he fits right in. 

The story is filled with interesting encounters. The characters spend a lot of time talking, and Allen’s imagination keeps things more than interesting. I found it quite gripping. I particularly enjoyed the scenes with Hemingway and was reminded of Dan Simmons’ fictional book about him, The Crook Factory. Every encounter with people from 1920s Paris was both charming and intriguing. I found myself imagining how they must have lived, and what it would be like to exist in such a creative environment.

The audience in my theater laughed often and everyone left with a smile on their face. It was a magical experience seeing people such as Dali (Brody) and Picasso before they were famous. The setting was perfect, showing the contrast between modern Paris and the city as it was almost a century ago.

Wilson was as good as I have ever seen him in the role that Allen presumably would have played in his youth. I like Wilson’s quirky delivery and his character wasn’t too far removed from the one he played in The Darjeeling Limited. Gil enjoys defying expectations and isn’t understood by his friends and potential in-laws.

All of the acting impressed me and Sheen was just about perfect as the insufferable Paul. The story was imaginative and different, and not at all what I expected. I left the theater grinning and charmed by the whole story. Allen’s last Oscar came in 1987 when he won for Best Screenplay (Hannah and Her Sisters). I wouldn’t be surprised if Midnight in Paris received a couple of nominations, and he might just win a fourth Oscar.

If you enjoy Woody Allen at all, Midnight in Paris is well worth a trip to the theater. Its charm will draw you in and the dialogue will make you laugh.

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Four Weddings and a Funeral: Good observational humor

Four Weddings and a Funeral (comedy, romance, drama)

Directed by Mike Newell

Starring Hugh Grant, Andie MacDowell, Simon Callow and James Fleet

Metro-Goldwyn-Mayer | 1994 | 117 min | Rated R | Released Jan 11, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1

French, Italian, Spanish: DTS 5.1

Polish, Portuguese, Spanish: Dolby Digital 2.0

Subtitles:

English SDH, Catalan, Danish, Dutch, French, Greek, Hebrew, Italian, Norwegian, Portuguese, Spanish, Swedish, Turkish

Discs:

Single 50GB Blu-ray Disc

The Film 3.5/5

Four Weddings and a Funeral was released in 1994 and was a breakout role for Hugh Grant. If you have seen Notting Hill, Love Actually or the Bridget Jones movies, you’ll know that Grant plays similar characters in every movie. Writer Richard Curtis wrote all of those screenplays and understands what Grant can do. He typically plays eloquent characters who are a bit confused about what they want in life. He has great comic timing and plays his roles with a lot of charm.

The movie opens with Charles (Grant) late for a wedding. We see him dash around with his flatmate, Scarlett, and drive like a maniac to reach the church on time. He’s the best man, but he’s forgotten to bring the rings. This opening sequence is pretty funny and sets the scene well.

Almost all of the action takes place at the four weddings and the funeral mentioned in the title. We are introduced to Charles and his friends, and they appear at every wedding. Tom (Fleet) is one of the richest men in Britain, but is clueless about women and doesn’t have a girlfriend. He’s amusing and harmless and reminds me of Colin Firth’s character in Love Actually. Gareth embraces life and throws himself into any situation without stopping to worry whether he’s making a fool of himself, while Matthew is his lover.

The story is full of good observations about human behavior. If you have ever been to a wedding, you’ll recognize the types of character portrayed in the movie. Some are there because they genuinely want to be, but others tag along as an excuse to get drunk or to seek romantic partners of their own. Some are touching and others are embarrassing or annoying.

At the first wedding, Charles encounters Carrie (MacDowell). He likes her instantly and changes his plans so that he stays at the same inn. They have a romantic moment, but it quickly ends when Carrie announces that she has to return to America.

The rest of the movie shows meetings between Charles and Carrie at each of the weddings. Their situations change each time, but it’s clear that they like each other. Charles runs into previous girlfriends continually, but considers marriage as something to be avoided for the most part. In contrast, Gareth thinks marriage is a good way to get out of a boring conversation.

Charles has a brother, David, who is deaf and communicates through sign language. That sets up a few of the funnier scenes when Charles lies about what David is saying. Another interesting character is Father Gerald; a young priest played by Rowan Atkinson. Most American viewers will know him as Mr. Bean, but he’s appeared in numerous movies of this type as well as Blackadder, which was a TV series also written by Curtis. Father Gerald isn’t a very good priest, but he’ll probably make you laugh.

The movie succeeds because the characters are believable and similar to people we have encountered in our own lives. It’s easy to identify with the main characters because the story rings true. It’s above average in terms of romantic comedies and also works as pure comedy. Even if you don’t care about Charles and Carrie, there’s plenty to smile at. I wouldn’t rate Four Weddings and a Funeral up there with Love Actually, but it’s worth seeing.

Video Quality 3.5/5

Unless you bought Target’s exclusive version in January, this is the first time you’ll have had the chance to see Four Weddings and a Funeral on Blu-ray. The result is a clear upgrade, as you would expect, but it’s not a stellar transfer by any means. The movie is plagued with minor scratches and dirt throughout the 118 minutes. The image is soft at times and clarity never threatens to dazzle the viewer. Colors are accurate, but a little subdued. I briefly considered a 3/5 rating, but I think most of the presentation deserves the extra half point. Fans of the movie should buy it, but temper expectations.

Audio Quality 4/5

The DTS-HD Master Audio 5.1 is more than adequate, but this isn’t the kind of movie that makes full use of sound. It consists of dialogue-driven scenes for the most part, although the surrounds do add depth in the wedding reception scenes. I thought I detected minor sync issues in a couple of places, but they were brief.

Special Features 3/5

The special features are all presented in standard definition and were included on the DVD version of the movie.

Commentary with Director Mike Newell, Producer Duncan Kenworthy and Writer Richard Curtis.

In the Making (7:45)

The Wedding Planners (29:48) – A longer look at how the movie was made.

Two Actors and a Director (5:41) – Explaining how Grant and MacDowell were chosen for the lead roles.

Deleted Scenes (4:02) – Six brief scenes.

Promotional Spots (3:26)

Theatrical Trailer (2:08)

Four Weddings and a Funeral is a lot of fun, and works well for fans of British humor. Grant and MacDowell play their roles well. The Blu-ray offers a reasonable upgrade and is worth adding to your collection if you’re a fan of the movie or if you like romantic comedies. The price is very attractive at the moment and is readily available for under $12. The best price at the time of writing is $8.49 at Barnes & Noble. 

Overall score 3.5/5 

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Ratatouille: The friendliest rat you'll ever meet

Ratatouille (animation, comedy, family)

Directed by Brad Bird and Jan Pinkava

Starring the voices of Patton Oswalt, Lou Romano, Ian Holm and Janeane Garofalo

Disney / Buena Vista | 2007 | 111 min | Rated G | Released Nov 06, 2007

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.39:1

Audio:

English: LPCM 5.1

English, French, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, French, Spanish

Disc:

Single 50GB Blu-ray Disc

The Film 5/5

Remy (Oswalt) is a young rat with an enhanced sense of taste and smell. When he saves his dad from eating food laced with poison, he’s given a job as food tester for the whole colony. Remy quickly becomes bored with the job and dreams of better things. After seeing a TV cooking show, he decides that he would like to be a chef. Unfortunately, he’s almost killed by the TVs owner and the entire colony is discovered and forced to leave her house.

Remy is separated from his family and talks to an illustration of Gusteau, the TV chef, because he’s alone and there’s nobody else to talk to. When he discovers Gusteau’s restaurant, he finds that he knows the function of every member of the staff. Remy gets into trouble when entering the kitchen, but he adds ingredients to the soup and the customers love it. He’s discovered when trying to leave and Linguini (Romano), the kitchen boy, is told to kill him. But the worried look on Remy’s face stops Linguini in his tracks and he realizes that Remy fixed the soup. The two decide to work together.

Although Remy can be understood by other rats, that’s not the case with humans. Instead, he uses gestures to communicate and is very expressive. His tiny shrugs and nods are easy to understand. Quite by accident, Remy discovers that he can control Linguini by pulling at strands of his hair. The two practice at home and come up with a plan to do the same at the restaurant. He hides under Linguini’s hat and continues to prepare food by controlling him.

The story is well thought out and quite complex in places for an animated film. The 111-minute running time is necessary to show everything in detail. The streets of Paris look real and it’s clear that the Pixar team researched the setting thoroughly.

Linguini is trained by Colette (Garofalo) and starts to develop feelings for her, but it’s Remy’s skill that wins the approval of the restaurant’s customers. Linguini is deeply resented by the head chef (Holm), who knows that Linguini is Gusteau’s son and the restaurant’s rightful owner. The problem is, Linguini doesn’t know that.

The film is full of peril, chase scenes and humor, and has a little action. The characters are well developed and Remy is easy to like. It’s challenging to make a rat appear friendly and lovable, but Pixar somehow pulls it off. Remy is always happy and smiling and chooses to walk upright on two feet. I think that was done to make him appear more like a human and less like a rat. He’s also very particular about cleanliness and washes his paws before preparing any food.

The restaurant eventually captures the attention of food critics and is visited by Anton Ego (Peter O’Toole), who is the most famous critic of them all. He’s hard to impress and had written off Gusteau’s as insignificant years ago, but decides to see why it’s become relevant again. One of my favorite scenes happens in the restaurant when Ego takes his first bite of food, but I’ll let you discover what happens for yourself.

The film has a lot of important messages. It shows us that it’s wrong to steal and that family is important. But most of all, it’s about following your dreams. Remy is a rat. How can he possibly become a chef? Even if he did, how could he succeed? I imagine that children watching the film could be inspired by Remy’s achievements. Maybe a few will grow up wanting to be chefs, and they are rarely out of work.

I can’t watch the film without thinking about Hans Landa’s speech in Inglourious Basterds where he asks Perrier LaPadite what his reaction would be if a rat entered his home. How would that differ if a squirrel were to enter? It’s true that humans often have a problem with rats, and many of us actually fear them. It’s quite an achievement to invent a rat that we like and root for as he attempts to live out his dream. 

All of Pixar’s movies are worth owning, but Ratatouille just edges out Up as my favorite. If they ever decide to do another sequel, I hope that we get another story about Remy. It’s aimed at older audiences more than the likes of Cars and A Bug’s Life, but children will still be able to enjoy it.

Well done, Pixar.

Video Quality 5/5

Ratatouille looks fantastic on Blu-ray. You can see the individual hairs in Remy’s fur and the way it beads when he gets wet. The colors are striking and the sheer amount of detail in background scenes tells you all you need to know. This is a reference quality presentation that's ideal for showing off your home theater.

Audio Quality 5/5

The lossless LPCM 5.1 track is full of subtle detail and delivers well during all of the louder scenes. Although there’s very little traditional action, your system will receive a full workout during chase scenes and when Remy is trying to avoid being captured. The sound has good depth and you’ll hear the surrounds highlight quieter effects such as vegetables being chopped or background conversation in the restaurant. Dialogue is crisp and clear throughout and there’s really nothing that falls short of perfection.

Special Features 3.5/5

Lifted (5:02, HD) – One of my favorite short films from Pixar.

Your Friend the Rat (11:16, HD) – Remy and Emil talk about the history of rats in an amusing way.

Gusteau’s Gourmet Game – Control Linguini and help him meet incoming orders.

Fine Food and Film (13:54, HD) – Director Brad Bird and chef Thomas Keller talk about some of their ideas for the film.

Animation Briefings

Documentary Shorts

Deleted Scenes (15:06) – Three scenes that were removed before they were finished.

Deleted Shots R.I.P. (3:12)

The Will (2:48) – With composer Michael Giacchino, featuring an alternate score for one of the scenes.

Remembering Dan Lee (3:00)

There are also five Easter eggs. Press the left button on your control while in the main menu. It works for the top or bottom item.

Ro-Dead Commercial (0:12, HD)

Yes! Shots (1:06)

How to Pronounce Ratatouille (0:55)

L’ecole Culinaire D’Pixar (1:02)

Producer Plays Trombone (0:50)

Pixar has produced some wonderful films and all are worth owning. The Blu-ray presentations are all just about perfect and Ratatouille is no exception. The film has heart and warmth and is a fun place to visit. It doesn’t have the constant action of some titles, but the story is gripping throughout. Adults will be pleasantly surprised at the depth of the story, although very small children may lose interest. That would be a shame, because I rank it as Pixar’s best, and that’s saying a lot.

Click here to find out where Ratatouille ranks among my Top 20 animated films. 

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Fantastic Mr. Fox: Wes Anderson's signature style shines through

Fantastic Mr. Fox (animation, adventure, comedy)

Directed by Wes Anderson

Starring the voices of George Clooney, Meryl Streep, Bill Murray and Michael Gambon

20th Century Fox | 2009 | 87 min | Rated PG | Released Mar 23, 2010

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English, French, Mandarin (Simplified and Traditional), Portuguese, Spanish

Discs:

50GB Blu-ray Disc

DVD copy (with digital copy)

The Film 4.5/5

Wes Anderson’s films are traditionally quirky and full of complex themes, and his adaptation of Roald Dahl’s Fantastic Mr. Fox is no different. Don’t be fooled by the fact that it’s animated (stop motion); this material is not targeted at children.

When we join the story, Mrs. Fox (Streep) is telling Mr. Fox (Clooney) that she’s pregnant. The two proceed to rob a chicken farm and narrowly escape capture. Mrs. Fox makes him promise to look for other work now that they are about to become parents. Mr. Fox agrees and finds a job writing a newspaper column. 

Mr. Fox settles down in his new life, but always regrets giving up his old ways. He’s also tired of living in a hole in the ground and wants a better home for his family. He goes to see Badger (Murray), who advises him about properties for sale in the area. Fox wants a house near three local farms, but Badger suggests that the neighborhood is too dangerous. The local children even have a rhyme about the farmers:

Boggis, Bunce and Bean

One fat, one short, one lean

These horrible crooks

So different in looks

Were nonetheless equally mean

Fox is aware of the danger, but yearns for his former chicken-stealing days. As Anderson regularly reminds us, these are wild animals. Fox can’t deny his nature and buys the new house so that he can be close to the three farms.

His decision goes directly against his promise to his wife and that was his first mistake.

There’s a lot of humor in the film, but it’s generally quite subtle. The family sits down to eat dinner and they eat like wild animals. The food is gone in seconds. Their son, Ash, is moody and craves attention from his father. He spits on the floor when he’s angry or disappointed and he clearly has problems. When his cousin Kristofferson comes to stay, the situation worsens. Fox seems to favor Kristofferson over his own son and compliments him constantly.

Forget that we’re dealing with animals for a moment and think about the story. If that happened in a regular movie, we would be dealing with a typical family drama. Husband and wife break promises and have trust issues, while their son is being raised by parents who don’t understand him. This is not the kind of story that small children would understand, although some of the scenes are funny and contain action that would appeal to a child.

Fox enlists the help of Kylie Opossum and the two steal chickens from Boggis. The action is typical animated fare and the way the two sneak around is funny. They lace blueberries with a sedative to get past the dogs and the way the dogs react is also funny. They successfully steal from Bunce and plan to stop once they steal cider from Bean. For the final robbery, Ash wants to come along. Fox won’t let him, but allows Kristofferson to take part. He seems to have very little idea that such a decision could hurt his son’s feelings.

The robberies are fun to watch, especially when the animals wear bandit hats. It reminds me of the robbery in Bottle Rocket when the participants decide to wear similar hats even though their victims have already seen their faces.

Ash yearns to be an athlete and wants to emulate his father’s success at Whack-Bat (a game which parodies cricket). Kristofferson is a balanced individual who regularly meditates and knows karate. Ash is extremely jealous of his cousin and his ability to win his father’s approval.

The three robberies annoy the farmers, so Bean (Gambon) decides to organize the trio and plans to kill Fox. This is where the film starts to take on a more serious tone. Mrs. Fox discovers that her husband has been lying to her and scratches his face in a fit of temper. This scene annoyed one of my friends who expected the film to be lighthearted and suitable for the whole family. Mrs. Fox acts like the wild animal she is. There’s another scene in which one of the animals is maimed. Although it’s presented in a humorous way, it could disturb people.

The remainder of the film deals with the three farmers finding ways to threaten the existence of Fox and his friends. They escape by tunneling deeper, but face the threat of starvation if they don’t find a solution. Some of the other animals resent Fox for putting them in such a dangerous situation.

There’s considerable peril which could worry small children, and a lot of humor which would probably fly over their heads. It was only given a PG-rating, but be aware that not every child will like this harsh world. The animals are true to their nature.

The reason I like the film so much is the style of humor. Like Bottle Rocket and The Darjeeling Limited, the characters speak with a sense of irony or sarcasm and most of the humor is tongue-in-cheek. It feels similar to Tarantino or the Coen brothers at times. There’s no swearing, but every character uses the word "cuss" in situations in which they would normally swear. I found that particularly funny. One animal questions why a ransom note was made using words cut out of a magazine when everyone already knew the identities of the kidnappers. That’s also funny to me. The missions all have elaborate titles and remind me of the way Tarantino uses chapters in his stories.

Fantastic Mr. Fox is an exercise in style. Mr. Fox himself is very stylish, dressing smartly and using his trademark whistle when he thinks he’s being clever or cool. Clooney was a great choice for the part and the other actors all do a good job too.

The story is essentially about a dysfunctional family and shows how Ash attempts to come to terms with his existence. Will Mr. Fox eventually become a better father? Will Ash grow up and take responsibility for his own actions? Do Mr. and Mrs. Fox strengthen their marriage, or will the trust issues tear them apart? There’s a lot going on beneath the surface.

Video Quality 5/5

The look of Fantastic Mr. Fox is virtually flawless. The frames were shot digitally with a high quality camera and the detail is superb throughout. You can see every hair on the puppets and the stitches in their clothing. Some scenes look deliberately flat when shot from a distance and the color palette is full of brown and yellow tints, but that’s all intentional too. I didn’t spot any errors in a single shot and the presentation looks as good as anything I’ve seen.

Audio Quality 4/5

The DTS-HD Master Audio 5.1 track has its moments, despite the quiet nature of the film. Most of the story is driven by dialogue, but there are occasional bursts of sound in scenes involving music or explosions. The rear speakers aren’t used prominently, but there’s no cause for complaint overall.

Special Features 3/5

The features were all shot in high definition.

Making Mr. Fox Fantastic (45 minutes) – A six-part feature which can also be viewed all at once. Topics include the look of the film, how it was adapted from the book and how the puppets were made. There’s an in-depth look at the filming process and a look at the actors behind the voices. The final segment shows Bill Murray talking to some of the animators.

A Beginner’s Guide to Whack-Bat (1 minute)

Fantastic Mr. Fox: The World of Roald Dahl (3 minutes) – Touching on the main points shown in the opening feature.

Trailer (2 minutes)

Fantastic Mr. Fox has a lot of intelligent humor and subtle charm and it’s clearly aimed at adult audiences. I wouldn’t rule out showing the film to children, but be aware that wild animals sometimes show their true nature and their world can be brutal. I’m a fan of Wes Anderson’s work and this met all my expectations in terms of style and humor. It’s one of the most complex and unusual animated titles I have seen and recommended for fans of subtle humor. The world is an interesting place to visit and the film is a lot of fun if you go in with the right expectations.

Overall score 4.5/5

Click here to see where Fantastic Mr. Fox ranks among my Top 20 animated films.


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Fargo: There's more to life than a little money

Fargo (drama, crime, thriller)

Directed by Joel Coen and Ethan Coen

Starring Frances McDormand, William H. Macy and Steve Buscemi

Metro-Goldwyn-Mayer | 1996 | 98 min | Rated R | Released May 12, 2009

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1

English: Dolby Digital 2.0

French, German, Italian, Spanish: DTS 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, Croatian, Czech, Dutch, French, German, Greek, Hebrew, Hungarian, Italian, Korean, Mandarin (Simplified and Traditional), Polish, Portuguese, Spanish, Thai, Turkish

Disc:

Single 50GB Blu-ray Disc

The Film 5/5

The first time I watched Fargo, I didn’t know what to expect. After multiple viewings, it’s still hard to pin down exactly what the film is. There’s a bizarre plot focusing on Jerry Lundegaard (Macy) who works for his father-in-law’s car dealership. Without ever learning why, we are told that Jerry needs money. His plan is to hire two men he has never met to kidnap his wife. He’ll pay them $40,000, but he’ll tell his father-in-law, Wade, that the ransom is $1,000,000. It’s a simple enough plan.

Jerry’s true nature is revealed early in the film when he openly lies to a customer. The two men he has hired are Carl Showalter (Buscemi) and Gaear Grimsrud (Peter Stormare). Buscemi plays the same type of character that he played in Reservoir Dogs, talking continually, whining and cracking jokes. Stormare barely speaks, but springs into action when he feels the situation demands it.

The plot unfolds with Jerry trying and failing to borrow $750,000 from Wade for a business opportunity. Carl and Gaear make their way into town and eventually get around to abducting Jerry’s wife. It’s here that Jerry’s plan starts to go wrong. A cop pulls over Carl and Gaear while they have Jerry’s wife tied up on the back seat of the car. Carl fails to recover the situation so Gaear kills the cop and a couple of witnesses.

After the triple-murder, the third main character is introduced. She’s Marge Gunderson, a pregnant Police Chief. It’s 33 minutes before her character appears, but it seems like she holds the film together. While appearing a little slow and dorky, she’s actually highly-intelligent and intuitive. She quickly reconstructs the crime scene and realizes how the triple-murder happened.

Marge’s intellect means that she’s respected by the officers she works with, but her seemingly normal demeanor isn’t threatening and the people she interviews are caught off guard. She also gives the film balance during the scenes with Norm (John Carroll Lynch), her husband. They have a wonderful relationship and each accepts the other for exactly what they are. The contrast between Marge’s life at home and the way she performs at work is startling.

Jerry receives a visit from Marge at work, but manages to deflect her questions and she leaves without suspecting him. Later, we see a crucial scene where she meets an old acquaintance from school. He blatantly lies about his life and Marge leaves with a sense of unease. It’s a reminder that people don’t always tell the truth and she decides to visit Jerry again.

One of the funniest things about the film is Jerry. He’s pretty dumb and almost every word that leaves his mouth is a lie. But Macy talks about the character in the special features and notes that Jerry never gives up. One disaster follows another, but he always revises his plan and believes that he can pull it off. It’s interesting to see what he’ll try next.

The film’s supporting cast is full of intriguing characters. Wade insists on delivering the ransom money himself and that’s exactly what someone with his personality would do. Marge interviews some hookers who spent an evening with Carl and Gaear and there’s a funny exchange: She learns that one of the men was kinda funny looking. She presses for more information and is told that he wasn’t circumcised. The film is full of this kind of dark humor.

There’s quite a bit of violence, but it is confined to short bursts. I counted seven murders in all, but the quirky humor and tongue-in-cheek presentation never make the violent scenes too jarring. This is a film that should be viewed as a dark comedy more than anything.

Marge’s closing monologue is simple and effective; it asks us to contemplate why people commit crimes and puts things into perspective somewhat. McDormand won an Oscar for her performance and thoroughly deserved it. Macy was also nominated and the film’s screenplay was given another Oscar.

Video Quality 4/5

Roger Deakins’ cinematography perfectly captures the desolate scenery and the Blu-ray presentation is pleasing to the eye. Detail is strong, and the ever-present grain is never too heavy. There are a few white speckles at the beginning of the film, but the image quickly improves. The upgrade over the DVD is easily worth the price of the Blu-ray.

Audio Quality 4.5/5

Although there’s a lot of dialogue, the supporting sound effects are an important part of the film. It’s particularly evident when the characters walk in the compacted snow and we hear a pleasing crunch. When shots are fired, they ring out clearly. Most of the track is front-heavy, but that’s where most of the action is. The violin used in the score is particularly effective.

Special Features 2.5/5

The features are all presented in standard definition.

Commentary with Director of Photography Roger Deakins

Minnesota Nice Documentary (27:47) – The Coen brothers and main cast talk about the film, likening Minnesota to Siberia with family restaurants. Learn what the actors thought of their roles and how they enjoyed working with the directors.

Photo Gallery – Stills from the shoot.

Theatrical Trailer (1:58)

TV Spot (0:31)

American Cinematography Article – A series of stills discussing the work of Roger Deakins.

Fargo is an odd film. It grabs your interest early and slowly increases the tension as the story unfolds. You’ll see a glimpse of what life might be like in small-town America, and you’ll laugh. The Coen brothers have made some very good films and a couple of great ones. This falls into the second category. The Blu-ray presentation is a good upgrade and I strongly recommend the film itself.

Overall score 5/5 

See where Fargo ranks among my Top 20 dramas by clicking here.


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Delicatessen - Cannibalism can be funny

Delicatessen (comedy, romance, fantasy)

Directed by Marc Caro and Jean-Pierre Jeunet

Starring Dominique Pinon, Marie-Laure Dougnac and Jean-Claude Dreyfus

Lionsgate Films | 1991 | 99 min | Rated R | Released Sep 14, 2010

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

French, German, Spanish: DTS-HD Master Audio 2.0

Subtitles:

English, Dutch, Finnish, French, German, Japanese, Norwegian, Spanish, Swedish

Discs:

Single 50GB Blu-ray Disc

The Film 4/5

Delicatessen is an unusual film. If you have seen any of Jean-Pierre Jeunet’s other works, you’ll have an idea of what to expect. There are no jokes, but there is a lot of weird visual humor. It’s like meeting a French version of Quentin Tarantino or David Lynch.

The plot, such as it is, is set in an apartment complex above a delicatessen. The butcher, Clapet, hires people to do odd jobs. We are never told what year it is, but the action takes place in a post-apocalyptic world where food is scarce. Clapet’s motive for hiring people is to kill them and feed their body to the building’s inhabitants. The movie’s opening scene shows one such murder.

A new man arrives to apply for the now vacant position. He’s Louison (Pinon), an ex-circus clown. He has no money so pays for his taxi with his shoes, and then wears clown shoes for the remainder of the film. Clapet hires him. Pinon has appeared in every Jeunet film in the past 20 years and seems perfectly at home with the director’s quirky style.

The building is falling apart and Louison has plenty of work. He is generally well-liked and soon attracts the attention of the butcher’s daughter, Julie (Dougnac). An unlikely romance blooms between the two and she begs her father not to kill Louison. She wears glasses and can barely see without them, but takes them off for her first date with Louison. The results are hilarious. She tells him that people in the building get eaten, but he has fallen asleep and misses the warning.

If you have seen the trailer, you’ll be familiar with a sequence in which the butcher has sex on a squeaky bed. We are shown various odd characters engaging in weird activities, and they all synchronize their actions with the sound of the springs squeaking. I don’t think I have seen anything else like it.

Sound travels through the building’s pipes and is used to develop parts of the plot. In an early scene, the camera takes us through a pipe to show where it leads. Very Lynchian.

Jeunet is original, creative, weird and genuinely funny, in a dry sort of way. The overall mix is unique. The film plays more like a series of vaguely connected scenes than a fluid story, but each element has something interesting. I couldn’t take my eyes off the screen.

Video Quality 4.5/5

The world of Delicatessen is filled with mist and grime. Outdoor scenes are deliberately murky and the image looks a little soft and noisy, but such scenes are infrequent. Detail is strong in the remaining scenes and shines during the frequent close-ups. Jeunet’s films have unusual color palettes too. For example, Amelie is full of greens and reds. Delicatessen has a reddish-brown tint and it fits the atmosphere well. Apart from the few misty shots, the overall quality is excellent for a film with such a low budget.

Audio Quality 4/5

The French DTS-HD Master Audio 2.0 mix does its job well. Dialogue is clear and it’s easy to hear frogs croaking and water rushing, as well as the unusual musical duets performed by Julie and Louison. The score has a distinctly French feel to it and adds something to the overall mood. Subtitles are displayed in white text and appear inside the frame.

Special Features 4/5

There’s plenty of background information to be found for those wanting to know more about the film:

Making of: Fine Cooked Pork Meats (13 minutes)

Trailer and Teaser (4 minutes)

Main Course Pieces (65 minutes)

Audio Commentary (Jeunet’s comments in French with optional subtitles)

Jean-Pierre Jeunet's Archives (9 minutes)

What is Delicatessen? Is it a comedy? A romance? Fantasy? Horror? It’s a wonderfully unique mess served up as only Jeunet can. If you are already a fan of his work, this fits right in. For those new to it, this is a good place to start. I prefer Amelie and A Very Long Engagement, but Delicatessen has a lot of replay value and I’m happy to have it in my collection. Give it a try if you don't mind foreign language films.

Overall score 4/5  

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Tangled: A new take on the Disney formula

Tangled (animation, comedy, family, musical)

Directed by Nathan Greno and Byron Howard

Starring the voices of Mandy Moore, Zachary Levi and Donna Murphy

Disney / Buena Vista | 2010 | 100 min | Rated PG | Released Mar 29, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.78:1

Audio:

English: DTS-HD Master Audio 7.1

French: DTS-HD HR 7.1

Spanish: DTS-HD HR 5.1

English: Dolby Digital 2.0

Subtitles:

English SDH, French, Spanish

Discs:

50GB Blu-ray Disc

DVD copy

The Film 4.5/5

Disney has been responsible for some wonderful films since releasing Snow White and the Seven Dwarfs in 1937. I remember being taken to the cinema as a child to see Bambi and The Jungle Book, and anxiously awaiting holiday specials showing classic Disney clips. What’s more, all of Disney’s releases are suitable for family viewing.

While I appreciate all of the above, many of Disney’s classic titles are formulaic. It seems like there’s a princess in every story, although there are only nine official Disney princesses. The movies feature numerous songs and often start with the image of a storybook which is used to set the scene. All of those things work, but it’s a little too predictable for my liking.

Tangled is different.

Instead of using a storybook for the exposition, it uses a narrator. The narrator is Flynn Rider (Levi), our hero, and he’s sarcastic and genuinely funny. There are songs, but they are short, infrequent, and also funny. There’s a princess, but she doesn’t act like one. This is a story that doesn’t take itself too seriously. It feels fresh and contemporary. Quite frankly, I was surprised and delighted with the whole thing.  

We learn during the opening scenes that an old woman, Mother Gothel (Murphy), possesses a golden flower with the power to heal and reverse the effects of aging. The queen is sick and needs the flower to heal her, so a party of soldiers is sent to find it. It works and newly-born princess Rapunzel (Moore) is infused with the plant’s powers. Mother Gothel wants to appear young so she kidnaps the princess and keeps her in a tower. The king and queen release floating lanterns each year on Rapunzel's birthday and hope that she will eventually be found.

Rapunzel thinks that Mother Gothel is her real mother and that she’s being kept in the tower to protect her from the dangers of the real world. Her main wish is to see the lights that appear on her birthday. Her only friend is Pascal, a chameleon. He doesn’t speak, but does a good job of expressing his feelings through body language.

Flynn Rider is a notorious thief who stumbles across Rapunzel’s tower while evading capture from the king’s soldiers. Rapunzel hits him over the head with a frying pan and locks him in her closet. She’s convinced that the outside world poses no threat to her.

We learn that her hair has many uses. It’s one way into the tower, but she also uses it to pick things up and to tie Flynn to a chair. The two enter into a bargain; he’ll take her to see the floating lanterns and she’ll give him back the tiara he stole. She sends Mother Gothel on an errand and leaves the tower with Flynn.

Flynn takes Rapunzel to the Snuggly Duckling inn which is supposed to represent a sort of biker pub. The patrons aren’t what they seem and end up liking her. Mother Gothel tracks the pair down and Flynn is also found by one of the king’s horses, Maximus. The horse doesn’t speak either, but is one of the funniest characters in the movie. He feels that he isn’t appreciated, but Rapunzel wins his loyalty.

There’s plenty of action during the ensuing chase scenes, and the pair are forced to use their wits to escape all kinds of peril. Mother Gothel is the most evil character in the story, although her selfish actions are understandable when you consider that she’ll die without the effects of Rapunzel’s magic hair.

There’s considerable character development in the story and, being Disney, it has a happy ending. The mix of humor, action and romance works well. The characters are easy to like and there’s always something interesting happening.

Video Quality 5/5

I recently reviewed Megamind and mentioned that, as well as aliasing, the backgrounds appeared unfinished. Watching Tangled, the difference is easy to spot. There is so much detail and depth in each frame. Take a look at the background shots and you’ll see what I mean. Leaves rustle in the breeze, clouds drift and water ripples. This image is comparable to Bolt or the recent Pixar releases. It’s another perfect transfer from Disney.

Audio Quality 5/5

The DTS-HD Master Audio 7.1 mix also receives a perfect score. There’s a lot happening at times, and every little sound is heard. Background noises such as hooves or running water enhance the experience and you’ll hear things coming at you from all directions. Dialogue and music also receive the correct treatment. It’s hard to fault anything in the presentation.

Special Features 3/5

Deleted Scenes (13 minutes) – Directors Nathan Greno and Byron Howard introduce this segment and explain how and why certain scenes were changed. The scenes are unfinished and appear as storyboards or partially animated.

Original Storybook Openings (8 minutes) – These are early versions of what may have been and are similar to the deleted scenes.

50^th Animated Feature Countdown (2 minutes) – Tangled is Disney’s 50^th animated feature. See a brief glimpse of them all, in release order.

Extended Songs (8 minutes) – Full versions of two songs from the movie.

Untangled: The Making of a Fairy Tale (12 minutes) – A light-hearted feature with actors Mandy Moore and Zachary Levi, talking about the movie and the history of Disney.

Tangled Teasers (9 minutes) – Amusing fake ads featuring characters from the movie.

Discover Blu-ray 3D With Timon and Pumbaa

Learn How to Take Your Favorite Movies on the Go

Trailers

DVD copy

Tangled was a nice surprise with its fresh take on traditional Disney themes. There’s plenty here for children to enjoy. The characters are cute and friendly and the action is never far away. Adults will enjoy it too. Disney’s 50^th animated feature is one of the best releases the studio has made and its modern animation style is a pleasure to watch.

Overall score 4.5/5

Click here to see where Tangled ranks among my Top 20 animated films.


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