Showing posts with label george clooney. Show all posts
Showing posts with label george clooney. Show all posts

Friday, April 13, 2012

Burn After Reading

Burn After Reading (2008)
Comedy, Crime, Drama, 96 minutes
Directed by Joel and Ethan Coen
Starring George Clooney, Brad Pitt, Frances McDormand, John Malkovich and Tilda Swinton

Do you remember the first Blu-ray you ever bought? Mine was Burn After Reading on the same day that I purchased my first Blu-ray player. It's a title that receives very little recognition and it regularly features in sales. Why is that the case?

The movie is directed by the Coen brothers and stars Clooney, Pitt, McDormand, Malkovich and Swinton. What's not to like?

I'm hard to please when it comes to humor, but several Coen brothers films hit the spot. It's clever dialogue rather than slapstick physical humor, and some of it is unpredictable. I can't laugh when I see a joke coming from a mile away wearing a T-shirt with "This is funny, laugh now" written on it. I like to be surprised.

So what is surprising about Burn After Reading?

Harry Pfarrer (Clooney) has no redeeming features. He's married, but sees other women at every opportunity. He's having an affair with Katie Cox (Swinton). Harry is shallow, paranoid and somewhat stupid and Clooney plays the character with his usual charm and good humor.


If there is anyone dumber than Harry, it has to be Chad Feldheimer (Pitt), who works in a gym. Chad is a complete idiot in every way. His friend at the gym is Linda Litzke (McDormand), who is obsessed with undergoing cosmetic surgery to improve her appearance.


Osborne Cox (Malkovich) is married to Katie and works as an analyst for the CIA. Most of his sentences include at least one profanity and he's borderline alcoholic. The story begins with a meeting in which Osborne is told that he will be demoted, but instead of accepting the situation, he quits. Katie is not pleased, even though she's on the verge of leaving him for Harry.


There's not much of a plot. Chad acquires a CD containing the beginning of Osborne's memoir and believes it to be secrets of national importance. He thinks that Osborne is sure to give him a reward if he returns it and that leads to an amusing phone call. Linda decides that the Russians may be interested in the worthless CD and that they might reward her for the useless information.


Everybody seems to be sleeping with everyone else and what could go wrong does go wrong. This is not a serious story in any way.

There's a great cameo by J. K. Simmons who plays a CIA boss. He's utterly clueless about the significance of the events we witness because they are all meaningless. Watch his reaction at the end of the movie when he makes a decision about what further action to take.

Burn After Reading is a good way to spend an hour-and-a-half. No analysis is necessary. All of the characters have funny moments. Ignore the negative reviews and see it for yourself. You can pick it up for under $10 if you like it.

Overall score 4.5/5 

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Saturday, April 7, 2012

100 Movies - No. 98: The Descendants

98. The Descendants (2011)
Comedy, Drama, 115 minutes
Directed by Alexander Payne
Starring George Clooney, Shailene Woodley, Nick Krause, Amara Miller and Robert Forster

I wondered whether to include The Descendants in my Top 100 series because I reviewed it a month ago when the Blu-ray was released, but after watching it seven times, it has to be included. It's pushing for a place in my Top 10.

It took me about two minutes to decide that The Descendants was going to be my kind of film. It happened during Clooney's opening voice-over in which he observed that, just because they live in paradise, Hawaiians aren't exempt from the usual problems people face. That statement caught my attention because it's true, but it also alerted me to the possibility that the script would be both truthful and more intelligent than most.

Matt King (Clooney) is the kind of character that I can identify with. He's a lawyer and his job is more important to him than his family. He regularly travels to neighboring islands on business and hasn't had a proper relationship with his wife and two daughters for several years. When his wife has an accident which places her in a coma, Matt's life changes instantly. He has to be a father to his daughters and he's completely unprepared. So many people put their career first and their family relationships suffer as a result.

His younger daughter, Scottie (Miller), is 10 years old. Matt last took care of her when she was three. His other daughter, Alex (Woodley), is 17 and is in a boarding school to help her overcome alcohol and drug problems. When Matt learns that his wife will never wake up, he takes Scottie to collect Alex from the school. Alex is drunk when he turns up and openly defies him early in the film.


Place yourself in Matt's situation for a moment. How would you attempt to console your daughters? What would help you establish some kind of connection with them? If you're all they have left, how will you make them feel as if everything is going to be all right?

Matt is annoyed with Alex because she argued with her mother the last time they spoke, but her reasoning is sound; she found out that her mother was cheating on Matt. Alex insists that her boyfriend, Sid (Krause), stays with her while she is home. Sid appears to be fairly dumb and occasionally stoned. Matt is not happy.

The story really takes off when Matt takes Sid and his daughters to a neighboring island in search of his wife's lover. Another story thread explains that Matt and his many cousins are descended from Hawaiian royalty and own a piece of land worth around $500 million. Matt is the sole trustee and must organize the group of cousins and decide who to sell the land to. A complication emerges later in the story which could have a major impact on his decision, but I won't reveal any more of the film's secrets.


I've watched Clooney develop as an actor over the past few years. He used to be criticized for "always being Clooney", but I think he's proved that there's a lot more to him. His timing is excellent and he always delivers his comedic lines well, but he has to show considerable range as Matt. Many of the scenes require him to show his feelings without the use of words. He goes through a lot of emotions during the film and pulls it off perfectly whether the situations are positive or negative. Notice the look in his eyes when Alex and Sid speak up for him in the hospital room after Elizabeth's father (Forster) accuses him of being a bad husband. Clooney's performance is human, real, touching, emotional and understandable. I thought he should have won the Oscar for his performance in Up in the Air, but this latest oversight is a glaring error.

What I really liked about the film was the character development. We see Matt grow as expected, but I was stunned by the development shown in Alex and Sid. They both have more to them than meets the eye and I ended up liking both characters tremendously.  If Alex were my daughter, I would be proud of how supportive she becomes and would love the way she takes her little sister under her wing.


The conclusions that Matt reaches by the end of the story seem plausible and fit well with his development as a father and as a responsible adult. I might have reached the same conclusions if I were placed in his shoes.

You'll definitely laugh during The Descendants and you may even be moved to tears.

Alexander Payne, Nat Faxon and Jim Rash won the Oscar for their adaptation of Kaui Hart Hemmings' book and it was thoroughly deserved. It's rare to witness a film with such intelligent writing. The characters and situations are always believable. If you were in their position, you might find yourself behaving in the same way.

If you like The Descendants:

Clooney's performance is arguably the best of the career. I always have trouble deciding whether his work in Up in the Air is better. It's a close call and not worth worrying about.

Another good story which includes the theme of learning how to be a father is The Pursuit of Happyness. It's probably the performance of Smith's career thus far.

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Thursday, March 29, 2012

100 Movies - No. 90: Up in the Air

90. Up in the Air (2009)
Drama, Romance, 109 minutes
Directed by Jason Reitman
Starring George Clooney, Vera Farmiga and Anna Kendrick

Jason Reitman has directed four full-length films and I love them all. Thank You for Smoking and Young Adult are very good, while Juno and Up in the Air are close to perfect. All are a combination of drama and comedy, but Up in the Air has more dramatic elements than the other three.

Ryan Bingham (Clooney) spends most of his life traveling. He flies from one city to another to fire people on behalf of companies who don't want to perform the task. We are told that he spent 322 days on the road the previous year. Although that kind of life would be detested by most people, Bingham likes it. He lives in hotels and his apartment is just an extension of that environment.

The rest of Bingham's time is taken up by giving motivational speeches. His philosophy states that our lives are filled with meaningless possessions, so he asks us to imagine starting over. He also believes that people are weighed down by the relationships in their lives. Whether it's friends, work colleagues, family members or romantic partners, they can be the most significant burdens we face. As a result, Bingham doesn't allow himself to get close to anybody in any type of relationship.

Does that sound depressing? Many of the people who dislike the film cite that as the main reason. I find it poignant, charming, intelligent and very funny.


Bingham's existence is threatened when a potential innovation is considered by his company. Instead of sending representatives all over America, the company may switch to firing people remotely using an Internet connection. The scheme is suggested by Natalie (Kendrick), who is young, eager and ambitious. Bingham insists that she doesn't have a clue about the reality of his job and he's given the task of showing her how it works.

The other major character is Alex (Farmiga). Bingham meets her by chance at an airport terminal and the two discover that they have a lot in common. Their initial meeting is very amusing.

The main strength of the film is its script. Reitman injects humor into serious situations and lightens the mood. I do appreciate that losing your job can be a traumatic event, but Up in the Air doesn't take itself entirely seriously. Another strength is the acting. Clooney is magnificent at delivering humorous lines in dramatic situations and Farmiga gives the best performance of her career to date as Alex.


My favorite scene - and there are many candidates - is probably the first meeting between Bingham, Alex and Natalie. The dialogue is fast-paced and witty and it's here that I know I'm in for an enjoyable ride. The way Natalie is completely oblivious to the fact that she's insulting Alex and Bingham makes me laugh every time. All three actors were nominated for their performances and I can see why.

One of the best moments perfectly blends drama, humor and reality. Bingham shows Natalie how to fire people and one of the unlucky candidates is Bob (J. K. Simmons). Although he's only on the screen for a few minutes, Simmons delivers a memorable performance. He's initially unconvinced by Bingham's words and Natalie's attempts to intervene, but Bingham says something that reaches him. It's such a believable exchange. A potentially explosive situation is avoided and Bob walks away feeling positive about his future.


I won't reveal any more of the plot, but I look forward to every scene when I watch Up in the Air. Bingham is the most intriguing character and it's interesting to see how his relationships and philosophy evolve during the film.

I'm sure that people like Bingham exist. Many have observed that Up in the Air reflects the times in which we live. It focuses on loyalty and the uncertainty present in today's economy. I don't particularly care about its relevance. I watch it every few weeks because I love visiting that world. The final shot takes us into the air once more and there's a moment of silence. It's a perfect way to end the story and suggests peace and solitude. That's exactly what Bingham likes about his job when we first meet him.

If you like Up in the Air:

I heartily recommend all of Jason Reitman's other films; Juno, Thank You for Smoking and Young Adult. Clooney's performance was Oscar-worthy, but he missed out. The same happened this year for The Descendants. The two performances are similar in some ways and benefit from Clooney's ability to deliver comedic lines in dramatic situations. I never thought I would say it, but Clooney's performance in The Descendants may be even better than his excellent work in Up in the Air.

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Sunday, March 11, 2012

The Descendants - The best film of 2011

The Descendants (2011)
Comedy, Drama, 115 minutes
Directed by Alexander Payne
Starring George Clooney, Shailene Woodley, Nick Krause and Amara Miller

It took me about two minutes to decide that The Descendants was going to be my kind of film. It happened during Clooney's opening voice-over in which he observed that, just because they live in paradise, Hawaiians aren't exempt from the usual problems people face. That statement caught my attention because it's true, but it also alerted me to the possibility that the script would be both truthful and more intelligent than most.

Matt King (Clooney) is the kind of character that I can identify with. He's a lawyer and his job is more important to him than his family. He regularly travels to neighboring islands on business and hasn't had a proper relationship with his wife and two daughters for several years. When his wife has an accident which places her in a coma, Matt's life changes instantly. He has to be a father to his daughters and he's completely unprepared.


His younger daughter, Scottie (Miller), is 10 years old. Matt last took care of her when she was three. His other daughter, Alex (Woodley), is 17 and is in a boarding school to help her overcome alcohol and drug problems. When Matt learns that his wife will never wake up, he takes Scottie to collect Alex from the school. Alex is drunk when he turns up and openly defies him early in the film.

Place yourself in Matt's situation for a moment. How would you attempt to console your daughters? What would help you establish some kind of connection with them? If you're all they have left, how will you make them feel as if everything is going to be all right?


Matt is annoyed with Alex because she argued with her mother the last time they spoke, but her reasoning is sound; she found out that her mother was cheating on Matt. Alex insists that her boyfriend, Sid (Krause), stays with her while she is home. Sid appears to be fairly dumb and occasionally stoned. Matt is not happy.

The story really takes off when Matt takes Sid and his daughters to a neighboring island in search of his wife's lover. Another story thread explains that Matt and his many cousins are descended from Hawaiian royalty and own a piece of land worth around $500 million. Matt is the sole trustee and must organize the group of cousins and decide who to sell the land to. A complication emerges later in the story which could have a major impact on his decision, but I won't reveal any more of the film's secrets.


I've watched Clooney develop as an actor over the past few years. He used to be criticized for "always being Clooney", but I think he's proved that there's a lot more to him. His timing is excellent and he always delivers his comedic lines well, but he has to show considerable range as Matt. Many of the scenes require him to show his feelings without the use of words. He goes through a lot of emotions during the film and pulls it off perfectly whether the situations are positive or negative. His performance is human, real, touching, emotional and understandable. I thought he should have won the Oscar for his performance in Up in the Air, but this latest oversight is a glaring error.

What I really liked about the film was the character development. We see Matt grow as expected, but I was stunned by the development shown in Alex and Sid. They both have more to them than meets the eye and I ended up liking both characters tremendously.

The conclusions that Matt reaches by the end of the story seem plausible and fit well with his development as a father and as a responsible adult. I might have reached the same conclusions if I were placed in his shoes.


You'll definitely laugh during The Descendants and you may even be moved to tears.

Alexander Payne, Nat Faxon and Jim Rash won the Oscar for their adaptation of Kaui Hart Hemmings' book and it was thoroughly deserved. It's rare to witness a film with such intelligent writing. The characters and situations are always believable. If you were in their position, you might find yourself behaving in the same way.

The Descendants is my favorite film of 2011 and, in a few years, I suspect many will wonder why it didn't win for Best Picture when we find out whether The Artist has lasting appeal.

I was going to save this film for the final entry in my 100 movies series because I discovered it after I made the list, but after seeing it for the third time I felt compelled to write about it.

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Tuesday, June 21, 2011

My Top 20 animated movies: Part 2, #11-15

My Top 20 animated movies (continued)

I promised yesterday that I would reveal the next five movies from my 20 favorite animated titles, so here they are:




15. Watership Down (1978)
Directed by Martin Rosen
Starring the voices of John Hurt, Richard Briers and Ralph Richardson

The first thing you should know is that I love rabbits. That made me curious about Watership Down, so I borrowed the DVD from my local library. Richard Adams’ novel tells the story of a small group of rabbits threatened by a development scheme which could destroy their home. Fiver (Briers), is a young rabbit with a gift; he catches glimpses of the future. He sees imminent danger and encourages the other rabbits to leave, but only a small group listen. Hazel (Hurt) is Fiver’s brother and leads the group as they search for a safer home. They are joined by Bigwig, Silver and Buckthorn. The group faces dangers from other animals, rival warrens and humans, and the quest continually encounters perilous situations. The film is informative for anyone interested in group dynamics as we see how the individuals find their roles in the new order. It also shows the difference between those with strong character and those who are too weak to do anything but follow the established rules. There’s a lot of blood as the rabbits fight for survival, and there is no shortage of death.

I wouldn’t recommend showing this to small children as it could give them nightmares for years to come. It’s suitable for older teens and up though. I’m anxiously awaiting the arrival of the German Blu-ray and I’ll write a full review after it arrives.




14. Tangled (2010)
Directed by Nathan Greno and Byron Howard
Starring the voices of Mandy Moore, Zachary Levi and Donna Murphy

Are you tired of seeing Disney films involving princesses and too many songs? I was, and that’s why I resisted the temptation to see Tangled. But after a while, I caved in and gave it a try. It was a pleasant surprise in more ways than one.

It’s the story of what happens when Rapunzel (Moore) and Flynn Rider (Levi) meet. Rapunzel is kept trapped in a tower by an old woman who taps her powers in order to remain young, while Rider is a thief. The two go on an adventure that’s full of discovery and action. You’ll also meet Pascal, a chameleon who has befriended Rapunzel. He doesn’t speak, but his body language is hilarious and he steals a few scenes. Maximus is the other source of humor. He’s a horse who spends his time tracking Rider in an attempt to bring him to justice.

Disney’s 50th animated title is a delight and suitable for people of all ages.

Here’s my full review.




13. Bambi (1942)
Directed by James Algar, Samuel Armstrong, David Hand, Graham Heid, Bill Roberts, Paul Satterfield and Norman Wright
Starring the voices of Hardie Albright, Peter Behn, Stan Alexander and Bobette Audrey

Bambi is a prime example of classic Disney. The main theme of the film is innocence, and it details the early years in the life of a young deer. I saw the film as a child and again recently when it was released on Blu-ray, and found that I had forgotten just how beautiful the story is. Bambi is raised by his mother and befriends various other forest animals such as Thumper the rabbit and Flower the skunk. We see Bambi learn how to walk and talk, always with the help of his friends. Like any youngster, he’s curious about his surroundings. The film is full of scenes in which he discovers new things and learns how to interact with his environment. The one scar on the film’s beauty is the death of Bambi’s mother. It happens offscreen, but it’s obviously something which could disturb small children. In fact, I know a few adults who won’t watch it because of that event. The remainder of the story is full of charm and we see how Bambi and his friends discover love and choose their mates.

The Blu-ray presentation is outstanding and the film looks great considering it’s almost 70 years old. Bambi gets my vote for the most beautiful story Disney has ever told.




12. Castle in the Sky (1986)
Directed by Hayao Miyazaki
Starring the voices of James Van Der Beek, Anna Paquin, Cloris Leachman and Mark Hamill

Sheeta (Paquin) is a young girl who falls from an airship at the start of the story. She wears a magic crystal which enables her to float safely to the ground. She meets Pazu who is a boy about her age and the two become friends. Friendship is a common theme in Miyazaki’s films and often forms the foundation of the story. The pair are being chased by pirates who want the crystal for themselves. Sheeta learns that knowledge of the crystals was once common and that an entire island was created which floated in the sky. The crystal is thought to have the power to show the location of the legendary island and so they try to establish its whereabouts. The story is full of action and adventure, as well as some surprises along the way. It works because of the sense of friendship between Sheeta and Pazu, and it has plenty of charm.

The film has been released on Blu-ray in Japan, Australia and the UK, so a North American release can’t be very far away. It's a good family film and can be enjoyed by people of any age.




11. Fantastic Mr. Fox (2009)
Directed by Wes Anderson
Starring the voices of George Clooney, Meryl Streep and Bill Murray

Wes Anderson’s adaptation of Roald Dahl’s story is often funny, but also contains serious themes which might be lost on some children. It uses stop motion and tells the tale of Mr. Fox, who has trouble resisting the temptation to steal from the local farmers. He’s not a very good father and can’t be trusted by his wife, but has a certain roguish charm. The film mixes standard animated action with a quirky sense of humor that’s more subtle than that found in most stories. His antics put his family and other animals in danger as the three farmers he robs team up and decide to kill him. The humor is close in style to that used in Bottle Rocket and The Darjeeling Limited, rather than something you would expect to find in an animated film. The story isn’t afraid to show animals being hurt or even dying, so caution should be used if you’re planning to watch it with smaller children.

The Blu-ray presentation looks incredible and the voice acting is strong throughout. There’s no other animated film quite like this one.

Here’s my full review.

For #16-20 on the list, click here

For #6-10 on the list, click here.

For #1-5 on the list, click here.

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Fantastic Mr. Fox: Wes Anderson's signature style shines through

Fantastic Mr. Fox (animation, adventure, comedy)
Directed by Wes Anderson
Starring the voices of George Clooney, Meryl Streep, Bill Murray and Michael Gambon

20th Century Fox | 2009 | 87 min | Rated PG | Released Mar 23, 2010

Video:
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1

Audio:
English: DTS-HD Master Audio 5.1
French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:
English, French, Mandarin (Simplified and Traditional), Portuguese, Spanish

Discs:
50GB Blu-ray Disc
DVD copy (with digital copy)

The Film 4.5/5

Wes Anderson’s films are traditionally quirky and full of complex themes, and his adaptation of Roald Dahl’s Fantastic Mr. Fox is no different. Don’t be fooled by the fact that it’s animated (stop motion); this material is not targeted at children.

When we join the story, Mrs. Fox (Streep) is telling Mr. Fox (Clooney) that she’s pregnant. The two proceed to rob a chicken farm and narrowly escape capture. Mrs. Fox makes him promise to look for other work now that they are about to become parents. Mr. Fox agrees and finds a job writing a newspaper column. 


Mr. Fox settles down in his new life, but always regrets giving up his old ways. He’s also tired of living in a hole in the ground and wants a better home for his family. He goes to see Badger (Murray), who advises him about properties for sale in the area. Fox wants a house near three local farms, but Badger suggests that the neighborhood is too dangerous. The local children even have a rhyme about the farmers:

Boggis, Bunce and Bean
One fat, one short, one lean
These horrible crooks
So different in looks
Were nonetheless equally mean

Fox is aware of the danger, but yearns for his former chicken-stealing days. As Anderson regularly reminds us, these are wild animals. Fox can’t deny his nature and buys the new house so that he can be close to the three farms.

His decision goes directly against his promise to his wife and that was his first mistake.

There’s a lot of humor in the film, but it’s generally quite subtle. The family sits down to eat dinner and they eat like wild animals. The food is gone in seconds. Their son, Ash, is moody and craves attention from his father. He spits on the floor when he’s angry or disappointed and he clearly has problems. When his cousin Kristofferson comes to stay, the situation worsens. Fox seems to favor Kristofferson over his own son and compliments him constantly.


Forget that we’re dealing with animals for a moment and think about the story. If that happened in a regular movie, we would be dealing with a typical family drama. Husband and wife break promises and have trust issues, while their son is being raised by parents who don’t understand him. This is not the kind of story that small children would understand, although some of the scenes are funny and contain action that would appeal to a child.

Fox enlists the help of Kylie Opossum and the two steal chickens from Boggis. The action is typical animated fare and the way the two sneak around is funny. They lace blueberries with a sedative to get past the dogs and the way the dogs react is also funny. They successfully steal from Bunce and plan to stop once they steal cider from Bean. For the final robbery, Ash wants to come along. Fox won’t let him, but allows Kristofferson to take part. He seems to have very little idea that such a decision could hurt his son’s feelings.

The robberies are fun to watch, especially when the animals wear bandit hats. It reminds me of the robbery in Bottle Rocket when the participants decide to wear similar hats even though their victims have already seen their faces.


Ash yearns to be an athlete and wants to emulate his father’s success at Whack-Bat (a game which parodies cricket). Kristofferson is a balanced individual who regularly meditates and knows karate. Ash is extremely jealous of his cousin and his ability to win his father’s approval.

The three robberies annoy the farmers, so Bean (Gambon) decides to organize the trio and plans to kill Fox. This is where the film starts to take on a more serious tone. Mrs. Fox discovers that her husband has been lying to her and scratches his face in a fit of temper. This scene annoyed one of my friends who expected the film to be lighthearted and suitable for the whole family. Mrs. Fox acts like the wild animal she is. There’s another scene in which one of the animals is maimed. Although it’s presented in a humorous way, it could disturb people.

The remainder of the film deals with the three farmers finding ways to threaten the existence of Fox and his friends. They escape by tunneling deeper, but face the threat of starvation if they don’t find a solution. Some of the other animals resent Fox for putting them in such a dangerous situation.

There’s considerable peril which could worry small children, and a lot of humor which would probably fly over their heads. It was only given a PG-rating, but be aware that not every child will like this harsh world. The animals are true to their nature.


The reason I like the film so much is the style of humor. Like Bottle Rocket and The Darjeeling Limited, the characters speak with a sense of irony or sarcasm and most of the humor is tongue-in-cheek. It feels similar to Tarantino or the Coen brothers at times. There’s no swearing, but every character uses the word "cuss" in situations in which they would normally swear. I found that particularly funny. One animal questions why a ransom note was made using words cut out of a magazine when everyone already knew the identities of the kidnappers. That’s also funny to me. The missions all have elaborate titles and remind me of the way Tarantino uses chapters in his stories.

Fantastic Mr. Fox is an exercise in style. Mr. Fox himself is very stylish, dressing smartly and using his trademark whistle when he thinks he’s being clever or cool. Clooney was a great choice for the part and the other actors all do a good job too.

The story is essentially about a dysfunctional family and shows how Ash attempts to come to terms with his existence. Will Mr. Fox eventually become a better father? Will Ash grow up and take responsibility for his own actions? Do Mr. and Mrs. Fox strengthen their marriage, or will the trust issues tear them apart? There’s a lot going on beneath the surface.

Video Quality 5/5
The look of Fantastic Mr. Fox is virtually flawless. The frames were shot digitally with a high quality camera and the detail is superb throughout. You can see every hair on the puppets and the stitches in their clothing. Some scenes look deliberately flat when shot from a distance and the color palette is full of brown and yellow tints, but that’s all intentional too. I didn’t spot any errors in a single shot and the presentation looks as good as anything I’ve seen.

Audio Quality 4/5
The DTS-HD Master Audio 5.1 track has its moments, despite the quiet nature of the film. Most of the story is driven by dialogue, but there are occasional bursts of sound in scenes involving music or explosions. The rear speakers aren’t used prominently, but there’s no cause for complaint overall.

Special Features 3/5

The features were all shot in high definition.

Making Mr. Fox Fantastic (45 minutes) – A six-part feature which can also be viewed all at once. Topics include the look of the film, how it was adapted from the book and how the puppets were made. There’s an in-depth look at the filming process and a look at the actors behind the voices. The final segment shows Bill Murray talking to some of the animators.

A Beginner’s Guide to Whack-Bat (1 minute)

Fantastic Mr. Fox: The World of Roald Dahl (3 minutes) – Touching on the main points shown in the opening feature.

Trailer (2 minutes)

Fantastic Mr. Fox has a lot of intelligent humor and subtle charm and it’s clearly aimed at adult audiences. I wouldn’t rule out showing the film to children, but be aware that wild animals sometimes show their true nature and their world can be brutal. I’m a fan of Wes Anderson’s work and this met all my expectations in terms of style and humor. It’s one of the most complex and unusual animated titles I have seen and recommended for fans of subtle humor. The world is an interesting place to visit and the film is a lot of fun if you go in with the right expectations.

Overall score 4.5/5

Click here to see where Fantastic Mr. Fox ranks among my Top 20 animated films.


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