Reservoir Dogs

Reservoir Dogs (1992)
Crime, Drama, 100 minutes
Directed by Quentin Tarantino
Starring Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Samuel L. Jackson and Lawrence Tierney

Director Quentin Tarantino is one of the most passionate filmmakers I have ever seen. If you listen to him talk about his films, he can barely contain his enthusiasm. He reportedly dropped out of high school despite having an IQ of 160 because he wanted to pursue his passion. I can certainly identify with that.

Reservoir Dogs was Tarantino's first full-length feature and it contains most of the elements we have come to expect. Although his style is all over it, it feels a little rough around the edges. That doesn't stop it from being a superb film, but it's interesting to see how he perfected his craft in later efforts.

If you have ever seen a Tarantino film, you'll know that his dialogue is distinctive. In fact, I don't think anyone writes better dialogue. The story opens with a  restaurant scene in which a gang of thieves, led by Joe Cabot (Tierney), discusses the meaning of Madonna's Like a Virgin. The scene develops with Mr. Pink (Buscemi) explaining why he rarely tips. It's clever, funny and logical, and it says a lot about the character.

This approach is present in all of Tarantino's films and it's so refreshing. Why would thieves, police or German colonels only talk about their job? It just doesn't ring true. Tarantino's characters become more real because they talk about anything that comes to mind.

Reservoir Dogs is essentially a heist movie, but we never actually see the robbery take place. We see some of the planning and surveillance as the gang plans the robbery, and we see some of them fleeing the scene after it takes place. The bulk of the story takes place in a warehouse where the surviving gang members agree to meet, and it could be happening in real time.

Mr. White (Keitel) arrives first with Mr. Orange (Roth) and Mr. Pink. Orange was shot in the belly after the robbery and White and Pink are discussing what to do. Pink has a theory that someone ratted them out and that the police were at the scene much too soon. We gradually learn that Mr. Blonde (Madsen) started shooting everyone in sight during the robbery and his actions caused the police to intervene.

Tarantino loves to pause the story to explain the origin or background of his characters, and he uses that technique in Reservoir Dogs. We find out who Mr. Blonde is and why he is part of the gang. Another scene shows how Mr. Pink escaped the crime scene, although the account may not be accurate as it's from his viewpoint. The most interesting flashback reveals the identity and motivations of the rat and how he memorized an anecdote to make his character seem more authentic to the other members of the gang.

My favorite characters are Mr. White and Mr. Pink. I could watch Buscemi in anything and his character is similar to the one he played in Fargo. His final actions fit his character perfectly. Keitel's character is the most complex. Although he's a criminal, he has his own sense of honor. He clearly cares whether Mr. Orange lives or dies, while the other gang members seem indifferent. His choices are somewhat brave under the circumstances.

There is a lot of violence in the film, but the camera pans away from the action during the most violent scene. Like Hitchcock, Tarantino allows us to imagine the events rather than see them. The color red is removed from almost every scene, although Mr. White is seen wearing a red shirt at one point. This makes the scenes involving blood stand out even more. The gang wears black suits, white shirts and black ties. It's almost like a uniform.

I avoided seeing Reservoir Dogs for several years because I don't like pointless violence, but I'm glad I eventually decided to watch it. You have to realize that Tarantino's films are dark comedies and that humor is present in almost every conversation or situation. It's intelligent humor, but it's there. As a result, I'm able to watch the violent scenes knowing that they are tongue-in-cheek for the most part. I'm tempted to say that Tarantino films belong to a genre all of their own. The only other films that have a similar feel are some of the Coens' work, such as Fargo, and Martin McDonagh's In Bruges.

Reservoir Dogs is a fascinating and original look at events after a robbery. You can see many of Tarantino's trademarks such as the use of music, dialogue, camera shots from inside a trunk, flashbacks to expand characters and a Mexican standoff. I highly recommend Tarantino's unique style.

Overall score 4.5/5

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The Big Lebowski: Classic slightly disappoints on Blu-ray

The Big Lebowski (Comedy, Crime)

Directed by Joel Coen and Ethan Coen

Starring Jeff Bridges, John Goodman and Steve Buscemi

Universal Studios | 1998 | 119 min | Rated R | Released Aug 16, 2011

Video:
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1
French: DTS 5.1

English: DTS-HD Master Audio 5.1
French: DTS 5.1 (less)

Subtitles:

English SDH, French, Spanish

English SDH, French, Spanish (less)

Disc:
Single 50GB Blu-ray Disc

Digital Copy

BD-Live

The Film 4/5

The Big Lebowski is essentially about mistaken identity if you care about the plot. Jeffrey Lebowski is known to his friends as The Dude (Bridges) and a gang of criminals pay him a visit thinking that he’s another Lebowski who happens to be a millionaire. After they urinate on his rug, he seeks out the millionaire to claim compensation.

The millionaire’s wife goes missing and the gang asks for a million dollars in ransom. The Dude is chosen as the courier.

That’s about it. The plot is incidental; this is a movie about a way of life.

The Dude hangs out with two of his bowling buddies, Walter (Goodman) and Donny (Buscemi). Walter is a Vietnam veteran who has anger management issues; Donny hardly says a word and is told to shut up every time he tries to make a comment.

The Dude is a mellow kind of a guy. He shops in his robe, gets high, and talks like he's permanently stoned. Walter is a mystery to him because he is so easily annoyed. When a competing team puts a toe over the line during a bowling game, Walter pulls out a gun and insists that it is marked down as a zero. It’s a league game after all.

The movie doesn’t take itself too seriously and can be classed as a comedy more than anything, but the style of comedy may be different to the type you are used to. Many of the jokes are clever and subtle, and it’s rare for the humor to be aimed too low.

Watching The Big Lebowski is an experience. You’re never quite sure what it is or where it is going. The plot elements aren’t very important, but everything adds up and provides a reason for the characters to do what they do. It’s the sort of movie where nothing happens, but you find yourself thinking about it days later.

Fargo and No Country for Old Men are exceptional movies from the Coen Brothers, but many fans would argue that The Big Lebowski is better. I’m not among them, but it amuses me and I’m glad to finally own it on Blu-ray.

Video Quality 3.5/5

Although the Blu-ray is a vast upgrade over the DVD, I’m a little disappointed with the overall look. Colors are much improved and everything looks brighter and cleaner, but the VC-1 presentation could have been better. Fine detail is present in a few scenes, but is lacking for the most part. Faces in particular seem badly defined. It just about earns a passing grade, but don’t expect to be dazzled.

Audio Quality 4.5/5

The English: DTS-HD Master Audio 5.1 track sounds great. The songs carry a lot more weight than in previous releases. Dialogue is clear throughout and the predominantly front-heavy mix blends well with the action. No complaints about the sound.

Special Features 4/5

Worthy Adversaries: What's My Line Trivia – A game for one or two players in which you have to supply missing dialogue from The Dude and Walter.

An Exclusive Introduction (4:40, SD)

The Dude’s Life (10:08, HD)

The Dude Abides: The Big Lebowski Ten Years Later (10:26, HD)

Making of The Big Lebowski (24:35, SD)

The Lebowski Fest: An Achiever’s Story (13:53, SD)

Flying Carpets and Bowling Pin Dreams: The Dream Sequences of The Dude (4:20, HD)

Interactive Map

Jeff Bridges Photo Book (17:30, HD) – Bridges took shots while filming and explains them here.

Photo Gallery (3:25, SD)

U-Control: Three features with PiP, text and a profanity counter.

Scene Companion

The Music of The Big Lebowski

Mark It, Dude

28-page digibook

The Big Lebowski is a typically quirky effort from the Coen Brothers. While not their very best work, it deserves a place in your collection. Bridges and Goodman excel in their roles and hold the whole thing together. The Blu-ray presentation enhances the experience, but not quite as much as I had hoped. The packaging is good and there’s plenty of behind the scenes information if The Big Lebowski is your kind of film.

Overall score 4/5

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My Top 20 animated movies: Part 3, #6-10

My Top 20 animated movies (continued)

You've seen the bottom 10 in my list of favorite animated movies. I love them all and it's difficult to place one above another, but the Top 10 do have something extra in my opinion.

Let's continue with the next five:

10. Monsters, Inc. (2001)

Directed by Pete Docter, David Silverman and Lee Unkrich

Starring the voices of Billy Crystal, John Goodman, Steve Buscemi and Mary Gibbs

Monsters, Inc. produces power for the city of Monstropolis by scaring kids and storing the energy produced in their screams. The two principals are Sulley (Goodman) and Mike (Crystal). Sulley is a giant furry beast with purple and blue fur and regularly tops the company standings as chief scarer. Mike is small, green and has one huge eye, and is Sulley’s assistant. They have doors with direct access to children’s bedrooms in the real world and get to work each night. Things are complicated by Randall Boggs (Buscemi), who is trying to cheat his way to the top of the standings. Direct physical contact with a human child is thought to be dangerous and possibly lethal, so a team stands by to sanitize any infected monsters. When Sulley inadvertently brings a little girl called Boo (Gibbs) to Monstropolis, he finds out the truth about human contact. With the help of Mike, Sulley tries to hide the little girl until they can get her home. The reason I love Monsters, Inc. so much is its heart. It’s a cute world and Boo is adorable. There’s a lot of clever humor throughout the movie and it lives up to Pixar’s high standards.

There’s nothing in the film that would scare children, so it’s a perfect family film. The Blu-ray presentation is strong in all areas. I could watch this film every few weeks and never get tired of it.

9. Wallace & Gromit: Curse of the Were-Rabbit (2005)

Directed by Steve Box and Nick Park

Starring the voices of Peter Sallis, Helena Bonham Carter and Ralph Fiennes

Here’s another claymation movie. It was good enough to win the Oscar for Best Animated Film, and it deserved the award. There were three short films in the series before this feature; all are funny and worth owning, but none match the quality of Were-Rabbit. For those new to the characters, Wallace (Sallis) is an inventor living in Northern England and Gromit is his faithful dog. The two run a service to protect people’s vegetables from the jaws of unwanted rabbits. They have a warning system similar to the one used in Thunderbirds and Wallace’s inventions are used to capture and store the rabbits. Gromit doesn’t speak, but says so much with his body language. He’s the source of most of the humor. There are jokes in almost every frame; both visual and verbal. The pair is hired by Lady Tottington (Bonham-Carter), who fears that her grounds are being overrun by rabbits. The expressions on the faces of the model rabbits are hilarious.

There’s no Blu-ray release as yet, but the first three shorts and a later fourth installment can be found on Wallace & Gromit: The Complete Collection Blu-ray. It isn’t actually complete because it’s missing this film, but it’s a must-own. Wallace & Gromit is funny, innocent and suitable for the whole family.

8. Bolt (2008)

Directed by Byron Howard and Chris Williams

Starring the voices of John Travolta, Miley Cyrus, Mark Walton and Susie Essman

Are you fan of Pixar titles? If I didn’t know better, I’d swear that Pixar created Bolt. It looks and feels similar and has so much heart. Bolt (Travolta) is a dog who stars in a TV show in which he has superpowers. That would make a good movie in its own right, but it gets even better. Bolt escapes from the film studio by accident and is separated from Penny (Cyrus), his owner. He listens to the advice of a group of pigeons and enlists the help of a cat named Mittens (Essman), who claims she knows how he can get home. They eventually run into a hamster, Rhino (Walton), who thinks that Bolt has real powers. They make their way across America in search of the film studio and Penny. Bolt keeps me laughing. It mixes slapstick humor with clever comments and astute observations. Watch how Mittens teaches Bolt to act like a real dog and you’ll see what I mean.

The movie is a good choice for the whole family and the Blu-ray presentation is flawless. The picture quality is perfect throughout and check out the sound during the sequences in which Bolt starts in the TV show.

7. Up (2009)

Directed by Pete Docter and Bob Peterson

Starring the voices of Edward Asner, Christopher Plummer, Jordan Nagai and Bob Peterson

Up is Pixar’s most adult-oriented release thus far, but it still contains enough fun and action to hold the attention of any child. There’s a silent montage near the start of the movie which tells the story of Ellie, who is the wife of balloon salesman Carl Fredricksen (Asner). The sequence takes us through their initial meeting as children and ends with Ellie’s death as an old woman. You’ll almost certainly cry or at least have to hold back tears. Carl and Ellie always planned to visit South America, but never got around to it. Carl decides to make the trip on his own by attaching balloons to his house so that it will fly. He finds Russell (Nagai) – a boy scout trapped on his porch – and the two make the trip together. They are joined by a weird bird and Dug (Peterson), who is a dog with the ability to talk using a device on his collar. The movie is very colorful and is full of action once the group is assembled. There are some other truly touching moments and I would urge anyone to see this film.

It’s suitable for people of all ages and has something for everybody. The humor is funny because it’s an accurate observation on the way people behave. Dug is the funniest character, but they all have their moments.

6. Kiki’s Delivery Service (1989)

Directed by Hayao Miyazaki

Starring the voices of Kirsten Dunst and Phil Hartman

Talking of heart, it’s time for some more Miyazaki. Kiki (Dunst) is a 13-year-old witch, and in her culture that means she has to spend a year on her own providing a service in another city. She’s just learning her craft and can barely fly her broom, but sets of with her cat, Jiji (Hartman). She finds a small town and helps the owner of a bakery by returning a baby’s pacifier to a customer who left it behind. The owner offers her a place to stay and suggests that she start a delivery service. It’s a delightful coming-of-age story in which Kiki learns to become independent and finds out about friendship and romance. She has great respect for her elders and quickly wins their approval. Jiji has almost all of the best lines and his sarcastic comments are genuinely funny. There are no villains, just situations and problems to overcome.

Kiki’s Delivery Service is charming and funny. It should entertain the whole family. There’s no Blu-ray release yet, but expect Disney to get around to it in a year or two. There are at least two DVD versions and the dubs are different. Be sure to research which one you want to own if you have previously seen the movie and have a preference.

For #16-20 on the list, click here. 

For #11-15 on the list, click here.

For #1-5 on the list, click here.

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My Top 20 Dramas: Part 3, #6-10

My Top 20 Dramas (continued)

Most of my favorite movies are dramas. It’s largely because important stories told in a serious way tend to be dramas. Acting is generally better and the story means something.

It’s incredibly difficult to rank films. Much depends on mood or which ones you have seen recently. The order constantly changes and new titles are added as I see titles for the first time.

With that in mind, here’s #6-10 in my favorite genre:

10. Jackie Brown (1997)

Directed by Quentin Tarantino

Starring Pam Grier, Samuel L. Jackson, Robert Forster and Robert De Niro

Based on an Elmore Leonard novel, Jackie Brown still feels like a Tarantino movie. At 154 minutes it never feels long. Tarantino takes the time he needs to properly introduce the characters and we know them well by the end of the movie. It’s essentially a heist movie with a little romance thrown in. It’s shunned by some because it appears to feature older actors and may be intended for a different demographic than his first two movies. I love every minute and enjoy seeing everything unfold. Jackson is always good when he works with Tarantino, but Forster and Grier have never been better. If you have avoided this due to bad reviews and like Tarantino’s style, check it out. Chances are you’ll end up appreciating it.

9. Inglourious Basterds (2009)

Directed by Quentin Tarantino

Starring Brad Pitt, Christoph Waltz and Mélanie Laurent

This time Tarantino gives us his version of a war movie, but it’s not like any war movie you’ve ever seen. The opening 20-minute scene is about as tense as it gets and is reminiscent of Hitchcock. The film is driven by dialogue in four different languages, so subtitles are used frequently. Waltz won an Oscar as Hans Landa, the Jew Hunter. The film is typical Tarantino fare with plenty of dark humor, violence, references to film, chapters and outrageous scenes. As always, the music fits the action perfectly. The screenplay was Oscar-worthy and the acting strong throughout. The 153 minutes race by and Tarantino casually changes history with his version of events. It’s a lot of fun.

8. The Double Life of Veronique (1991)

Directed by Krzysztof Kieslowski

Starring Irène Jacob and Philippe Volter

This film won’t appeal to everyone. It’s subtitled and tells the story of two women; one French and the other Polish. They look alike and have similar interests. Kieslowski’s story has several different layers of meaning and it’s something for viewers who like to reflect on what they have seen. It’s not a traditional narrative and there’s no obvious plot. This is not a Hollywood production. We never learn why the two women look identical or why they seem to share some of their feelings and experiences. That’s for us to decide and everyone will have a different answer. Irène Jacob, who later starred in Three Colors Red, is stunning in the role and plays it with a lot of emotion. The film is also about relationships and music. In fact, it explores several kinds of love. It’s shot beautifully and watching it is like entering into a fantasy world. If you like to think and find your own meaning, this might appeal to you. If you don’t like subtitles or prefer things to be neatly explained, skip it.

7. No Country for Old Men (2007)

Directed by Joel and Ethan Coen

Starring Josh Brolin, Javier Bardem and Tommy Lee Jones

Llewelyn Moss (Brolin) finds a suitcase full of money while he’s out hunting and decides to take it and go on the run. It’s a weird choice considering he could have left the country and never be seen again, but all of his other actions make sense. We see how he hides, fearing that he’ll be pursued. His caution is justified when Anton Chigurh discovers his identity and tries to recover what he claims is his money. The story is told from the viewpoint of the local sheriff Ed Tom Bell (Jones) and the resolution isn’t an obvious one. Chigurh is an interesting character and is afraid of nothing. There’s always tension whenever he’s on screen. The Coens picked up Oscars for Best Directing, Best Picture and Adapted Screenplay, while Bardem won Best Supporting Actor. It’s a unique film.

6. Fargo (1996)

Directed by Joel and Ethan Coen

Starring Frances McDormand, Steve Buscemi and William H. Macy

It’s tough choosing between Fargo and No Country for Old Men, but there’s so much to love about Fargo. The acting is excellent and the characters memorable. It’s full of dark humor and witty dialogue, and the story moves along at a brisk pace. The setting suits the mood of the film and Roger Deakins captured the desolation of Minnesota perfectly. I have a lot to say about the film, so feel free to check out my recent review if you want to know more.

Here’s the full review.

See #16-20 on my list here.

See #11-15 on my list here.

See #1-5 on my list here.

I’ll reveal the final five films tomorrow.

Feel free to let me know what you think about my selections, and what would make your Top 20.

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Fargo: There's more to life than a little money

Fargo (drama, crime, thriller)

Directed by Joel Coen and Ethan Coen

Starring Frances McDormand, William H. Macy and Steve Buscemi

Metro-Goldwyn-Mayer | 1996 | 98 min | Rated R | Released May 12, 2009

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1

English: Dolby Digital 2.0

French, German, Italian, Spanish: DTS 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, Croatian, Czech, Dutch, French, German, Greek, Hebrew, Hungarian, Italian, Korean, Mandarin (Simplified and Traditional), Polish, Portuguese, Spanish, Thai, Turkish

Disc:

Single 50GB Blu-ray Disc

The Film 5/5

The first time I watched Fargo, I didn’t know what to expect. After multiple viewings, it’s still hard to pin down exactly what the film is. There’s a bizarre plot focusing on Jerry Lundegaard (Macy) who works for his father-in-law’s car dealership. Without ever learning why, we are told that Jerry needs money. His plan is to hire two men he has never met to kidnap his wife. He’ll pay them $40,000, but he’ll tell his father-in-law, Wade, that the ransom is $1,000,000. It’s a simple enough plan.

Jerry’s true nature is revealed early in the film when he openly lies to a customer. The two men he has hired are Carl Showalter (Buscemi) and Gaear Grimsrud (Peter Stormare). Buscemi plays the same type of character that he played in Reservoir Dogs, talking continually, whining and cracking jokes. Stormare barely speaks, but springs into action when he feels the situation demands it.

The plot unfolds with Jerry trying and failing to borrow $750,000 from Wade for a business opportunity. Carl and Gaear make their way into town and eventually get around to abducting Jerry’s wife. It’s here that Jerry’s plan starts to go wrong. A cop pulls over Carl and Gaear while they have Jerry’s wife tied up on the back seat of the car. Carl fails to recover the situation so Gaear kills the cop and a couple of witnesses.

After the triple-murder, the third main character is introduced. She’s Marge Gunderson, a pregnant Police Chief. It’s 33 minutes before her character appears, but it seems like she holds the film together. While appearing a little slow and dorky, she’s actually highly-intelligent and intuitive. She quickly reconstructs the crime scene and realizes how the triple-murder happened.

Marge’s intellect means that she’s respected by the officers she works with, but her seemingly normal demeanor isn’t threatening and the people she interviews are caught off guard. She also gives the film balance during the scenes with Norm (John Carroll Lynch), her husband. They have a wonderful relationship and each accepts the other for exactly what they are. The contrast between Marge’s life at home and the way she performs at work is startling.

Jerry receives a visit from Marge at work, but manages to deflect her questions and she leaves without suspecting him. Later, we see a crucial scene where she meets an old acquaintance from school. He blatantly lies about his life and Marge leaves with a sense of unease. It’s a reminder that people don’t always tell the truth and she decides to visit Jerry again.

One of the funniest things about the film is Jerry. He’s pretty dumb and almost every word that leaves his mouth is a lie. But Macy talks about the character in the special features and notes that Jerry never gives up. One disaster follows another, but he always revises his plan and believes that he can pull it off. It’s interesting to see what he’ll try next.

The film’s supporting cast is full of intriguing characters. Wade insists on delivering the ransom money himself and that’s exactly what someone with his personality would do. Marge interviews some hookers who spent an evening with Carl and Gaear and there’s a funny exchange: She learns that one of the men was kinda funny looking. She presses for more information and is told that he wasn’t circumcised. The film is full of this kind of dark humor.

There’s quite a bit of violence, but it is confined to short bursts. I counted seven murders in all, but the quirky humor and tongue-in-cheek presentation never make the violent scenes too jarring. This is a film that should be viewed as a dark comedy more than anything.

Marge’s closing monologue is simple and effective; it asks us to contemplate why people commit crimes and puts things into perspective somewhat. McDormand won an Oscar for her performance and thoroughly deserved it. Macy was also nominated and the film’s screenplay was given another Oscar.

Video Quality 4/5

Roger Deakins’ cinematography perfectly captures the desolate scenery and the Blu-ray presentation is pleasing to the eye. Detail is strong, and the ever-present grain is never too heavy. There are a few white speckles at the beginning of the film, but the image quickly improves. The upgrade over the DVD is easily worth the price of the Blu-ray.

Audio Quality 4.5/5

Although there’s a lot of dialogue, the supporting sound effects are an important part of the film. It’s particularly evident when the characters walk in the compacted snow and we hear a pleasing crunch. When shots are fired, they ring out clearly. Most of the track is front-heavy, but that’s where most of the action is. The violin used in the score is particularly effective.

Special Features 2.5/5

The features are all presented in standard definition.

Commentary with Director of Photography Roger Deakins

Minnesota Nice Documentary (27:47) – The Coen brothers and main cast talk about the film, likening Minnesota to Siberia with family restaurants. Learn what the actors thought of their roles and how they enjoyed working with the directors.

Photo Gallery – Stills from the shoot.

Theatrical Trailer (1:58)

TV Spot (0:31)

American Cinematography Article – A series of stills discussing the work of Roger Deakins.

Fargo is an odd film. It grabs your interest early and slowly increases the tension as the story unfolds. You’ll see a glimpse of what life might be like in small-town America, and you’ll laugh. The Coen brothers have made some very good films and a couple of great ones. This falls into the second category. The Blu-ray presentation is a good upgrade and I strongly recommend the film itself.

Overall score 5/5 

See where Fargo ranks among my Top 20 dramas by clicking here.


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