Burn After Reading

Burn After Reading (2008)
Comedy, Crime, Drama, 96 minutes
Directed by Joel and Ethan Coen
Starring George Clooney, Brad Pitt, Frances McDormand, John Malkovich and Tilda Swinton

Do you remember the first Blu-ray you ever bought? Mine was Burn After Reading on the same day that I purchased my first Blu-ray player. It's a title that receives very little recognition and it regularly features in sales. Why is that the case?

The movie is directed by the Coen brothers and stars Clooney, Pitt, McDormand, Malkovich and Swinton. What's not to like?

I'm hard to please when it comes to humor, but several Coen brothers films hit the spot. It's clever dialogue rather than slapstick physical humor, and some of it is unpredictable. I can't laugh when I see a joke coming from a mile away wearing a T-shirt with "This is funny, laugh now" written on it. I like to be surprised.

So what is surprising about Burn After Reading?

Harry Pfarrer (Clooney) has no redeeming features. He's married, but sees other women at every opportunity. He's having an affair with Katie Cox (Swinton). Harry is shallow, paranoid and somewhat stupid and Clooney plays the character with his usual charm and good humor.

If there is anyone dumber than Harry, it has to be Chad Feldheimer (Pitt), who works in a gym. Chad is a complete idiot in every way. His friend at the gym is Linda Litzke (McDormand), who is obsessed with undergoing cosmetic surgery to improve her appearance.

Osborne Cox (Malkovich) is married to Katie and works as an analyst for the CIA. Most of his sentences include at least one profanity and he's borderline alcoholic. The story begins with a meeting in which Osborne is told that he will be demoted, but instead of accepting the situation, he quits. Katie is not pleased, even though she's on the verge of leaving him for Harry.

There's not much of a plot. Chad acquires a CD containing the beginning of Osborne's memoir and believes it to be secrets of national importance. He thinks that Osborne is sure to give him a reward if he returns it and that leads to an amusing phone call. Linda decides that the Russians may be interested in the worthless CD and that they might reward her for the useless information.

Everybody seems to be sleeping with everyone else and what could go wrong does go wrong. This is not a serious story in any way.

There's a great cameo by J. K. Simmons who plays a CIA boss. He's utterly clueless about the significance of the events we witness because they are all meaningless. Watch his reaction at the end of the movie when he makes a decision about what further action to take.

Burn After Reading is a good way to spend an hour-and-a-half. No analysis is necessary. All of the characters have funny moments. Ignore the negative reviews and see it for yourself. You can pick it up for under $10 if you like it.

Overall score 4.5/5 

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The Big Lebowski: Classic slightly disappoints on Blu-ray

The Big Lebowski (Comedy, Crime)

Directed by Joel Coen and Ethan Coen

Starring Jeff Bridges, John Goodman and Steve Buscemi

Universal Studios | 1998 | 119 min | Rated R | Released Aug 16, 2011

Video:
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1
French: DTS 5.1

English: DTS-HD Master Audio 5.1
French: DTS 5.1 (less)

Subtitles:

English SDH, French, Spanish

English SDH, French, Spanish (less)

Disc:
Single 50GB Blu-ray Disc

Digital Copy

BD-Live

The Film 4/5

The Big Lebowski is essentially about mistaken identity if you care about the plot. Jeffrey Lebowski is known to his friends as The Dude (Bridges) and a gang of criminals pay him a visit thinking that he’s another Lebowski who happens to be a millionaire. After they urinate on his rug, he seeks out the millionaire to claim compensation.

The millionaire’s wife goes missing and the gang asks for a million dollars in ransom. The Dude is chosen as the courier.

That’s about it. The plot is incidental; this is a movie about a way of life.

The Dude hangs out with two of his bowling buddies, Walter (Goodman) and Donny (Buscemi). Walter is a Vietnam veteran who has anger management issues; Donny hardly says a word and is told to shut up every time he tries to make a comment.

The Dude is a mellow kind of a guy. He shops in his robe, gets high, and talks like he's permanently stoned. Walter is a mystery to him because he is so easily annoyed. When a competing team puts a toe over the line during a bowling game, Walter pulls out a gun and insists that it is marked down as a zero. It’s a league game after all.

The movie doesn’t take itself too seriously and can be classed as a comedy more than anything, but the style of comedy may be different to the type you are used to. Many of the jokes are clever and subtle, and it’s rare for the humor to be aimed too low.

Watching The Big Lebowski is an experience. You’re never quite sure what it is or where it is going. The plot elements aren’t very important, but everything adds up and provides a reason for the characters to do what they do. It’s the sort of movie where nothing happens, but you find yourself thinking about it days later.

Fargo and No Country for Old Men are exceptional movies from the Coen Brothers, but many fans would argue that The Big Lebowski is better. I’m not among them, but it amuses me and I’m glad to finally own it on Blu-ray.

Video Quality 3.5/5

Although the Blu-ray is a vast upgrade over the DVD, I’m a little disappointed with the overall look. Colors are much improved and everything looks brighter and cleaner, but the VC-1 presentation could have been better. Fine detail is present in a few scenes, but is lacking for the most part. Faces in particular seem badly defined. It just about earns a passing grade, but don’t expect to be dazzled.

Audio Quality 4.5/5

The English: DTS-HD Master Audio 5.1 track sounds great. The songs carry a lot more weight than in previous releases. Dialogue is clear throughout and the predominantly front-heavy mix blends well with the action. No complaints about the sound.

Special Features 4/5

Worthy Adversaries: What's My Line Trivia – A game for one or two players in which you have to supply missing dialogue from The Dude and Walter.

An Exclusive Introduction (4:40, SD)

The Dude’s Life (10:08, HD)

The Dude Abides: The Big Lebowski Ten Years Later (10:26, HD)

Making of The Big Lebowski (24:35, SD)

The Lebowski Fest: An Achiever’s Story (13:53, SD)

Flying Carpets and Bowling Pin Dreams: The Dream Sequences of The Dude (4:20, HD)

Interactive Map

Jeff Bridges Photo Book (17:30, HD) – Bridges took shots while filming and explains them here.

Photo Gallery (3:25, SD)

U-Control: Three features with PiP, text and a profanity counter.

Scene Companion

The Music of The Big Lebowski

Mark It, Dude

28-page digibook

The Big Lebowski is a typically quirky effort from the Coen Brothers. While not their very best work, it deserves a place in your collection. Bridges and Goodman excel in their roles and hold the whole thing together. The Blu-ray presentation enhances the experience, but not quite as much as I had hoped. The packaging is good and there’s plenty of behind the scenes information if The Big Lebowski is your kind of film.

Overall score 4/5

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My Top 20 Dramas: Part 3, #6-10

My Top 20 Dramas (continued)

Most of my favorite movies are dramas. It’s largely because important stories told in a serious way tend to be dramas. Acting is generally better and the story means something.

It’s incredibly difficult to rank films. Much depends on mood or which ones you have seen recently. The order constantly changes and new titles are added as I see titles for the first time.

With that in mind, here’s #6-10 in my favorite genre:

10. Jackie Brown (1997)

Directed by Quentin Tarantino

Starring Pam Grier, Samuel L. Jackson, Robert Forster and Robert De Niro

Based on an Elmore Leonard novel, Jackie Brown still feels like a Tarantino movie. At 154 minutes it never feels long. Tarantino takes the time he needs to properly introduce the characters and we know them well by the end of the movie. It’s essentially a heist movie with a little romance thrown in. It’s shunned by some because it appears to feature older actors and may be intended for a different demographic than his first two movies. I love every minute and enjoy seeing everything unfold. Jackson is always good when he works with Tarantino, but Forster and Grier have never been better. If you have avoided this due to bad reviews and like Tarantino’s style, check it out. Chances are you’ll end up appreciating it.

9. Inglourious Basterds (2009)

Directed by Quentin Tarantino

Starring Brad Pitt, Christoph Waltz and Mélanie Laurent

This time Tarantino gives us his version of a war movie, but it’s not like any war movie you’ve ever seen. The opening 20-minute scene is about as tense as it gets and is reminiscent of Hitchcock. The film is driven by dialogue in four different languages, so subtitles are used frequently. Waltz won an Oscar as Hans Landa, the Jew Hunter. The film is typical Tarantino fare with plenty of dark humor, violence, references to film, chapters and outrageous scenes. As always, the music fits the action perfectly. The screenplay was Oscar-worthy and the acting strong throughout. The 153 minutes race by and Tarantino casually changes history with his version of events. It’s a lot of fun.

8. The Double Life of Veronique (1991)

Directed by Krzysztof Kieslowski

Starring Irène Jacob and Philippe Volter

This film won’t appeal to everyone. It’s subtitled and tells the story of two women; one French and the other Polish. They look alike and have similar interests. Kieslowski’s story has several different layers of meaning and it’s something for viewers who like to reflect on what they have seen. It’s not a traditional narrative and there’s no obvious plot. This is not a Hollywood production. We never learn why the two women look identical or why they seem to share some of their feelings and experiences. That’s for us to decide and everyone will have a different answer. Irène Jacob, who later starred in Three Colors Red, is stunning in the role and plays it with a lot of emotion. The film is also about relationships and music. In fact, it explores several kinds of love. It’s shot beautifully and watching it is like entering into a fantasy world. If you like to think and find your own meaning, this might appeal to you. If you don’t like subtitles or prefer things to be neatly explained, skip it.

7. No Country for Old Men (2007)

Directed by Joel and Ethan Coen

Starring Josh Brolin, Javier Bardem and Tommy Lee Jones

Llewelyn Moss (Brolin) finds a suitcase full of money while he’s out hunting and decides to take it and go on the run. It’s a weird choice considering he could have left the country and never be seen again, but all of his other actions make sense. We see how he hides, fearing that he’ll be pursued. His caution is justified when Anton Chigurh discovers his identity and tries to recover what he claims is his money. The story is told from the viewpoint of the local sheriff Ed Tom Bell (Jones) and the resolution isn’t an obvious one. Chigurh is an interesting character and is afraid of nothing. There’s always tension whenever he’s on screen. The Coens picked up Oscars for Best Directing, Best Picture and Adapted Screenplay, while Bardem won Best Supporting Actor. It’s a unique film.

6. Fargo (1996)

Directed by Joel and Ethan Coen

Starring Frances McDormand, Steve Buscemi and William H. Macy

It’s tough choosing between Fargo and No Country for Old Men, but there’s so much to love about Fargo. The acting is excellent and the characters memorable. It’s full of dark humor and witty dialogue, and the story moves along at a brisk pace. The setting suits the mood of the film and Roger Deakins captured the desolation of Minnesota perfectly. I have a lot to say about the film, so feel free to check out my recent review if you want to know more.

Here’s the full review.

See #16-20 on my list here.

See #11-15 on my list here.

See #1-5 on my list here.

I’ll reveal the final five films tomorrow.

Feel free to let me know what you think about my selections, and what would make your Top 20.

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Fargo: There's more to life than a little money

Fargo (drama, crime, thriller)

Directed by Joel Coen and Ethan Coen

Starring Frances McDormand, William H. Macy and Steve Buscemi

Metro-Goldwyn-Mayer | 1996 | 98 min | Rated R | Released May 12, 2009

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1

English: Dolby Digital 2.0

French, German, Italian, Spanish: DTS 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, Croatian, Czech, Dutch, French, German, Greek, Hebrew, Hungarian, Italian, Korean, Mandarin (Simplified and Traditional), Polish, Portuguese, Spanish, Thai, Turkish

Disc:

Single 50GB Blu-ray Disc

The Film 5/5

The first time I watched Fargo, I didn’t know what to expect. After multiple viewings, it’s still hard to pin down exactly what the film is. There’s a bizarre plot focusing on Jerry Lundegaard (Macy) who works for his father-in-law’s car dealership. Without ever learning why, we are told that Jerry needs money. His plan is to hire two men he has never met to kidnap his wife. He’ll pay them $40,000, but he’ll tell his father-in-law, Wade, that the ransom is $1,000,000. It’s a simple enough plan.

Jerry’s true nature is revealed early in the film when he openly lies to a customer. The two men he has hired are Carl Showalter (Buscemi) and Gaear Grimsrud (Peter Stormare). Buscemi plays the same type of character that he played in Reservoir Dogs, talking continually, whining and cracking jokes. Stormare barely speaks, but springs into action when he feels the situation demands it.

The plot unfolds with Jerry trying and failing to borrow $750,000 from Wade for a business opportunity. Carl and Gaear make their way into town and eventually get around to abducting Jerry’s wife. It’s here that Jerry’s plan starts to go wrong. A cop pulls over Carl and Gaear while they have Jerry’s wife tied up on the back seat of the car. Carl fails to recover the situation so Gaear kills the cop and a couple of witnesses.

After the triple-murder, the third main character is introduced. She’s Marge Gunderson, a pregnant Police Chief. It’s 33 minutes before her character appears, but it seems like she holds the film together. While appearing a little slow and dorky, she’s actually highly-intelligent and intuitive. She quickly reconstructs the crime scene and realizes how the triple-murder happened.

Marge’s intellect means that she’s respected by the officers she works with, but her seemingly normal demeanor isn’t threatening and the people she interviews are caught off guard. She also gives the film balance during the scenes with Norm (John Carroll Lynch), her husband. They have a wonderful relationship and each accepts the other for exactly what they are. The contrast between Marge’s life at home and the way she performs at work is startling.

Jerry receives a visit from Marge at work, but manages to deflect her questions and she leaves without suspecting him. Later, we see a crucial scene where she meets an old acquaintance from school. He blatantly lies about his life and Marge leaves with a sense of unease. It’s a reminder that people don’t always tell the truth and she decides to visit Jerry again.

One of the funniest things about the film is Jerry. He’s pretty dumb and almost every word that leaves his mouth is a lie. But Macy talks about the character in the special features and notes that Jerry never gives up. One disaster follows another, but he always revises his plan and believes that he can pull it off. It’s interesting to see what he’ll try next.

The film’s supporting cast is full of intriguing characters. Wade insists on delivering the ransom money himself and that’s exactly what someone with his personality would do. Marge interviews some hookers who spent an evening with Carl and Gaear and there’s a funny exchange: She learns that one of the men was kinda funny looking. She presses for more information and is told that he wasn’t circumcised. The film is full of this kind of dark humor.

There’s quite a bit of violence, but it is confined to short bursts. I counted seven murders in all, but the quirky humor and tongue-in-cheek presentation never make the violent scenes too jarring. This is a film that should be viewed as a dark comedy more than anything.

Marge’s closing monologue is simple and effective; it asks us to contemplate why people commit crimes and puts things into perspective somewhat. McDormand won an Oscar for her performance and thoroughly deserved it. Macy was also nominated and the film’s screenplay was given another Oscar.

Video Quality 4/5

Roger Deakins’ cinematography perfectly captures the desolate scenery and the Blu-ray presentation is pleasing to the eye. Detail is strong, and the ever-present grain is never too heavy. There are a few white speckles at the beginning of the film, but the image quickly improves. The upgrade over the DVD is easily worth the price of the Blu-ray.

Audio Quality 4.5/5

Although there’s a lot of dialogue, the supporting sound effects are an important part of the film. It’s particularly evident when the characters walk in the compacted snow and we hear a pleasing crunch. When shots are fired, they ring out clearly. Most of the track is front-heavy, but that’s where most of the action is. The violin used in the score is particularly effective.

Special Features 2.5/5

The features are all presented in standard definition.

Commentary with Director of Photography Roger Deakins

Minnesota Nice Documentary (27:47) – The Coen brothers and main cast talk about the film, likening Minnesota to Siberia with family restaurants. Learn what the actors thought of their roles and how they enjoyed working with the directors.

Photo Gallery – Stills from the shoot.

Theatrical Trailer (1:58)

TV Spot (0:31)

American Cinematography Article – A series of stills discussing the work of Roger Deakins.

Fargo is an odd film. It grabs your interest early and slowly increases the tension as the story unfolds. You’ll see a glimpse of what life might be like in small-town America, and you’ll laugh. The Coen brothers have made some very good films and a couple of great ones. This falls into the second category. The Blu-ray presentation is a good upgrade and I strongly recommend the film itself.

Overall score 5/5 

See where Fargo ranks among my Top 20 dramas by clicking here.


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True Grit (2010) - A remake worth seeing

True Grit (western, drama, adventure)

Directed by Ethan Coen and Joel Coen

Starring Jeff Bridges, Matt Damon, Hailee Steinfeld and Josh Brolin

Paramount Pictures | 2010 | 110 min | Rated PG-13 | Released Jun 07, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.35:1

Audio:

English: DTS-HD Master Audio 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English, English SDH, French, Spanish, Portuguese

Discs:

50GB Blu-ray Disc

Digital copy

DVD copy

The Film 4.5/5

True Grit was nominated for 10 Oscars, but failed to win any. Jeff Bridges was unlikely to win after finally being recognized a year ago, but Roger Deakins (cinematography) and Hailee Steinfeld (supporting actress) were particularly unlucky to lose.

I’m generally not in favor of watching remakes, or Westerns, but this one is worth it. The Coens don’t make bad films. The acting is superb and there’s just the right balance between action, drama and humor.

The story is narrated and told from the viewpoint of Mattie Ross (Steinfeld), a 14-year-old girl who wants to hire someone to catch the man who killed her father. After hearing the qualities of the potential candidates, she approaches Rooster Cogburn (Bridges). He’s a one-eyed drunk with a reputation for getting the job done. Perhaps she wanted someone with the same strength of character as her own?

One of the best scenes in the movie comes early. Mattie argues with a horse trader, wanting compensation for a horse of her father’s stolen while under the trader’s care, as well as a refund for four ponies her father bought. This is where we see that Mattie, although young, is intelligent and capable of looking after her interests. The trader meets most of her demands and is relieved to see her leave.

Cogburn’s character is revealed when he gives evidence in court. It’s clear that he’ll kill if necessary, and that he thinks it’s often necessary. After another negotiation, Mattie secures his services to search for Tom Chaney (Brolin), her father’s killer.

The other main character is LaBoeuf (Damon), a Texas Ranger who has been tracking Chaney for another crime. He wants to team up with Cogburn as both have the same goal, but they are unable to convince Mattie to stay behind and the trio end up together.

The dialogue doesn’t follow that of traditional Westerns. The characters are generally well-spoken and intelligent and don’t use contractions. This has the effect of making the dialogue sound formal and more important. Some of the accents are thick, but you’ll soon get used to it.

After an argument with Cogburn, LaBoeuf departs and leaves Cogburn and Mattie to fend for themselves. They look for shelter and find a shack occupied by two men. Cogburn finds out some valuable information to aid the search and learns that Chaney has joined a gang which is due to arrive at the shack. Cogburn and Mattie hide and wait for them to show up.

LaBoeuf later rejoins the pair and the main action occurs when the trio meets the gang. Mattie proves her worth and both Cogburn and LaBoeuf have important parts to play in the conflict. Cogburn is not always drunk and proves very capable when the situation calls for it.

While not as quirky as other Coen films, True Grit contains plenty of humor. The dialogue is fast and the wits of the main characters are sharp. Each has some memorable lines. There isn’t a huge amount of action. It’s more about the setup and the dynamic between the trio. We see more of the journey than the eventual confrontation. It has the effect of making the story well-rounded and there’s enough background information for us to feel like we know the characters by the end of the movie.

The conclusion jumps forward 25 years and we are shown what happens to the characters. It's a good way to end the story.

Video Quality 5/5

The Texas and New Mexico locations look stunning in this presentation and colors are bright and well-defined. Fine detail is exceptional and you can clearly pick out patterns in the dirt and see individual pieces of straw. Grain is barely visible in the majority of scenes, but there’s no loss of detail. Paramount has delivered a wonderful transfer and I can’t think of a better-looking live action movie.

Audio Quality 5/5

The DTS-HD Master Audio 5.1 track also shines. Whether it’s horses galloping, insects, wind or gunfire, everything sounds the way it should. What really impresses me is the depth of sound in quieter scenes. There is so much detail. The excellent dialogue is well-defined and there’s nothing to fault in the audio presentation.

Special Features 3/5

There are just over an hour of additional features on the release and all are in full HD:

Mattie’s True Grit (5:13) – Telling the story of Steinfeld’s audition, her preparation for the role and working with the Coen brothers.

From Bustles to Buckskin – Dressing for the 1880s (8:02) – Interviews with the costume designer and some of the cast.

Colts, Winchesters & Remingtons: The Guns of a Post-Civil War Western (4:41) – Explaining the choice of guns used by the main trio.

Re-Creating Fort Smith (11:20) – Showing how the set was put together.

The Cast (5:25) – Interviews with Bridges, Damon, Steinfeld, Brolin and Barry Pepper.

Charles Portis - The Greatest Writer You've Never Heard Of (30:54) – An extensive look at the career of writer Charles Portis.

Cinematography (2:57) – Roger Deakins talks about some of the shots in the movie.

Trailer (2:33)

There should be an Oscar for best Blu-ray presentation. True Grit would certainly be nominated. If you’re a fan of the film, you’ll be delighted with the whole package. The crew researched the time period thoroughly and the result feels authentic. I would recommend this even if you’re not a fan of the genre.

Overall score 4.5/5

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