The Big Lebowski: Classic slightly disappoints on Blu-ray

The Big Lebowski (Comedy, Crime)

Directed by Joel Coen and Ethan Coen

Starring Jeff Bridges, John Goodman and Steve Buscemi

Universal Studios | 1998 | 119 min | Rated R | Released Aug 16, 2011

Video:
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1
French: DTS 5.1

English: DTS-HD Master Audio 5.1
French: DTS 5.1 (less)

Subtitles:

English SDH, French, Spanish

English SDH, French, Spanish (less)

Disc:
Single 50GB Blu-ray Disc

Digital Copy

BD-Live

The Film 4/5

The Big Lebowski is essentially about mistaken identity if you care about the plot. Jeffrey Lebowski is known to his friends as The Dude (Bridges) and a gang of criminals pay him a visit thinking that he’s another Lebowski who happens to be a millionaire. After they urinate on his rug, he seeks out the millionaire to claim compensation.

The millionaire’s wife goes missing and the gang asks for a million dollars in ransom. The Dude is chosen as the courier.

That’s about it. The plot is incidental; this is a movie about a way of life.

The Dude hangs out with two of his bowling buddies, Walter (Goodman) and Donny (Buscemi). Walter is a Vietnam veteran who has anger management issues; Donny hardly says a word and is told to shut up every time he tries to make a comment.

The Dude is a mellow kind of a guy. He shops in his robe, gets high, and talks like he's permanently stoned. Walter is a mystery to him because he is so easily annoyed. When a competing team puts a toe over the line during a bowling game, Walter pulls out a gun and insists that it is marked down as a zero. It’s a league game after all.

The movie doesn’t take itself too seriously and can be classed as a comedy more than anything, but the style of comedy may be different to the type you are used to. Many of the jokes are clever and subtle, and it’s rare for the humor to be aimed too low.

Watching The Big Lebowski is an experience. You’re never quite sure what it is or where it is going. The plot elements aren’t very important, but everything adds up and provides a reason for the characters to do what they do. It’s the sort of movie where nothing happens, but you find yourself thinking about it days later.

Fargo and No Country for Old Men are exceptional movies from the Coen Brothers, but many fans would argue that The Big Lebowski is better. I’m not among them, but it amuses me and I’m glad to finally own it on Blu-ray.

Video Quality 3.5/5

Although the Blu-ray is a vast upgrade over the DVD, I’m a little disappointed with the overall look. Colors are much improved and everything looks brighter and cleaner, but the VC-1 presentation could have been better. Fine detail is present in a few scenes, but is lacking for the most part. Faces in particular seem badly defined. It just about earns a passing grade, but don’t expect to be dazzled.

Audio Quality 4.5/5

The English: DTS-HD Master Audio 5.1 track sounds great. The songs carry a lot more weight than in previous releases. Dialogue is clear throughout and the predominantly front-heavy mix blends well with the action. No complaints about the sound.

Special Features 4/5

Worthy Adversaries: What's My Line Trivia – A game for one or two players in which you have to supply missing dialogue from The Dude and Walter.

An Exclusive Introduction (4:40, SD)

The Dude’s Life (10:08, HD)

The Dude Abides: The Big Lebowski Ten Years Later (10:26, HD)

Making of The Big Lebowski (24:35, SD)

The Lebowski Fest: An Achiever’s Story (13:53, SD)

Flying Carpets and Bowling Pin Dreams: The Dream Sequences of The Dude (4:20, HD)

Interactive Map

Jeff Bridges Photo Book (17:30, HD) – Bridges took shots while filming and explains them here.

Photo Gallery (3:25, SD)

U-Control: Three features with PiP, text and a profanity counter.

Scene Companion

The Music of The Big Lebowski

Mark It, Dude

28-page digibook

The Big Lebowski is a typically quirky effort from the Coen Brothers. While not their very best work, it deserves a place in your collection. Bridges and Goodman excel in their roles and hold the whole thing together. The Blu-ray presentation enhances the experience, but not quite as much as I had hoped. The packaging is good and there’s plenty of behind the scenes information if The Big Lebowski is your kind of film.

Overall score 4/5

Return to index of every review on the site.

Kill Bill: Vol. 1 - Not the best movie ever made, but the most enjoyable ride

Kill Bill: Vol. 1 (Action, Crime)

Directed by Quentin Tarantino

Starring Uma Thurman, Lucy Liu and Daryl Hannah

Disney / Buena Vista | 2003 | 111 min | Rated R | Released Sep 09, 2008

Video:
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1

Audio:

English: LPCM 5.1 (48kHz, 16-bit)
English, French: Dolby Digital 5.1

English: LPCM 5.1 (48kHz, 16-bit)
English: Dolby Digital 5.1
French: Dolby Digital 5.1 (less)

Subtitles:

English SDH, Cantonese, Korean, Japanese, Spanish

English SDH, Spanish, Japanese, Cantonese, Korean (less)

Disc:
Single 50GB Blu-ray Disc

The Film 5/5

I’m a big fan of Chungking Express and remember reading that Quentin Tarantino cries when he watches it because he loves it so much. That’s how I feel when I watch the two Kill Bill movies. Within three minutes, I hear Bang Bang (My Baby Shot Me Down) and I’m transported into another world. It reminds me of what I'm in for. Every choice that Tarantino makes, from story, to dialogue and music, is absolutely perfect. I feel like he made this film with me in mind.

Uma Thurman was born to play the role of The Bride. I’m still not sure how she managed to keep a straight face as she spoke the dialogue.

It took me five years to bother seeing Kill Bill because I don't embrace things with senseless violence. The movie suggests extreme violence, but shows hardly any of it, just the result. The cuts are convincing and have the same effect as if you had seen the violent acts. I expected Thurman to prance around with a samurai sword, hacking people to pieces. In fact, she pretty much does, but there's so much more to the story.

First of all, she makes me care. Her back story makes her actions seem justified, but I also feel pity for O-Ren Ishii (Liu) when we see what happened to her when she was a child (brilliantly portrayed anime style). The film uses a number of tricks such as stills, black and white, slow motion, silhouettes, changing aspect ratios, and extreme close-ups. The pacing, humor, drama and action all seem to be woven together perfectly.

Kill Bill is a simple story of revenge. We learn in the opening scene that The Bride was shot in the head at her wedding rehearsal and spent four years in a coma as a result. The story isn’t linear, so the first person we see her kill is actually second on her Death List. Although it reveals that she successfully killed O-Ren Ishii by showing a line through her name, none of the tension is lost when we are shown their epic battle.

We see The Bride recover from her coma and visit Japan in search of O-Ren Ishii. There’s a great scene involving Sonny Chiba and we eventually see The Bride hunt down O-Ren Ishii and her minions. The showdown is approximately an hour long and it’s intense. Thurman looks like she can handle a sword and stunt double Zoe Bell handles the more difficult scenes.

It’s hard to think about the film without using the word perfect. The battle involves dozens of fighters as The Bride hacks her way through the obstacles standing between her and O-Ren Ishii. The contrast between those scenes and the final fight is stunning. Instead of being surrounded by a noisy mob, The Bride and O-Ren fight in a quiet setting. It’s a very effective transition.

I always watch Kill Bill Vol. 2 after seeing Vol. 1 and think of it as one long film. If you think that the characters feel incomplete, the concluding volume fleshes them out and makes them seem a lot more real. This first installment contains most of the action and fans of that genre should be happy with the result.

Video Quality 5/5

Kill Bill Vol. 1 looks fantastic on Blu-ray, even though it was released in 2008. Detail is strong throughout, whether the image is in color or black and white. Colors are rich and accurate and black levels won’t disappoint. I detected slight aliasing in one scene, but the overall presentation makes the film one of the best-looking live action films yet released on Blu-ray.

Audio Quality 5/5

The lossless English: LPCM 5.1 mix matches the excellent video quality. There’s a lot going on and it’s all separated well and presented accurately. Whether it’s the sound of swords clashing during the intense battle scenes, dialogue, feet crunching on cereal, or Daryl Hannah whistling the theme from Twisted Nerve, you’ll hear everything clearly.

Special Features 2/5

The extras are all presented in standard definition:

The Making of Kill Bill (22 minutes) – A decent feature with Tarantino and some of the cast and crew.

The 5, 6, 7, 8s Musical Performances (6 minutes) – Two songs from the band featured in the film.

Trailers – Six trailers for Tarantino’s films.

As I said at the start of this review, Kill Bill is so good that I’m close to tears within three minutes. It’s full of action and thrills, good music, and some of the funniest dialogue I have ever heard. I find myself watching both parts more than anything else in my collection and love every moment each time I give it a spin. It’s guaranteed to make me grin for four hours. If you like action and intelligent humor, I challenge you to name a better movie.

Overall score 5/5

Return to index of every review on the site.

Salt: Delivers exactly what you would expect

Salt (action, crime, mystery)

Directed by Phillip Noyce

Starring Angelina Jolie, Liev Schreiber and Chiwetel Ejiofor

Sony Pictures | 2010 | 101 min | Unrated | Released Dec 21, 2010

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.40:1

Audio:

English: DTS-HD Master Audio 5.1

English: Dolby Digital 2.0

French: DTS-HD Master Audio 5.1

Spanish: Dolby Digital 5.1

Subtitles:

English, English SDH, French, Spanish

Disc:

Single 50GB Blu-ray Disc

BD-Live

The Film 4/5

Salt is full of action and includes an air of mystery. The opening scene takes us back two years and we see Evelyn Salt (Jolie) interrogated in North Korea. She’s in pretty bad shape after being beaten, but refuses to talk, even when a tube is forced down her throat and gasoline is poured in. She’s eventually released as part of a prisoner exchange and returns to work as a CIA agent. This all happens at the start of the movie and sets up what is to come.

The final thing I’m going to reveal is an encounter with a Russian defector. She’s selected to interview him and discovers that there’s a plan underway to substitute certain Americans with Russians. They become sleepers who will eventually act on behalf of Russia. He informs any agents who might be listening that Evelyn Salt is the name of one such agent.

Salt has a decision to make. Which of her colleagues can she trust? Should she stay and answer the accusations? Would it be better to run and try to prevent other sleeper agents from fulfilling their purpose? She decides to run and most of her colleagues see it as an admission of guilt. We’re placed in her position and it’s one with no obvious solutions. It has the same feel as the Bourne movies, with confusion surrounding her identity.

The CIA isn’t happy that she evaded capture and sends agents to bring her back. This results in a huge chase scene in which Salt makes some unlikely decisions. If you’re a fan of action movies, this is where the story really takes off. The first chase scene happens on a highway and sees Salt making improbable leaps between moving vehicles to evade capture.

Jolie looks capable of making some of the jumps, and we see her continually revise her plan as she flees her pursuers. The story keeps us guessing about the level of her involvement and we can’t be sure what her motivations are. She’s resourceful and uses her intelligence in order to predict the moves of her pursuers and discover the motivations of the Russian group.

If you enjoy movies such as Taken, Wanted, Bourne or Die Hard, this is your kind of story. The first adrenalin rush comes early and we rarely have time to breathe. There is a plot, although it’s secondary to the action. This is a movie that entertains because of its pacing and spectacular chase scenes. There’s not a great deal of thought required, but you will see that everything makes some kind of sense if you think about what you have just seen. Well, it makes as much sense as the average James Bond movie.

If you want to see Jolie running around, climbing, jumping and engaging in hand-to-hand combat, grab your popcorn and enjoy the ride. The loose ends are tied up neatly and the conclusion is satisfying. The acting is convincing, although Jolie never has to show the range of emotion that she achieved in Changeling. Schreiber and Ejiofor are always good and both play their roles well.

Video Quality 5/5

It’s hard to fault the look of the movie. Colors appear natural and detail is strong. There’s a fine layer of grain and the picture has considerable pop. I felt like I was in the middle of the action. Sony has delivered another great transfer.

Audio Quality 5/5

There’s a lot happening on the screen and the DTS-HD Master Audio 5.1 track handles everything that’s thrown at it. Chase scenes sound incredible, while scenes involving explosions and gunfire have the appropriate impact. Dialogue doesn’t suffer either, and the surrounds are active throughout the duration of the movie. The score adds to the action scenes and completes the experience. You won’t have any complaints about the presentation.

Special Features 4.5/5

The additional features all appear in full HD.

Spy Cam: Picture-in-Picture – The movie includes three cuts and this feature is only available on the theatrical version.

Filmmakers’ Commentary

The Ultimate Female Action Hero (8:05) – Showing some of the stunts that Jolie performed.

The Real Agents (12:33) – Former spies talk about their experiences.

Spy Disguise: The Looks of Evelyn Salt (5:26) – A look at the various appearances Jolie used in the movie.

The Modern Master of the Political Thriller: Phillip Noyce (9:15) – Noyce explains why he has good insight into the life of a spy, and describes how he tries to capture the attention of the audience.

Salt: Declassified (29:47) – A thorough “making of” feature that goes into more depth about some of the things covered in the other features.

“The Treatment” Radio Interview with Phillip Noyce (27:12) – Elvis Mitchell interviews Noyce.

Previews

BD-Live

Salt is a well-crafted spy movie that’s heavy on the action, although there are a couple of twists in there too. Jolie looks the part and is convincing in her role and the supporting cast does a great job. If you want to be thrilled for 100 minutes without having to think too much, this will get the job done. The Blu-ray presentation is excellent and the special features contain a wealth of additional information if you’re curious.

Overall Score 4.5/5

Return to index of every review on the site.

Fargo: There's more to life than a little money

Fargo (drama, crime, thriller)

Directed by Joel Coen and Ethan Coen

Starring Frances McDormand, William H. Macy and Steve Buscemi

Metro-Goldwyn-Mayer | 1996 | 98 min | Rated R | Released May 12, 2009

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1

English: Dolby Digital 2.0

French, German, Italian, Spanish: DTS 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, Croatian, Czech, Dutch, French, German, Greek, Hebrew, Hungarian, Italian, Korean, Mandarin (Simplified and Traditional), Polish, Portuguese, Spanish, Thai, Turkish

Disc:

Single 50GB Blu-ray Disc

The Film 5/5

The first time I watched Fargo, I didn’t know what to expect. After multiple viewings, it’s still hard to pin down exactly what the film is. There’s a bizarre plot focusing on Jerry Lundegaard (Macy) who works for his father-in-law’s car dealership. Without ever learning why, we are told that Jerry needs money. His plan is to hire two men he has never met to kidnap his wife. He’ll pay them $40,000, but he’ll tell his father-in-law, Wade, that the ransom is $1,000,000. It’s a simple enough plan.

Jerry’s true nature is revealed early in the film when he openly lies to a customer. The two men he has hired are Carl Showalter (Buscemi) and Gaear Grimsrud (Peter Stormare). Buscemi plays the same type of character that he played in Reservoir Dogs, talking continually, whining and cracking jokes. Stormare barely speaks, but springs into action when he feels the situation demands it.

The plot unfolds with Jerry trying and failing to borrow $750,000 from Wade for a business opportunity. Carl and Gaear make their way into town and eventually get around to abducting Jerry’s wife. It’s here that Jerry’s plan starts to go wrong. A cop pulls over Carl and Gaear while they have Jerry’s wife tied up on the back seat of the car. Carl fails to recover the situation so Gaear kills the cop and a couple of witnesses.

After the triple-murder, the third main character is introduced. She’s Marge Gunderson, a pregnant Police Chief. It’s 33 minutes before her character appears, but it seems like she holds the film together. While appearing a little slow and dorky, she’s actually highly-intelligent and intuitive. She quickly reconstructs the crime scene and realizes how the triple-murder happened.

Marge’s intellect means that she’s respected by the officers she works with, but her seemingly normal demeanor isn’t threatening and the people she interviews are caught off guard. She also gives the film balance during the scenes with Norm (John Carroll Lynch), her husband. They have a wonderful relationship and each accepts the other for exactly what they are. The contrast between Marge’s life at home and the way she performs at work is startling.

Jerry receives a visit from Marge at work, but manages to deflect her questions and she leaves without suspecting him. Later, we see a crucial scene where she meets an old acquaintance from school. He blatantly lies about his life and Marge leaves with a sense of unease. It’s a reminder that people don’t always tell the truth and she decides to visit Jerry again.

One of the funniest things about the film is Jerry. He’s pretty dumb and almost every word that leaves his mouth is a lie. But Macy talks about the character in the special features and notes that Jerry never gives up. One disaster follows another, but he always revises his plan and believes that he can pull it off. It’s interesting to see what he’ll try next.

The film’s supporting cast is full of intriguing characters. Wade insists on delivering the ransom money himself and that’s exactly what someone with his personality would do. Marge interviews some hookers who spent an evening with Carl and Gaear and there’s a funny exchange: She learns that one of the men was kinda funny looking. She presses for more information and is told that he wasn’t circumcised. The film is full of this kind of dark humor.

There’s quite a bit of violence, but it is confined to short bursts. I counted seven murders in all, but the quirky humor and tongue-in-cheek presentation never make the violent scenes too jarring. This is a film that should be viewed as a dark comedy more than anything.

Marge’s closing monologue is simple and effective; it asks us to contemplate why people commit crimes and puts things into perspective somewhat. McDormand won an Oscar for her performance and thoroughly deserved it. Macy was also nominated and the film’s screenplay was given another Oscar.

Video Quality 4/5

Roger Deakins’ cinematography perfectly captures the desolate scenery and the Blu-ray presentation is pleasing to the eye. Detail is strong, and the ever-present grain is never too heavy. There are a few white speckles at the beginning of the film, but the image quickly improves. The upgrade over the DVD is easily worth the price of the Blu-ray.

Audio Quality 4.5/5

Although there’s a lot of dialogue, the supporting sound effects are an important part of the film. It’s particularly evident when the characters walk in the compacted snow and we hear a pleasing crunch. When shots are fired, they ring out clearly. Most of the track is front-heavy, but that’s where most of the action is. The violin used in the score is particularly effective.

Special Features 2.5/5

The features are all presented in standard definition.

Commentary with Director of Photography Roger Deakins

Minnesota Nice Documentary (27:47) – The Coen brothers and main cast talk about the film, likening Minnesota to Siberia with family restaurants. Learn what the actors thought of their roles and how they enjoyed working with the directors.

Photo Gallery – Stills from the shoot.

Theatrical Trailer (1:58)

TV Spot (0:31)

American Cinematography Article – A series of stills discussing the work of Roger Deakins.

Fargo is an odd film. It grabs your interest early and slowly increases the tension as the story unfolds. You’ll see a glimpse of what life might be like in small-town America, and you’ll laugh. The Coen brothers have made some very good films and a couple of great ones. This falls into the second category. The Blu-ray presentation is a good upgrade and I strongly recommend the film itself.

Overall score 5/5 

See where Fargo ranks among my Top 20 dramas by clicking here.


Return to index of every review on the site.

Papillon: A true story of a man's determination to be free

Papillon (drama, biography, crime)

Directed by Franklin J. Schaffner

Starring Steve McQueen and Dustin Hoffman

Warner Bros. | 1973 | 151 min | Rated PG | Released May 24, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.40:1

Audio:

English: DTS-HD Master Audio 5.1

Subtitles:

English SDH, French, Spanish

Disc:

Single 50GB Blu-ray Disc digibook

The Film 4/5

Papillon is a film I hadn’t seen for approximately 30 years, so I was eagerly awaiting this Blu-ray release. I was a different person back then and my tastes have evolved a great deal since first seeing the film. What was a masterpiece in my memory is now simply a good film.

The story is set in a prison in French Guiana and is based on the true story of Henri Charriere. He was known as Papillon because of the butterfly tattooed on his chest. Steve McQueen plays the role and does an excellent job.

The other key character is Louis Dega (Hoffman), who is a forger and not well-equipped to fend for himself in prison. He hires Papillon for protection and promises to finance Papillon’s escape attempt. It proves to be a wise decision.

On reaching the prison, the new inmates are given a welcome speech. They are told that their first escape attempt would result in two years of solitary confinement being added to their sentence. A second attempt would mean five more years in solitary. Extreme cases would result in death by guillotine.

Nearby islands contain prison work camps and Dega and Papillon are sent there. The swampy conditions are full of natural dangers such as crocodiles and snakes. Any escapees are hunted by former prisoners for a reward. Papillon makes an early attempt and is quickly recaptured, resulting in the promised two years in solitary confinement.

The rations in solitary are barely enough to support human life and Dega bribes guards to smuggle Papillon extra food. When this is discovered, the warden wants the name of the person sending him food. Papillon refuses and is put on half rations. This is equivalent to a death sentence, but Papillon eats whatever creatures stray into his cell and manages to survive the two-year ordeal.

When he recovers his strength, Papillon makes another escape attempt. Dega and another prisoner join him and they arrange to leave the swamp by boat. The three set sail for Honduras. On reaching land they eventually become separated and Papillon is forced to fend for himself. This leads to an extended sequence, largely without dialogue, where Papillon lives with some of the indigenous population. It’s a happy time for him and is a stark contrast to his life in prison.

I won’t reveal any more of the story, but there are a few more twists and turns before it ends.

The story is essentially about the strength of the human spirit and the desire to be free. Papillon has to endure harsh conditions, but something inside him makes him go on. It also shows that some criminals are not all bad. The friendship between Papillon and Dega is powerful and lasting. The final sequence shows both the friendship and Papillon’s determination to live as a free man.

Video Quality 3.5/5

The opening scene contains heavy grain and looks terrible, but isn’t representative of the remainder of the film. It soon settles down and delivers a fairly pleasing transfer. The film is nearly 40 years old and doesn’t look like a recent release, but the Blu-ray offers a big upgrade over previous releases. Just take a look at the trailer to see how the original film must have looked. Although the detail isn’t as strong as I would have liked, it’s adequate. Brighter outdoor scenes benefit the most. Colors are strong and accurate and the print looks fairly clean.

Audio Quality 4/5

An early conversation between Papillon and Dega aboard the prison ship is problematic. The dialogue appears rather distant and there are minor synchronization issues. This is an isolated incident and the quality quickly improves. The DTS-HD Master Audio 5.1 mix does a good job of adding to the brooding atmosphere of the film. Heavy rain sounds like it’s supposed to and jungle sounds come across in the rear speakers. The Oscar-nominated score sounds impressive and it’s a good presentation overall.

Special Features 2/5

Aside from a trailer, there’s only one additional feature:

The Magnificent Rebel (12:19) is brief and shot in SD, but explains some of the problems involved in shooting the film. Some of the locations were hard to reach and had never been seen on camera before. There’s also a sequence showing the reaction of the real Papillon, Henri Charriere, visiting the set and talking about how authentic it was.

34-page digibook

Papillon is a long film at 151 minutes, and some of it isn’t pleasant to watch. It’s not supposed to be. If you have seen Midnight Express, you’ll have some idea of what to expect. The story takes its time to develop, but the payoff is worth it. McQueen may have been chosen because of his character in The Great Escape, but he has to show more range here and pulls it off well. Hoffman is familiar as the nervous Dega and the friendship is believable. While imperfect, the Blu-ray presentation offers a considerable upgrade and the digibook looks great. Fans of the film shouldn’t hesitate to pick it up.

Overall score 4/5

Return to index of every review on the site.

Blow Out: Travolta excels in an early role

Blow Out (crime, drama, mystery)

Directed by Brian De Palma

Starring John Travolta, Nancy Allen, John Lithgow and Dennis Franz

Criterion | 1981 | 108 min | Rated R | Released Apr 26, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.40:1

Audio:

English: DTS-HD Master Audio 2.0

Subtitles:

English SDH

Disc:

Single 50GB Blu-ray Disc

The Film 4.5/5

Jack Terry (Travolta) is a sound-effects man who works on B-movies for a Philadelphia-based studio. One night, he decides to go out to record some new effects. He captures the sound of leaves rustling in the wind, a frog croaking, an owl hooting and a couple’s conversation. They mention that someone is watching them from a nearby bridge.

Jack inadvertently records a car accident and a gunshot heard before it veers off the road into a creek. He runs over and leaps into the water, pulling a woman from the car, but too late to save the man she is with. The woman, Sally (Allen), survives the accident with no apparent injuries. The dead man turns out to be Governor McRyan, a potential presidential candidate.

The police write the crash off as an accident, but Jack knows what he heard and reconstructs the scene in his mind by listening to his recording. We find out that someone caught the crash on film and sold it to various publications. Jack matches the images to the sounds and is certain the crash was caused by a bullet hitting a tire. None of the authorities seem interested so he seeks Sally’s help to prove his theory.

De Palma builds suspense throughout and a plot to discredit the Governor is gradually revealed. Sally was working for Manny (Franz), a private eye, and they have a history of using her to ruin people’s public images with the help of a henchman known as Burke (Lithgow). Burke has an agenda of his own and exceeds his authority.

Nobody wants to admit that McRyan had a woman in the car and a full cover-up is set in motion. Burke is out to tie up any loose ends and silence the potential threat from Jack and Sally.

De Palma brings to mind Michelangelo Antonioni’s Blow Up as well as a number of Alfred Hitchcock’s movies. He confirms in the special features that the film was inspired by the JFK shooting and subsequent events.

The resulting mix is an intriguing mystery, filled with suspense and a little action. Will Jack be able to prove his theory and make it public, or will it be buried? The final shot is a memorable one and the film doesn’t have a traditional Hollywood ending. It works for me.

Video Quality 4/5

It’s difficult to grade Criterion’s newly-restored presentation because the quality varies. In brightly-lit scenes, detail is exceptional considering the age of the film. Some of the scenes are dark and filled with heavy grain. I didn’t notice any dirt or debris, but did see vertical lines on the screen a couple of times. Overall, I was pleased. Criterion does everything possible with its transfers and didn’t let me down here.

Sound Quality 5/5

Sound understandably plays an important part in the film and the DTS-HD Master Audio 2.0 track delivers. Some scenes are made up of a multitude of different sounds, presumably to draw our attention to what we are hearing. It’s particularly evident when Jack is recording his sound-effects tape and captures the car’s crash. Dialogue is clear throughout and it’s hard to imagine a better quality track than this one.

Special Features 5/5

A 58-minute interview with De Palma conducted by Noah Baumback (1080p). De Palma talks about many technical aspects of the film including the split diopter and Steadicam, as well as some of the difficulties faced during filming. He also mentions Alfred Hitchcock and some of the things that influenced the story.

De Palma’s 1967 film, Murder a la Mod, appears here in full (81 minutes, 1080p).

Interview with Nancy Allen (26 minutes, 1080p).

Interview with Garrett Brown, inventor of the Steadicam (16 minutes, 1080p).

Louis Goldman photographs showing stills from Blow Out.

Trailer (2 minutes, 1080p)

34-page booklet

Criterion’s recent release does justice to an important film and is thoroughly worth the upgrade to Blu-ray. You’re actually getting two De Palma films in this package and Blow Out is one of Travolta’s best films. I wonder how influential his performance here was in convincing Quentin Tarantino (a huge De Palma fan) to cast him in Pulp Fiction? 

At the time of writing, the Blu-ray is available at the bargain price of $18.99 at Amazon.com.

Overall score 4.5/5 

Return to index of every review on the site.