Source Code: Duncan Jones builds on the success of Moon

Source Code (Thriller, Sci-Fi)

Directed by Duncan Jones

Starring Jake Gyllenhaal, Vera Farmiga, Michelle Monaghan and Jeffrey Wright

Summit Entertainment | 2011 | 93 min | Rated PG-13 | Released Jul 26, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.78:1

Audio:

English: DTS-HD Master Audio 5.1

Spanish: Dolby Digital 5.1

Subtitles:

English SDH, Spanish

Disc:

Single 50GB Blu-ray Disc

Bonus View (PiP)

The Movie 4/5

Director Duncan Jones has had an impressive start to his career. Moon (2009) saw Sam Rockwell turn in a very good performance and Source Code has built on that success. Jones has attracted a wonderful cast and the $32 million budget allows for a more spectacular presentation. Moon reminded me of older classics such as 2001: A Space Odyssey, but Source Code feels like a modern story.

The movie is a thriller with a strong science fiction element, but it also plays like a mystery. The opening scene shows Captain Colter Stevens (Gyllenhaal) on a train in Chicago. When he sees his reflection in the window of the train, it’s not him. Christina (Monaghan), the woman in the opposite seat, calls him Sean. A few minutes later we see the train explode and Stevens wakes up alone in a chamber of some kind.

Jones shows us everything from the viewpoint of Stevens, so we only gradually come to understand the situation. Stevens is part of an experimental project which enables him to inhabit the body of somebody else. The project is led by Dr. Rutledge (Wright) and Colleen Goodwin (Farmiga).

They can only communicate with Stevens by using a camera and a computer screen. He’s told that he must find out where the bomb is and uncover the person responsible for planting it. He can’t avoid the explosion, but the information could prevent a future disaster involving the bomber. He can only inhabit the body of Sean for eight minutes at a time. So we see Stevens trying to gather information. Each time the train explodes, the pattern resets and he tries again. It’s like a blend of Groundhog Day and Quantum Leap.

We have a race against the clock to prevent further terrorism and that keeps us on the edge of our seats. There’s also the chance of romance between Sean and Christina, as well as great special effects. Comedian Russell Peters provides most of the comic relief. This package has plenty to keep us hooked. At the outset I expected one of the twists to be that Sean turns out to be the bomber, but I was wrong. Couldn’t Stevens simply take over the body of the bomber on his next visit once he found out who it was, or does the technology only allow you to access people who are “compatible” with you?

Put yourself in that position for a moment. If you were a train passenger tasked with uncovering the identity of a bomber, how would you proceed? Would you be polite to total strangers as you questioned them? How about contacting the guard and explaining the situation? Whatever course of action you choose, the train will explode in eight minutes (unless you locate and disarm the bomb). That allows Jones to break the established rules somewhat. If the pattern resets each time, he can do anything. Sean can be rude, engage in criminal activity, or follow incredibly dangerous courses of action. He could even kill or be killed. That makes the movie less predictable than most.

I won’t reveal what does happen, but hopefully I’ve described the situation well enough for you to know whether you’ll like the movie.

The movie raises some serious themes such as how the line between right and wrong can become blurred. In a sense it also deals with the issue of slavery, just as Moon did.

Jones has produced another interesting idea and turned it into a thrilling story. The four main actors turned in good performances and the whole thing worked well for me. I’m a fan of the whole Groundhog Day concept and enjoy Run Lola Run for the same reason. There have also been episodes of The X-Files and Star Trek Next Generation dealing with the same concept.

Video Quality 4.5/5

I detected slight aliasing on a couple of overhead shots of the city, but it’s only there for a second or two. Colors look bright and clear, although red tint is slightly enhanced in facial shots. Detail is strong throughout, especially in close-ups. This is a pleasing transfer and exactly what you would expect from a recent release.

Audio Quality 4.5/5

There’s a lot going on in Source Code and the English: DTS-HD Master Audio 5.1 track handles everything well. The explosions carry real weight and the ambient effects, such as coffee spilling, are easy to detect. The dialogue is clear throughout and the score adds to the atmosphere of the movie.

Special Features 2.5/5

Audio Commentary with Director Duncan Jones, Writer James Ripley and Actor Jake Gyllenhaal.

Access Source Code – A PiP feature including comments from cast and crew as well as trivia and expert comments on time travel. While the navigation was a little annoying, the features offer plenty of information once accessed.

I don’t think it matters whether the plot is airtight; it’s a piece of entertainment. This is a movie that can be enjoyed as an action thriller, but it could attract others due to the science fiction or romantic elements. For those that like to think, the science fiction elements definitely provide food for thought. I enjoyed Source Code in the theater and am happy to finally have it in my collection. The Blu-ray presentation is worthy of the excellent story.

Overall score 4/5 

Click here to see where Source Code ranks among my Top 20 science fiction movies.

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Limitless: Everything is possible when you open your mind

Limitless (thriller, mystery, sci-fi)

Directed by Neil Burger

Starring Bradley Cooper, Robert De Niro and Abbie Cornish

20th Century Fox | 2011 | 105 min | Rated PG-13 | Released Jul 19, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.40:1

Audio:

English: DTS-HD Master Audio 5.1

French: Dolby Digital 5.1

Subtitles:

English SDH, French, Spanish

Discs:

Single 50GB Blu-ray Disc

Digital copy

The Film 4/5

Eddie Morra (Cooper) is a loser. He looks like he sleeps on the streets and his girlfriend is his main source of income while he struggles to write a novel. He lives in a seedy apartment and is more likely to be eating pizza and drinking alcohol than working on his book. His girlfriend (Cornish) finally decides it’s time to leave, but Eddie’s life is about to change for the better.

In a chance meeting with Vernon, the brother of his ex-wife, Eddie is offered a pill. He’s suspicious because Vernon was dealing drugs the last time the two met. After thinking about it, Eddie decides that life can’t get much worse and takes the pill. Within 30 seconds, he starts to feel different. The color palette changes from dull and muted to bright and clear and represents the change in Eddie. 

We are told that we use a fraction of our brain on a daily basis. The pill is supposed to enable us to use one hundred percent of our brain. Eddie finds that he can think clearly and work out solutions to difficult problems. He writes a book in four days without pausing to think how the plot should progress and his editor loves the result. We see him learn how to play piano and become fluent in the Italian language.

Eddie feels like he suddenly knows everything.

It’s interesting how a positive mental attitude can change your life. Instead of living like a slob, he cleans his apartment. Then he focuses on ways to use his intelligence to make enough money to permanently change his life. His new confident attitude attracts the girlfriend who dumped him. Eddie’s life is starting to look pretty good.

After making the news with a series of shrewd investments, Eddie attracts the attention of Carl Van Loon (De Niro). Van Loon is an ambitious businessman who craves money and power. He has no time to waste on losers, but gives Eddie a chance to impress. He reminds me of Gordon Gekko in Wall Street.

Eddie’s main problem is securing a regular supply of pills. He also has to adapt to their effects and discover a way to moderate his reaction. Like any drug, there are side effects to deal with. I won’t reveal anything else, but the plot is more complicated than I have made it sound.

The movie is advertised as an action thriller and Rolling Stone describes it as a “Full-tilt adrenalin rush.” Although there some action scenes, I wouldn’t describe it as an adrenalin rush. There are chase scenes, but the focus is on Eddie’s fortunes and there’s always an element of mystery. I found it enjoyable because I wanted to see what would happen next, but I rarely found myself sitting on the edge of my seat in anticipation.

The acting is good across the board. Cooper pulls off his role well. He’s serious when he has to be and whimsical in the lighter scenes. De Niro doesn’t get a great deal of screen time, but his scenes are memorable. Cornish is effective as Eddie’s girlfriend.

I found Limitless to be an enjoyable way to spend 105 minutes. There are two versions included on the Blu-ray; the theatrical and the unrated extended version. There is only a few seconds difference in running time between the two.

Video Quality 4.5/5

Limitless looks very good on Blu-ray. Detail is strong throughout, although we see more during scenes where Eddie is feeling the effects of the drug. Contrast and brightness are boosted during such scenes. Although the other scenes appear drab by comparison, there’s good detail and no problem with the transfer. Most viewers will be pleased with the look of the movie.

Audio Quality 4.5/5

The English: DTS-HD Master Audio 5.1 track is more than adequate. The action scenes are limited, but the track delivers when needed. Dialogue is crisp and clear and I didn’t detect any problems with the sound. The commentary track uses English: Dolby Digital 2.0.

Special Features 2.5/5

The additional features all appear in full HD.

Audio Commentary with Director Neil Burger.

A Man without Limits (4:29)

Taking it to the Limit: the Making of Limitless (11:38) – It would have been nice to see a more extensive feature.

Alternate Ending (5:14) – I prefer the original ending, but it’s nice to see another possibility.

Digital copy

Theatrical Trailer (2:25)

Limitless has a few plot holes, but it works as a piece of entertainment. Cooper does a great job as Eddie and you’ll want to see him succeed. It’s hard to pin down the genre as it includes mystery, drama, action, sci-fi and comedy, but it’s more of a thriller than anything. I didn’t see the film in the theater, but I’m glad it found its way into my Blu-ray collection. It won’t change your life, but few people will regret seeing it.

Overall score 4/5

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Lost Highway: Journey into the mind of a killer

Lost Highway (drama, mystery, thriller)

Directed by David Lynch

Starring Bill Pullman, Patricia Arquette, Balthazar Getty and Robert Loggia

Concorde Video | 1997 | 135 min | Rated FSK-16 | Released May 05, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.35:1

Audio:

English, German: DTS-HD Master Audio 5.1

Subtitles:

German (optional)

Disc:

Single 50GB Blu-ray Disc

The Film 4.5/5

The DVD release from Universal Studios claims a 2 hour 25 minute running time, but that's actually a printing error. Both that and this Blu-ray version clock in at 2 hours 15 minutes. All of the original DVD scenes are intact.

David Lynch is my favorite director, although Quentin Tarantino isn’t far behind. Lynch appeals so much because his films create worlds with a distinct feel. He’s very precise and chooses the exact sound or image needed to complete his vision. When I watch Mulholland Dr. or Blue Velvet, my normal world ceases to exist; it’s pure escapism. For that reason, I chose to import Lost Highway from Germany. Who knows when we’ll see a North American release?

All of Lynch’s films are challenging. He rarely uses a linear plot structure and the line between what is real and what is imagined is usually blurred. Lost Highway is one of the most difficult films to interpret, but it can still be enjoyed even if you don’t fully understand everything on the screen.

The film opens with the image of a road. We’re traveling down it at night to the sound of David Bowie’s I’m Deranged. This was not a frivolous choice and is a major hint at what you can expect to follow. This is a film about madness. In fact, I believe it is a look inside the mind of a killer. Think about how difficult that is to achieve.

There are thousands of films about killers, but how many of them show the true motivation for murder? Lost Highway hints at motivation and gives an idea of how such a person might think. That’s one reason why the plot is such a mess. Insane thoughts wouldn’t always follow a logical pattern.

We see a glimpse of how Fred (Pullman) and Renee (Arquette) Madison live. He’s a musician and fears that his wife is being unfaithful. He wants to go out, but she prefers to stay home. When he calls, she doesn’t answer and his suspicion grows. The next morning, she discovers a yellow envelope outside the front door. There’s no address or note, but it contains a video showing the outside of the house. Another envelope shows up the following day and this time it shows Fred and Renee asleep in bed. The police are called in, but don’t discover anything out of the ordinary.

Fred tells the police that they don’t own a video camera. In fact, he hates them because he likes to remember things his own way rather than how they happened. That’s another clue that we can’t rely on anything shown from Fred’s viewpoint.

One of my favorite scenes happens early in the story. Fred and Renee go to a party and Fred talks to a weird looking man. The man informs him that they previously met at Fred’s house and that he’s there right now. That sounds crazy, but the man gives Fred a phone and tells him to call him at the house. The man appears to answer. He says that Fred invited him and he never goes where he’s not wanted. As it’s impossible to be in two places at once, this clearly represents something else. I think the man represents Fred’s emotions. He’s suspicious, jealous and angry.

A third tape shows Fred standing over Renee’s corpse. Remember that he hates video cameras because they show what happened? I think Lynch is saying that what happens on video is Fred’s reality and everything else is unreliable. There’s further proof of this when Fred is arrested for the murder of his wife.

All of these events occur in the first 40 minutes of the film. From that point on, things start to get really weird. If I were to analyze every scene it would ruin the film if you haven’t seen it, so I’ll stop there. All I can say is that events take a dramatic turn and initially seem impossible. But the more you think about it, the more it makes sense. 

Mulholland Dr. also deals with identity and blurred reality. The two films are similar in feel in many ways. We see actors playing dual roles and we are not always sure whether any events are real. The film works as a collection of interesting scenes, but it’s even more effective when you realize what is being portrayed. I won’t pretend to understand everything and I am not sure I am supposed to.

The choice of music perfectly matches the mood. We hear from Rammstein, Trent Reznor, Marilyn Manson, Lou Reed, This Mortal Coil, and many others. The whole thing is held together by Angelo Badalamenti’s haunting score.

The acting is very good. Pullman pulls off Fred’s nervous demeanor perfectly and Arquette is suitably mysterious. I particularly liked Robert Loggia’s performance and he oozed menace every time he was on the screen. Robert Blake as the Mystery Man sent shivers down my spine and he didn’t always seem human. As well as a cameo from Marilyn Manson, watch out for a glimpse of Henry Rollins as a prison guard.

I enjoy all of Lynch’s films. While Lost Highway doesn’t quite hit the heights of Mulholland Dr. and Blue Velvet, it’s still among my Top 25 from any genre. It won’t appeal to everyone, but if you enjoy experiencing unsettling worlds, this might work for you too.

Video Quality 4.5/5

The DVD looks soft and I wasn’t expecting Lost Highway to look very good on Blu-ray, but I was in for a surprise. Concorde Video has produced a wonderful transfer. Detail is exceptional for most of the film and I didn’t detect any print damage or dirt. There were a few very infrequent white speckles, but I’m thrilled with the look of the Blu-ray. I can’t imagine any future releases looking any better. The film is region free, but the special features are PAL. So you can watch the film in all its glory, but you won’t have an image during the special features unless you use a region B or region free player. For the record, the Blu-ray includes chapters.

Audio Quality 4.5

The Blu-ray defaults to German: DTS-HD Master Audio 5.1 so you’ll need to use the pop up menu to change to English: DTS-HD Master Audio 5.1. It’s a great track and displays the atmospheric scenes very well. This is a lively soundtrack, but the quieter scenes also benefit. The overall presentation is excellent. German subtitles are optional rather than forced.

Special Features 1/5

The PAL special features appear in standard definition. German subtitles are optional.

Making Of (9:28) – This isn’t a typical making of feature. We’re shown snapshots of Lynch directing a few scenes, but he doesn’t talk to the camera. You’ll see how he works, but don’t expect him to explain his decisions.

Interview with David Lynch (4:53) – Lynch talks about Pullman and Arquette and how their acting ability helped the film.

Trailer (1:46)

The region free Blu-ray version of Lost Highway from Concorde Video is well worth your money and it’s unlikely that future releases will produce anything better. It’s available from Amazon Germany, but I acquired mine from Grooves Inc. for around $17 delivered. Give them a try if you’re interested in importing the film. It won’t appeal to everyone, but hopefully my review will help you decide whether it’s for you. It’s one of the best titles I have added in 2011.

Overall 4.5/5

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Unknown: Don't expect Taken 2, but see it anyway

Unknown (drama, mystery, thriller)

Directed by Jaume Collet-Serra

Starring Liam Neeson, Diane Kruger and January Jones

Warner Bros. | 2011 | 113 min | Rated PG-13 | Released Jun 21, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.40:1

Audio:

English: DTS-HD Master Audio 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, French, Spanish, Portuguese

Discs:

50GB Blu-ray Disc

DVD copy (with digital copy)

The Film 4/5

Unknown’s plot is extremely simple once you know a key piece of information, but that’s not revealed until late in the movie. As a result, you’ll find yourself confused and having to guess what’s really going on. On first viewing, Unknown is full of mystery and puts the viewer in the position of the main protagonist, Martin Harris (Neeson). Like Memento, the story keeps letting us see events in a new context and their meaning changes as a result.

Harris flies into Berlin with wife Liz (Jones) for a biotechnology conference. He’s one of the speakers. While getting into a taxi at the airport, he leaves behind a briefcase containing his passport and vital documents. Does that seem like the act of a man with the supposed intelligence of Harris? He notices that it's missing when they arrive at the hotel and jumps into another taxi while his wife checks in. There’s no signal for his phone (really) so he can’t explain his actions.

The taxi is involved in an accident and plunges into a river. The driver, Gina (Kruger), pulls him out and then runs off leaving him in the hands of the medics. He wakes up in hospital and all he can remember is his name and that he’s married to Liz, who doesn’t know where he is. The doctor tells him that he’s been in a coma for four days.

Luckily, he sees a story about the conference on TV in his room and remembers that he’s supposed to be attending. It shows the hotel where he was supposed to check in. How convenient. After checking out and going to the hotel, he sees his wife at a reception. The problem is she says that she doesn’t know him. She even introduces another man as her husband, Martin Harris. The hotel security men throw him out. Are you confused yet? Is he really Martin Harris? Is everything we are seeing just some coma-induced dream? Is he crazy?

The story continues with Harris trying to prove his identity. He finds Gina and she agrees to help him. He also phones a friend in the US who he knows can confirm his identity. His memories slowly start to return and he notes everything he can remember. One piece of information tells him that he has a meeting arranged with Professor Bressler, who he communicated with by phone and email for a while. Maybe Bressler can confirm his identity? It wouldn’t explain his wife’s actions, but it would be a start.

I won’t reveal any more of the story because it would ruin the mystery, but it contains a few glaring plot holes. The exposition is also laughable at times and assumes that the audience is pretty dumb. My favorite example is: “So that’s got all your secrets in it, right?”

You might be wondering why I gave the movie such a high score if it’s full of so many plot holes and stupid dialogue. The reason is it somehow works. Neeson is such a good actor that he pulls it off. I found myself actually caring about his predicament and wanting to see him resolve it. Most of the supporting cast does a great job too and I was especially impressed with Bruno Ganz and Frank Langella.

Did you see the movie posters advertising the theatrical run? It showed Neeson holding a gun and looking ready to take on the world. In short, it was marketed as Taken 2. If you buy the movie on the strength of that image, you may be disappointed. Neeson doesn’t touch a gun at any point in the movie. There are a couple of car chases and scenes full of action, but this is nothing like Taken. Neeson does get into a couple of fights, but this is more a mystery than an action movie. Fans of Taken might like Neeson enough to enjoy this too, but be aware that the two movies are very different.

I found myself invested in the story, even though I could see that parts of it were contrived or even ludicrous. Neeson plays it dead straight and is believable in his role. Kruger did a good job as his sidekick. I’ve watched the movie twice now and will be happy to watch it again despite its flaws.

Video Quality 4.5/5

I have no complaints about the picture quality. Fine grain is present throughout and detail is always strong. I detected one slightly noisy image in a dark scene, but that’s a minor quibble. Colors look accurate and the presentation is clean and bright. You’ll be very happy when you see it.

Audio Quality 5/5

The movie starts quietly, but gradually increases in volume as the action rises. Dialogue is always clear, but the DTS-HD Master Audio 5.1 track really starts to shine when we see the car crash. The action scenes in the final act all benefit from heavy use of the surrounds and you’ll feel like you’re in the middle of the action. The audio presentation is flawless.

Special Features 1/5

There are two HD features which run for a total of nine minutes and the content of each overlaps with the other. I hoped for much more.

Liam Neeson: Known Action Hero (4:33) – Brief interviews with the cast and crew about the making of the film.

Unknown: What is Unknown (4:24) – Similar in content to the opening feature, but it’s more of an extended advertisement and appears to have been shot before the movie was released.

I’m not sure what Unknown is supposed to be. There are too many holes for it to be a serious drama or compelling mystery, but there’s not really enough action for it to fall into that genre. If you go into it with the right attitude, you’ll probably enjoy it. I had fun watching it the first time and enjoyed seeing it on Blu-ray. For fans of Neeson, it’s worth adding to your collection. For action fans, it could fail to meet expectations. The Blu-ray presentation certainly won't disappoint, but there's very little in the way of special features.

Overall score 4/5

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Fargo: There's more to life than a little money

Fargo (drama, crime, thriller)

Directed by Joel Coen and Ethan Coen

Starring Frances McDormand, William H. Macy and Steve Buscemi

Metro-Goldwyn-Mayer | 1996 | 98 min | Rated R | Released May 12, 2009

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 1.85:1

Audio:

English: DTS-HD Master Audio 5.1

English: Dolby Digital 2.0

French, German, Italian, Spanish: DTS 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, Croatian, Czech, Dutch, French, German, Greek, Hebrew, Hungarian, Italian, Korean, Mandarin (Simplified and Traditional), Polish, Portuguese, Spanish, Thai, Turkish

Disc:

Single 50GB Blu-ray Disc

The Film 5/5

The first time I watched Fargo, I didn’t know what to expect. After multiple viewings, it’s still hard to pin down exactly what the film is. There’s a bizarre plot focusing on Jerry Lundegaard (Macy) who works for his father-in-law’s car dealership. Without ever learning why, we are told that Jerry needs money. His plan is to hire two men he has never met to kidnap his wife. He’ll pay them $40,000, but he’ll tell his father-in-law, Wade, that the ransom is $1,000,000. It’s a simple enough plan.

Jerry’s true nature is revealed early in the film when he openly lies to a customer. The two men he has hired are Carl Showalter (Buscemi) and Gaear Grimsrud (Peter Stormare). Buscemi plays the same type of character that he played in Reservoir Dogs, talking continually, whining and cracking jokes. Stormare barely speaks, but springs into action when he feels the situation demands it.

The plot unfolds with Jerry trying and failing to borrow $750,000 from Wade for a business opportunity. Carl and Gaear make their way into town and eventually get around to abducting Jerry’s wife. It’s here that Jerry’s plan starts to go wrong. A cop pulls over Carl and Gaear while they have Jerry’s wife tied up on the back seat of the car. Carl fails to recover the situation so Gaear kills the cop and a couple of witnesses.

After the triple-murder, the third main character is introduced. She’s Marge Gunderson, a pregnant Police Chief. It’s 33 minutes before her character appears, but it seems like she holds the film together. While appearing a little slow and dorky, she’s actually highly-intelligent and intuitive. She quickly reconstructs the crime scene and realizes how the triple-murder happened.

Marge’s intellect means that she’s respected by the officers she works with, but her seemingly normal demeanor isn’t threatening and the people she interviews are caught off guard. She also gives the film balance during the scenes with Norm (John Carroll Lynch), her husband. They have a wonderful relationship and each accepts the other for exactly what they are. The contrast between Marge’s life at home and the way she performs at work is startling.

Jerry receives a visit from Marge at work, but manages to deflect her questions and she leaves without suspecting him. Later, we see a crucial scene where she meets an old acquaintance from school. He blatantly lies about his life and Marge leaves with a sense of unease. It’s a reminder that people don’t always tell the truth and she decides to visit Jerry again.

One of the funniest things about the film is Jerry. He’s pretty dumb and almost every word that leaves his mouth is a lie. But Macy talks about the character in the special features and notes that Jerry never gives up. One disaster follows another, but he always revises his plan and believes that he can pull it off. It’s interesting to see what he’ll try next.

The film’s supporting cast is full of intriguing characters. Wade insists on delivering the ransom money himself and that’s exactly what someone with his personality would do. Marge interviews some hookers who spent an evening with Carl and Gaear and there’s a funny exchange: She learns that one of the men was kinda funny looking. She presses for more information and is told that he wasn’t circumcised. The film is full of this kind of dark humor.

There’s quite a bit of violence, but it is confined to short bursts. I counted seven murders in all, but the quirky humor and tongue-in-cheek presentation never make the violent scenes too jarring. This is a film that should be viewed as a dark comedy more than anything.

Marge’s closing monologue is simple and effective; it asks us to contemplate why people commit crimes and puts things into perspective somewhat. McDormand won an Oscar for her performance and thoroughly deserved it. Macy was also nominated and the film’s screenplay was given another Oscar.

Video Quality 4/5

Roger Deakins’ cinematography perfectly captures the desolate scenery and the Blu-ray presentation is pleasing to the eye. Detail is strong, and the ever-present grain is never too heavy. There are a few white speckles at the beginning of the film, but the image quickly improves. The upgrade over the DVD is easily worth the price of the Blu-ray.

Audio Quality 4.5/5

Although there’s a lot of dialogue, the supporting sound effects are an important part of the film. It’s particularly evident when the characters walk in the compacted snow and we hear a pleasing crunch. When shots are fired, they ring out clearly. Most of the track is front-heavy, but that’s where most of the action is. The violin used in the score is particularly effective.

Special Features 2.5/5

The features are all presented in standard definition.

Commentary with Director of Photography Roger Deakins

Minnesota Nice Documentary (27:47) – The Coen brothers and main cast talk about the film, likening Minnesota to Siberia with family restaurants. Learn what the actors thought of their roles and how they enjoyed working with the directors.

Photo Gallery – Stills from the shoot.

Theatrical Trailer (1:58)

TV Spot (0:31)

American Cinematography Article – A series of stills discussing the work of Roger Deakins.

Fargo is an odd film. It grabs your interest early and slowly increases the tension as the story unfolds. You’ll see a glimpse of what life might be like in small-town America, and you’ll laugh. The Coen brothers have made some very good films and a couple of great ones. This falls into the second category. The Blu-ray presentation is a good upgrade and I strongly recommend the film itself.

Overall score 5/5 

See where Fargo ranks among my Top 20 dramas by clicking here.


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Unstoppable: Dumb action, or characters with substance?

Unstoppable (action, drama, thriller)

Directed by Tony Scott

Starring Denzel Washington, Chris Pine and Rosario Dawson

20th Century Fox | 2010 | 98 min | Rated PG-13 | Released Feb 15, 2011

Video:

Video codec: MPEG-4 AVC

Video resolution: 1080p

Aspect ratio: 2.40:1

Audio:

English: DTS-HD Master Audio 5.1

French, Portuguese, Spanish: Dolby Digital 5.1

Subtitles:

English SDH, Cantonese, French, Mandarin (Traditional), Portuguese, Spanish

Discs:

50GB Blu-ray Disc

Digital copy

The Film 4/5 

After directing movies about planes, cars and a submarine, Tony Scott’s last two efforts have involved trains. The Taking of Pelham 1 2 3 used a train as a setting, but Scott goes a step further in Unstoppable, making a train one of the movies’ stars. Trains are big. Scott has Washington walk in front of a few at the start of the movie to show us just how big they are.

An irresponsible worker makes two mistakes that set events in motion, deciding to move a train without connecting the air brakes and then leaving the cabin to pull a lever at the side of the track. The train is moving too fast for him to get back on and pulls away under full power.

Will Colson (Pine) has been a conductor for four months. He reports to work and faces resentment from the older workers. They assume he’s inexperienced and think that younger, cheaper workers may be a threat to their own job security. He’s assigned to work with Frank Barnes (Washington), who has similar feelings. Colson makes a couple of mistakes and Barnes thinks his fears are justified.

The runaway train is initially thought to be a “coaster,” but it soon becomes clear that it’s under power and capable of traveling at approximately 70 mph. An early effort to board it fails, so a decision has to be made. Yard Master Connie Hooper (Dawson) suggests derailing it before it reaches populated areas. Her bosses disagree because they are worried about the financial cost.

Various other attempts fail to stop the train and it’s left to our heroes, Barnes and Colson, to try their own solution. They give chase in their train and plan to link up with the runaway and use their own brakes to stop it.

Other factors are also thrown into the mix. A group of children on a school trip are on a train on the same line as the runaway and the threat of a collision is high. The runaway is pulling half a mile of freight cars and several contain volatile chemicals. The track leads to a curve which has a speed limit of 15 mph and it’s close to a heavily populated town.

Just enough time is given to establishing the back stories of Barnes and Colson and it explains their motivations for chasing down the runaway. The tension builds throughout the second half of the movie and the action rarely allows us to take a breather. Failed attempts early in the story show us that our heroes are in danger if they continue the pursuit, but the alternative is a potentially huge disaster should the train derail.

The story doesn’t sound very complicated and it isn’t. The action takes center stage, but what did you expect? I found myself engaged throughout and the three main actors put in good performances. I’m rarely disappointed by Washington and I also liked Pine and Dawson here.

Video Quality 4.5/5

Unstoppable looks good on Blu-ray. Scott seems to have made some of the colors unnaturally bright, making everything stand out. The train in particular looks imposing with its red and yellow paintwork. Detail is excellent throughout and the print is clean. It felt like most of the action was taking place right in front of me.

Audio Quality 5/5

Nominated for a sound editing Oscar, Unstoppable sounds great too. The DTS-HD Master Audio 5.1 mix places us in the middle of the action. Trains aren’t just big, they’re heavy. The track makes us aware of that with a pounding rumble that will give your sub a good workout. It’s backed up by the squeal of brakes and metal-on-metal. Dialogue comes across clearly and there’s plenty of supporting effects from the rears.

Special Features 3.5/5

The special features focus heavily on the technical aspects of making the movie. Scott goes into detail about how he likes shots to be real rather than CGI. They include:

Audio Commentary with Tony Scott.

Tracking the Story: Unstoppable Script Development with Scott and writer Mark Bomback.

The Fastest Track: Unleashing Unstoppable (30 minutes)

Derailed: Anatomy of a Scene (10 minutes)

Hanging Off the Train: Stunt Work (14 minutes)

On the Rails with the Director and Cast (13 minutes)

Trailer

Sneak Peaks

BD Live: Feeling the Heat – Unstoppable Pyrotechnics (3 minutes)

IMDb Live Lookup

Digital Copy

Overall score 4/5

Action movies can be dumb and full of clumsy exposition, but Unstoppable isn’t one of those movies. Scott has made a largely believable story which includes characters with a little depth. It has plenty of replay value because I have already watched it three times and it’s still an enjoyable ride. If you like movies such as Speed, you’ll probably get something out of this.

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Black Swan: Good film, average Blu-ray presentation

Black Swan (drama, mystery, thriller)
Directed by Darren Aronofsky
Starring Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey and Winona Ryder 

20th Century Fox | 2010 | 108 min | Rated R | 

Video:
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1

Audio:
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1

Subtitles:
English SDH, Spanish 

Disc:
Single 50GB Blu-ray disc

The Film 4.5/5

With five Oscar nominations (cinematography, best picture, best director, editing and best leading actress), Black Swan took home the best actress statue for Natalie Portman. The $13 million budget meant that certain sacrifices had to be made, but the result is still a film of high quality.

Aronofsky's films are always challenging and frequently show the ugly truth behind an apparently glamorous existence. The Wrestler is the most glaring example. He's also no stranger to obsession as The Fountain clearly demonstrated.

It's almost impossible to write a meaningful review without revealing some of the plot elements, so stop reading now if you want to see the film without knowing anything.

Black Swan is a psychological drama along the lines of Psycho, rather than a film about dance. Nina (Portman) is a ballet dancer who wants the leading role in a new adaptation of Swan Lake. The role consists of two elements; the white swan and the black swan. She's apparently the best candidate for the role and performs the white swan better than anyone, but is encouraged to abandon her self-control in order to access the emotions needed to dance the black swan. In order to do so, she toughens up mentally, becomes more assertive and confrontational and explores her sexuality.

Like Mulholland Dr. and Fight Club, the line between what is real and what is imagined is not obvious on first viewing. Nina is a disturbed young woman who has trouble staying grounded in reality. She imagines terrible things and obsesses about winning the role. Her duality is gradually revealed throughout the film and will frighten some people who allow themselves to become fully involved with the story.

I won't spoil things further, but Black Swan is an interesting tale of Nina's search for perfection in her art.

The technical aspects of the film are superb. The camera is frequently used to follow the dancers on stage and puts the viewer among the action. It's quite breathtaking in places. The editing and digital manipulation both convince the audience that Portman is performing all of the moves a ballet dancer might make.

Portman trained for 10 months to learn how to move like a dancer. She also dieted so that her body looked the part. She fully deserved her Oscar win for this performance. The supporting cast is strong in all areas, with her mother (Hershey), and her closest rival for the part of the swan queen, Lily (Kunis), both doing good work.

Video Quality 4/5
Shot partially in 16mm and also digitally, Black Swan lacks the level of detail normally associated with a Blu-ray presentation. Many of the scenes are dark, while others are stylistic and intentionally soft. Heavy grain is present, but the look is very similar to the theatrical presentation. This is not a poor transfer; it's an accurate reproduction of the film's original look. Many of the softer shots were probably intended to convey the dream-like quality of certain scenes. Don't expect to be blown away.

Audio Quality 4.5/5
Sound is an important part of Black Swan. Clint Mansell's score enhances the experience considerably and the ambient sounds add to the mood. The sound of rustling feathers is particularly effective and disturbing. I'm left with the impression that Aronofsky lovingly crafted every component of the film.

Special Features 4/5
The special features are not exhaustive, but what's included is excellent. There are interviews with Aronofsky, Portman, Hershey, Cassel and Ryder. There's also a 49-minute featurette on how the film was made, including the music, cinematography and special effects. Well worth a look if you're a fan.

Similar films
It's hard to talk about Black Swan without thinking about The Red Shoes (1948). Both films feature ballet dancers who are striving to perfect their art. I'm also reminded of films dealing with blurred reality and mental illness such as Psycho, Persona and Repulsion.

Black Swan draws you into its world. If you let it happen, you will be affected emotionally. It was one of the best five films of 2010.

Overall score 4.5/5 

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Mulholland Dr. will either fascinate you, or you'll hate it

Mulholland Dr. (drama, mystery, thriller)

Cast: Naomi Watts, Laura Harring, Justin Theroux

Director: David Lynch

Optimum Home Entertainment | 2001 | 147m | Rated R | Sep 13, 2010

Video:

MPEG-4 AVC | 1080p | 1.85:1

Audio:

English, French, Italian: DTS-HD Master Audio 5.1

Subtitles:

French, Dutch, Italian

Discs:

Single 50GB Blu-ray digibook, Region B (UK import)

The Film 5/5

Mulholland Dr. is a wild ride and it's best to experience it without knowing anything the first time you see it. The plot is non-linear and the ending isn't typical Hollywood fare. Most of my friends hated it and thought it was a waste of their time. But for those who like it, the experience is up there with the best that film has to offer. If you are analytical and curious enough to watch the film two or three times in quick succession, you're the type of person who may end up loving this film. If you haven't seen it and think you fit that description, I hope you will give it a try.

Mulholland Dr. is my favorite film of all time. The prospect of seeing the Blu-ray both excited and scared me as I wondered whether the presentation would be worthy of the film.

It elevated it to a different level.

The story is full of mystery and unfolds like a detective story for the first two-thirds of the film. Betty (Naomi Watts), an aspiring actress, wins a jitterbug contest and uses it as an opportunity to fly to Los Angeles to seek out an acting career. Immediately after, we see a car crash in which Rita (Laura Harring) suffers amnesia and seeks refuge in Betty’s empty home. The two soon meet and Betty tries to help Rita remember who she is.

The film was intended to be a television series and the first two acts were formed by the aborted pilot. Eventually, new funding allowed Lynch to finish the film and it evolved into an entirely different story. The plot isn’t linear, and the distinction between dream and reality becomes increasingly blurred.

This is a complex puzzle that is very hard to take in on the first viewing and is therefore not for everyone. If you like fast-paced action and straightforward stories wrapped up neatly by the end of the movie, you probably won’t appreciate the film. If you enjoy mysteries and being confused and unsettled, it may interest you.

It changed the way I watch movies.

This is the kind of film that possesses you. The best way to view it is to let it carry you along and wash over you. Save your analysis for repeat viewings. And if you have an inquisitive mind, there will be many repeat viewings.

I first saw this film without understanding all of it, but I found myself going over it in my mind and watching it again the next day. Then I wanted to tell all my friends about it. Over time, it has surpassed everything I have ever seen. It’s full of intrigue and makes me feel so many different emotions. It’s quite brilliant and Lynch’s best work, although all of his projects are valuable and important.

Watching one of Lynch’s films takes you on a journey into a different world. There’s something not quite right with the world, but it’s hard to identify exactly what it is. But it adds to the feeling of unease. In Mulholland Dr., he uses interesting camera angles to show you a glimpse of what is ahead. As a result, you become part of the story and see it unfold as the main characters do.

There’s a lot going on in this strange world. We are shown several different characters, initially unconnected, with no explanation of their overall role in the story. This probably happened because the threads were meant to be expanded on in the television series. You will meet film directors, detectives, a hit man, and a whole host of minor characters.

The film is punctuated by moments of bizarre humor. Some of the comedic scenes make me laugh out loud, and that’s not an easy thing to achieve. There are also moments of violence and mystery and ultimately true desolation.

The final act turns everything on its head. Betty and Rita become Diane and Camilla. It’s initially confusing, but everything becomes clear when you think about what you have seen and felt.

It’s full of symbols and metaphors and has an underlying theme which examines the Hollywood industry as a whole.

Lynch creates a mood better than any director I have ever seen. The colors, settings and actions of the characters all enhance the atmospheric presentation, and Angelo Badalamenti’s haunting score completes the experience. Mulholland Dr. has many of the elements that made Twin Peaks my favorite television show of all time. If you like one, you will almost certainly like the other.

I’m not going to expand any further on the plot, such as it is, because it may put you off seeing the film. It’s complex, but it’s very rewarding when you examine the experience after the fact. It’s the kind of film that encourages people to develop their own theories. Lynch refuses to explain it, preferring that you develop your own idea about what it represents.

The film can be viewed as a series of interesting scenes. In fact, that’s probably a good way to view it for the first time. The final act isn’t a predictable occurrence. If you’re someone that finds that refreshing, like me, then you should check out Mulholland Dr. if you haven’t already done so. Several film magazines voted it the best film of the last decade. It’s certainly something that can be appreciated even if you have other favorites.

Video Quality 4/5

The disc opens with trailer in SD, highlighting other StudioCanal titles, but don’t let that worry you. We see Rita in a car crash early in the film and the scene is shot in the dark and looks soft, as are several other scenes in the film. The film is supposed to look that way. But the majority has good detail and better lighting. I didn’t see any dirt or print damage and the overall presentation was extremely clean and pleasing. I didn’t expect the video quality to be great, but I was pleasantly surprised. The opening shots deserve 3.5 due to the lighting and softness, but other scenes reach 4.5. Overall I’ll give it a 4.

Audio Quality 5/5

The opening jitterbug scene gives you an idea of how Mulholland Dr. is going to sound; in a word, wonderful. The ensuing car crash is loud and full of detail. Lynch is obsessive about choosing exactly the right sounds to match the scene, and getting the volume exactly right. The sounds of gravel, doors opening and dialogue are all perfect. When it comes to louder scenes, such as Rebekah Del Rio singing, or the rumbling undercurrent during aerial shots, it’s also handled perfectly. I don’t think I have ever heard a better presentation in terms of sound quality. I imagine it’s exactly as Lynch intended.

Special Features 3.5/5

An Introduction to the film by Thierry Jousse (9:54 HD)

In the Blue Box (27:33 HD)

On the Road to Mulholland Dr. (23:40 SD)

Interviews with Mary Sweeney (SD) and Angelo Badalamenti (SD and audio only)

Back to Mulholland Dr. (23:52 in SD)

20-page booklet

Some of the features are excellent and include interviews with Lynch and members of the cast. The most enlightening feature for the first-time viewer is Back to Mulholland Dr., which includes a simplified interpretation of the film. Please don’t watch it until you have seen the film or it will alter the experience.

Similar Movies

The closest thing to Mulholland Dr. is Lynch’s other work such as Lost Highway and Inland Empire. Ingmar Bergman’s Persona also includes similar themes as does Alfred Hitchcock’s Vertigo.

Firstly, be aware that the Optimum BD is locked to Region B, so only buy it if you can play it. I’m not going to tell you to buy this before you’ve seen it, despite my glowing praise. As I have already mentioned, it’s not for everyone. If you are a fan of the film and can play Region B material, buy it without hesitation. If this is the first time you have heard of it, rent the DVD or catch it on cable. Try to watch it on the biggest screen you can, without pausing, and with no other distractions. Watts and Lynch deserved Oscars for their work, but I guess there weren’t enough explosions, dumb jokes, or people getting hit in the groin.

Overall score 5/5 

See where Mulholland Dr. ranks in my Top 20 dramas.


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